Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
Two women stand on a balcony, mouths open in song and eyes cast downward at their music sheet. They wear corsetted dresses and feathered head wear. A satire of the duet performed by Harriet Abrams (1758-1821), the English soprano and composer, and her sister Theodosia (ca. 1770-1849), a contralto, on 9 May 1788 at Hanover Square Rooms. The piece performed was 'Gia che mia sposa sei' by Antonio Sacchini, and the occasion was the annual benefit concert for the tenor Samuel Harrison
Alternative Title:
Duet at the Hanover Square concert
Description:
Title etched below image., After a drawing by John Nixon, now in the Gerald Coke Handel Collection, Foundling Museum, London. The artist's "JN" monogram and "1788" date are etched within center left portion of image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the Gerald Coke Handel Collection, Foundling Museum, London., Not in the Catalogue of prints and drawings in the British Museum., and Laid down onto album paper, with a cropped portrait of an unidentified man on the verso: I. Hiresman pinx. ; M. Vdr. Guchta sculp.
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image., Leaf 14 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 29.7 x 19.7 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
"Admiral Sir George Young, in naval uniform, stands in profile to the left, slim and erect, heels together, hand on the hilt of his sword. He wears a cocked hat and high boots. His expression is firm, alert, benevolent."--British Museum catalogue
Description:
Title etched below image., Leaf 8 in an album with the spine title: Characatures by Dighton., and Figure identified as "Admiral Young" in pencil in lower left corner of sheet.
A man in ragged clothes stands facing right, hunched forward under the weight of a basket of 'Rents' and 'Taxes' strapped to his back. His legs are shackled, his mouth is closed by a padlock, and his hands are tied behind him. Image enclosed within a circle
Alternative Title:
Freeborn Englishman
Description:
Title etched above image., Printmaker is likely the publisher Thomas Spence's son William, who was born in the early 1780s and died in 1797. See Oxford Dictionary of national biography, entry for Thomas Spence., Probably a copy, with alterations, of a print published circa 1795 entitled "A freeborn Englishman, the admiration of the world, the envy of surrounding nations, &c. &c." See description for No. 8710 in the Catalogue of prints and drawings in the British Museum, v. 7., Sheet trimmed within plate mark., Thomas Spence seems to have also issued copper tokens in 1796 with depictions of a similar shackled figure on one side. See for example British Museum online catalogue, registration no.: T.6498., and Not in Catalogue of prints and drawings in the British Museum.
Publisher:
Publishd. by T. Spence, Turn Stile, Holborn
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Taxation, Poverty, Poor persons, Locks (Hardware), Shackles, and Taxes
"An elderly general rides a high-stepping horse in profile to the left, posed like an equestrian statue. He wears a high cocked hat with cockade and plume; his sword-belt is buckled over his sash, which girds a heavy paunch. In his right hand is a cane. He is Lt.-General Richard England of Lifford, co. Clare, Colonel of the 5th Foot and Lt.-Governor of Plymouth, father of Sir Richard England (b. 1793). He was a veteran of the American War, and had been one of the first colonists of Western Upper Canada."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on three sides, with minimal loss of image from right edge., Leaf 71 in an album with the spine title: Characatures by Dighton., and Watermark, trimmed: [Ed]meads 1808.
"Bird's eye view of London; the Tower on the right, old London Bridge in the centre with the Monument to its right, St Paul's beyond, Westminster Abbey in the distance at the left; a reduced copy of a print by Bowles."--British Museum online catalogue
Alternative Title:
Vüe générale de la ville de Londres qui comprend la partie la plus voisine de la Tamise
Description:
Titles etched below image, in English and French., Probably a later state, with slight alterations to the plate numbering. For a state with "No. 1" in upper right corner and no number in upper left corner, see British Museum online catalogue, registration no.: 1875,0710.4904., Date range for publication from the British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "No. 1" in upper left corner and "1" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 20 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Thames River (England),, London Bridge (London, England),, England, and London.
Subject (Name):
Tower of London (London, England),, St. Paul's Cathedral (London, England),, and Westminster Abbey,
Subject (Topic):
Monument, The (London, England), Cathedrals, Bridges, Monuments & memorials, Rivers, Boats, and Sailing ships
A view of the city of Oxford from a distance with a horse and cows grazing in the foreground on either side of a stream. In middle distance there is a large manor with outbuildings
Alternative Title:
Vue générale de la ville d'Oxford
Description:
Titles in English and French engraved below image., Sheet trimmed to plate mark., Plate numbered "87" in upper right corner., and Mounted on stiff cardboard.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
"An elderly man in profile to the right sits heavily on a horse which plods slowly with lowered head. He holds the single rein awkwardly; in his right hand is a cudgel. He wears old-fashioned dress with round hat and high-quartered buckled shoes with spurs. Identified as Thomas Clark of Exeter Change."--British Museum online catalogue
Alternative Title:
Gentle ride from Exeter Exchange to Pimlico
Description:
Title etched below image., Leaf 6 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 28.1 x 22.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Mr. Clark" in pencil in lower left corner of sheet.