Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms.
Description:
Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., and Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials.
Subject (Name):
Innocent--V,--Pope,--ca. 1224-1276 and Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Subject (Topic):
Bible.--O.T.--Psalms, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pecia, Scholasticism, and Scholia
Jean, de Meun, approximately 1240-approximately 1305
Published / Created:
[between 1300 and 1350]
Call Number:
Beinecke MS 703
Image Count:
45
Resource Type:
unspecified
Abstract:
Manuscript on parchment (low quality) of 1) Jean de Meun (ca. 1240, d. before 1305), Le Testament. 2) Raoul de Houdenc (ca. 1170-ca. 1230), