Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and Bound in Horace Walpole's copy of Analysis of beauty along with State 3 of Plate 1. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., 1 print : etching and engraving with stippling on laid paper ; plate mark 35.7 x 40.8 cm, on sheet 46 x 59 cm., and Plate 11 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., 1 print : etching and engraving with stippling on laid paper ; plate mark 35.7 x 40.8 cm, on sheet 46 x 59 cm., and Plate 11 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion