A George III reverse painting on glass. A child stands between his two parents, his mother kneeling on the left and his father swings his watch to entice the child to take his first steps in their fashionable appointed sitting room. Through the open window above the settee can be seen a boat with a sail on a river and a imposing building on the distant shore
Description:
Title from item. and For further information, consult library staff.
Reverse painting on glass. A personification of Flora in a chariot pulled by two cats. In the distance a garden with a folly
Description:
Title from item., Artist unidentified., With text below image: Stampa & Steffenoni, 14 Heather Lane, London., and For further information, consult library staff.
"Five passengers sit together on a bench against the side of a ship, all but a small boy, seemingly a mulatto, manifesting misery or resignation. The others (left to right) are a woman shrouded in black except for her chin, a planter in a long coat and broad-brimmed hat, his wife's arm through his. A fat and hideous negress, awkwardly asleep. The deck is level."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Cf. Catalogue of prints and drawings in the British Museum, v. 10, no. 14718., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1140., and Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1248.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking
Page 192. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title and statement of responsibility from contemporary annotation in pencil on verso., Mounted above on the same page is another drawing by the same artist: View of the lake and Temple of Esculapius in Villa Borghese, Rome, 1792., and Mounted on page 192 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Relief shown pictorially., North oriented down., Bar scale given in unidenified units., Coordinates not present on map and are approximated., Includes index of colleges, buildings, and streets., and Insets: view of Oxforde and a map of Oxfordshire with bar scale in miles.
Volume 1, after page xxxvi. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
Seven men follow closely behind Samuel Johnson, who has a human head but the body of a bear. Johnson wears a tricorne and a cape and holds a staff in his right hand/paw. The man directly behind Johnson squats down with his nose near the tail of Johnson's bear body; the three men at the back wear academic gowns and hats
Description:
Title etched beneath lower left corner of image., Possibly signed in lower right corner using monogrammatic initials., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., A reduced copy of a print entitled "Scotch worship of an English idol; his high priest attending", published by Thomas Cornell (active 1780-1792). Cf. The Morgan Library & Museum call number: Peel Vol. 05, no. 273., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 38 x 27 cm., and Bound in after page xxxvi (leaf numbered '39' in pencil) in volume 1 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Page 186. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title and date from contemporary note in ink on a separate sheet, mounted below drawing., Unsigned; artist unidentified., and Mounted on page 186 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
"On the 1st of September next, the Act of the 21st and 22d Victoria, cap. 106, for the better Government of India, by which the powers of the East India Company were transferred to the Crown, will have been in force ten years"--P. [1]., BEIN College Pamphlets 452 8: From the library of E. B. Eastwick., Caption title., and Includes bibliographical references.
Publisher:
s.n.
Subject (Geographic):
India--Politics and government--1857-1919
Subject (Name):
Eastwick, Edward Backhouse, 1814-1883--Ownership and Great Britain--Parliament
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Orignal etching was presumably an early state of a plate more widely published with the title "To Calais." For the state following the title change, which has the same G. Humphrey imprint and lists the same publication date, see no. 14719 in the Catalogue of prints and drawings in the British Museum, v. 10. The plate retained this latter title when it was reissued in: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., A companion print entitled "From the West Indies" has the same signatures and imprint statement as the original etching; see no. 14718 in the Catalogue of prints and drawings in the British Museum, v. 10., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 2036., and Cf. Reid, G.W. Descriptive catalogue of the works of George Cruikshank, 1249.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking