Manuscript on parchment (fine; leaves repaired before pricking and ruling) of the Collected Works of Hugh of St. Victor.
Description:
8-line illuminated initial, blue with white highlights on square ground, magenta with blue and white highlights; interior of initial inhabited by scrolling vines, rabbit and two animal heads on gold and blue ground; tail of letter extends down inner margin. 11- to 7-line red and blue initials divided by a zig-zag line in parchment and with interior red and blue flourishes resembling the design on a peacock's tail feathers, mostly in red with small blue circles. This style of initial accompanied by long penwork extensions in red and blue I designs and with small spirals, circles, flourishes. Small 3-line initials alternate red and blue with penwork flourishes in the opposite color. 1-line plain initials alternate red and blue for chapter lists. Remains of guide letters for decorator. Headings, running titles (often incorrect), deletions (single horiztonal red line) and initial strokes in red., Binding: France [?], ca. 19th c. Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Binding: Nineteenth century, France (?). Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Purchased from L. C. Witten in 1960 by Thomas E. Marston., Script: Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands., and Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands.
Subject (Name):
Hugh,--of Saint-Victor,--1096?-1141
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Bernard, of Clairvaux, Saint, 1090 or 91-1153 Honorius, of Autun, ca. 1080-ca. 1156
Published / Created:
[ca. 1300]
Call Number:
Marston MS 122
Image Count:
542
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (palimpsests of ecclesiastical documents, many leaves pieced and patched) of Bernard of Clairvaux, Collection of sermons, treatises, and letters. With works by Ogerius de Lucedio, David of Augsburg, O. F. M., Arnulfus de Boeriis, and Honorius Augustodunensis.
Description:
Binding: Eighteenth century, France. Greenish brown goatskin gold-tooled. Gold-tooled panels and dark red gold-tooled label (damaged) on spine. Red edges., Folios 1-50 have flourished initials, 3- to 2-line, alternating blue with red penwork designs and red with purple; two initials of better quality, divided red and blue, with red and purple flourishes (ff. 42r, 43v); many initials have harping designs. For remainder of manuscript uninspired red initials, either plain or with harping designs in brown ink. Rubrics, underlining and initial strokes, in red, throughout. Running headlines, in red, on ff. 1r-83r. Notes to rubricator in margins. Paragraph marks, red or blue., Imperfect: some pages badly rubbed making text illegible., and Script: Written by multiple scribes in a small rounded gothic bookhand, below top line.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Latin letters, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Sermons, Latin, and Sermons--Early works to 1800
Hugh, of Saint-Cher, Cardinal, ca. 1200-1263 Martinus, Polonus, d. 1279
Published / Created:
[between 1300 and 1350] and s. XIV 1 [first half of the 14th century]
Call Number:
Marston MS 156
Image Count:
3
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (thick) of 1) Ps.-John Chrysostom, Opus imperfectum in Mathaeum (collection of sermons). 2) Hugo de Sancto Caro, De doctrina cordis. 3) Unidentified articuli fidei. 4) Martinus Strepus, Chronicon pontificum et imperatorum, concluding with "Ludovicus rex francie" in 1270.
Description:
Binding: Twentieth century, U.S.A. Half-bound in red goatskin with gold-tooled title on spine ("Martinus Polonus/ Chronicon/ MS c. 1300") and marbled paper sides. By the same binder as Marston MS 152., Purchased from E. P. Goldschmidt of London in 1957 by L. C. Witten, who sold it the same year to Thomas E. Marston., Red and blue divided initials, f. 1r (10-line) and f. 86v (9-line), with floral and linear motifs in parchment. Running titles, headings in red. Plain initials, 3- to 2-line, alternate red and blue. Red and blue 1-line initials alternate in table of contents. Majuscules stroked with yellow. Remains of notes for rubricator., and Script: Written in good quality gothic bookhand.
Subject (Name):
Martinus,--Polonus,--d. 1279
Subject (Topic):
Bible.--N.T.--Matthew, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Papacy--History, Sermons, Latin, and Sermons--Early works to 1800
Manuscript on parchment (thick) of 1) List of relics in an unidentified church of St. James, probably in Spain. 2) Indulgences for various prayers, masses, etc. when visiting the church of St. James. 3) Unidentified Middle English devotional text. 4) Unidentified prayer, probably a form of absolution related to indulgences in art. 2. 5) Ps.-Augustine, Ps.-Bernard, etc., and wrongly attributed to Richard Rolle, Speculum peccatoris, ending imperfectly. 6) Richard Rolle, De emendatione vitae. 7) Richard Rolle, Oleum effusum (final four sections of the Comment on the Canticles). 8) John of Peckham, extract from Constitutiones. 9) The Five Wiles of the Pharaoh in Middle English.
Description:
Binding: Fifteenth century, England. Original, caught up sewing with very heavy thread on four tawed skin, slit straps laced from out to inside beech boards and pegged in channels which are filled with gesso (?). Green and gold, beaded endbands are sewn on cord cores laid in grooves in the outside of the boards. Spine lined with tawed skin. Covered in tawed skin, originally pink, with two fastenings, the catches on the lower board, the upper one cut in for brown leather straps. Spine covering disintegrating, thus exposing sewing. Covers much worm eaten., Flourished initials of good quality, 4- to 2-line, blue with red penwork designs incorporating leaf motifs and marginal extensions. Headings in red. Paragraph marks in blue., and Script: Articles 5-7 written by a single scribe in anglicana bookhand. Other texts by contemporary scribes in less careful bookhands, with article 4 in a less formal hand.
Subject (Name):
Rolle, Richard, of Hampole, 1290?-1349
Subject (Topic):
Christian literature, English (Middle), Christian literature, Latin (Medieval and modern), Christian pilgrims and pilgrimages., and Manuscripts, Medieval--Connecticut--New Haven
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers.
Description:
Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions “SERMONES” / and “IOANNES / CHRYSOSTOMUS”., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., and There is a contemporary foliation in red ink in arabic numerals in the middle of the upper margins of the recto pages, which coincides with the modern foliation up to f. 86; ff. “87”-“88” of the contemporary foliation are missing; the latter continues from “89” (= f. 87) to “113” (= f. 111). There are traces of a still earlier foliation, also in the center of the upper margins, which has been erased and appears to run from “70” (= f.1) to “159” (= f. 90, “156” and “157” being the missing leaves).
Subject (Name):
John Chrysostom,--Saint,--d. 407 and Thomas,--of Ireland,--ca. 1265-ca. 1329
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons, Latin
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 163
Image Count:
522
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of St. Antoninus of Florence, Summa moralis (extracts on sins, virtues and vices arranged thematically).
Description:
29 modern binders blanks at end not digitized. Back flyleaf indicative of binders blanks., Binding: 17th-18th centuries, Northern Italy. Resewn and bound in alum tawed pigskin, blind-tooled. Lower board cut in for the strap. The boards and cover are probably early (15th century) and reworked and reshaped to fit the text block, given the large number of later blank leaves inserted at end of text and the way the text block appears to have been trimmed at the tail and the new endbands added. In addition, the title written twice, 15th century, on upper cover ("Rationale diuinorum offitiorum" of Guilielmus Durandus) does not correspond to the present text. Title, written in ink, on a square paper label on spine mutilated and largely illegible. Strip of liturgical manuscript with musical notation, 15th century?, used as spine lining., Decorative initials, 9- to 5-line, for main text divisions, blue with red penwork designs (red much faded); headings, initials (5- to 3-line), paragraph marks in bright red; initial strokes in yellow., Purchased in 1958 from C. A. Stonehill by Thomas E. Marston., Script: Written by multiple scribes in small informal styles of gothic bookhand with humanistic features, below top line., and Watermarks, buried in tight binding: unidentified flower.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Vices, and Virtues
Manuscript on paper of a huge collection of mostly short quotations, arranged under more than one hundred headings; the first ones deal with God and his qualities, but the majority are of a moral nature; the collection also includes short treatises, exempla, verses and prayers. With two fragments 1) of a Latin theological treatise on parchment, ca. 1300. 2) of a Latin philosophical treatise, probably a commentary on Aristotle's De caelo et mundo.
