Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing depicting one of the ossuaria kept by Horace Walpole in the Library at Strawberry Hill. In the pediment of the ossuarium is a tripod supported by griffins; at each corner is a head of a man and a bird; in the center is an inscription in Latin
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 87 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Two English settees originally with crimson Norwich damask, now with reproduction worsted damask. Formerly in the Gallery at Strawberry Hill
Description:
Title devised by curator., Inscriptions: signed on the stretcher 'by Thos. Courtenay Devenish' and incised 'IF'; and on the frame 'Restuffed by H. Adams Nov. 1833.', Also attributed to English furniture maker William Vile and John Cobb, English cabinet-maker and upholsterer., Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A pair of window couches, of similar fashion, covered en suite., and Also available as a digital reproduction.
One sheet with sketches on front and back, mostly in ink, of bridges from a variety of angles
Description:
John Chute (1701-1776), English architect and connoisseur of the arts and literature, member of Horace Walpole's 'committee of taste.' and Originally laid in: Slight architectural sketches by John Chute, Box 1.
Studies of two couples and two men, most with caricatured faces. One of the couples is dancing (?); the other is shown with the woman sitting on the man's lap, he with a lewd grimace on his face
Description:
Title devised by cataloger., Attributed to Thomas Rowlandson., and For further information, consult library staff.
Volume 2, page 404.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of twenty armorial shields arranged in four rows, decorated images of animals including lions rampant or passant, a griffin rampant, a fish, a greyhound, or an eagle; other decorative elements include a helmet, three chalices, a fleur-de-lis, a Tudor rose, and a carbuncle
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 404.1 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Tentative identification of Fox, Sheridan, Moira, Sir John Sinclair, and Sir George Shuckburgh in chairs, leaning against the sides of bunks in a ship, all sleeping or being ill
Alternative Title:
Margate hoy
Description:
Title from Draper Hill; alternative title from pencil inscription on verso: A Margate hoy. and Date from Draper Hill, who suggests that the drawing is a preliminary for one of the illustrations for the abandoned de luxe edition of Poetry of the Anti-Jacobin.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sinclair, John, Sir, 1754-1835, and Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804
Wash drawing depicting several ships just offshore. Three men in a small boat row towards a ship that looks to have run aground; a man stands on the sandbar(?) beside the incapacitated ship with his arm raised
Alternative Title:
Gale
Description:
Title from local catalog card; alternative title from the print after which the drawing was made., Signed by the artist in ink on verso., Drawn after a print entitled "A gale," engraved by P.C. Canot after a painting by van de Velde, which was published by John Boydell on 1 November 1773. See British Museum online catalogue, registration no.: 1877,0609.1656., Date of production from contemporary annotation in pencil on verso: Charles Gore 1781 from a print after an original by Vandevelde in the possession of Mr. Pratt, engrav'd by Canot 1773., Formerly laid in at page 103 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Wash drawing depicting several ships just offshore. Three men in a small boat row towards a ship that looks to have run aground; a man stands on the sandbar(?) beside the incapacitated ship with his arm raised
Alternative Title:
Gale
Description:
Title from local catalog card; alternative title from the print after which the drawing was made., Signed by the artist in ink on verso., Drawn after a print entitled "A gale," engraved by P.C. Canot after a painting by van de Velde, which was published by John Boydell on 1 November 1773. See British Museum online catalogue, registration no.: 1877,0609.1656., Date of production from contemporary annotation in pencil on verso: Charles Gore 1781 from a print after an original by Vandevelde in the possession of Mr. Pratt, engrav'd by Canot 1773., Formerly laid in at page 103 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.