Description:
Script: Mainly copied by one hand writing a small Gothico-Humanistica with single-compartment a; a few additions and marginal notes by a contemporary hand. Art. 3 is copied in an unusual linear Humanistica Textualis close to Cursiva, marked by numerous loops. and The foliation is incorrect, comprising successively ff. 95, 96, 95bis, 96bis, 97.
Manuscript on paper containing 1) Antonius Rampegolus (de Rampigollis) de Ianua (d. after 1423), Compendium morale (Figurae Bibliorum). 2) Comparisons of the Virgin to the sky, the firmament, a mirror, a lily, balsam, thunder, a sword, paradise, water or a river, a garden, a tree, joy, a staff, dew, gold, a door, etc. With quotations from Alanus (de Insulis?), Alcabitius, Algazel, Aristotle, Averroes, Avicenna, Chalcidius, Constantinus Africanus, Galenus, Hermes Trismegistus, Ignatius, Isidore of Seville, Orosius, Philaretus, Plato, Pliny, Sedulius, Simplicius, Solinus, Theophrastus, Tondalus, etc. 3) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux) or Ps.-Beda Venerabilis (Pseudo-Bede), Meditationes passionis Christi per septem diei horas. 4) Planctus beatae Mariae virginis, ascribed to Bernardus Claraevallensis (Bernard of Clairvaux). 5) Note on the torments of Hell, after Ps.-Bernardus Claraevallensis. 6) Note on the delights of Heaven. 7) Henricus Totting de Oyta (d. 1397), Quattuor notabilia (Solutiones quarumdam quaestionum ad dominum Rudolphum). 8) A theological treatise in fourteen questions on indulgence and remission of sins. 9) Short treatise of canon law on qualifications for preaching and theological argument. 10) Bonaventura (1221-1274), De praeparatione ad missam. 11) Honorius Augustodunensis (c. 1090-c. 1150), Inevitabile sive de praedestinatione et libero arbitrio inter magistrum et discipulum dialogus, two extracts, respectively corresponding with the edition PL 172.1198-1199 and 1201 (the latter extract ending incomplete). 12) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis O.P. (d. c. 1353), with an introductory letter by the translator to master Hugh de Vaucemain, general of the Dominican Order, dated 1339. 13) Nicolaus de Dinckelsbühl (c. 1360-1433), Dicta super beatitudines.
Description:
Binding: Original binding: brown leather over rounded wooden boards, with some worm-holes, the outer lower edge of the rear board broken off; both covers blind-tooled with a frame and diamond pattern of double fillets, the diamonds decorated with three different stamps: a large quadrangular stamp with a quatrefoil, a circular stamp with a six-pointed star and a circular stamp with a rosette; in the triangles a small circular stamp containing a trefoil. Hinges broken. Spine with four double raised bands and braided leather headbands. Remnants of two clasps attached to the rear cover. On the lower edge the ca. 1500 title “Figure morales [?]” written in ink close to the spine is faintly visible. Parchment pastedowns. The front pastedown consists of (1) a notarial document in Latin, dated 6 Jan. 1428, written in Gothica Cursiva; (2) a leaf, partly covered by the preceding document, from a Formulary of Canon Law, 14th century, written in Gothica Cursiva Antiquior. The rear pastedown consists of fragments of two bifolios from a 13th-century Latin moral treatise, written in Gothica Textualis Libraria and containing innumerable Biblical quotations., Collection of Bernard M. Rosenthal, Berkeley (MS 175). Purchased from Rosenthal on the Edwin J. Beinecke Fund., ff. 151r-156v, 184r-192v, 231v-241v foliated but otherwise blank, not digitized., In the first section, copied by hand A, heightening of majuscules, underlining, paragraph marks and headings (in larger script), all in red; some headings, in black, are underlined in red and placed in a rhomboid frame in the same colour; 2-3-line plain initials in red, with guide letters; the 3-line initial on f. 1r is framed in red; the initial on f. 169r has rudimentary flourishing in the same colour. The final section, copied by hand B, is undecorated, although spaces for initials were provided., Script: Two contemporary scribes: A copied ff. 1r-204v in Gothica Semihybrida Currens; B copied ff. 206r-231r in Gothica Hybrida Currens., and Some pages badly damaged by the acid ink.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library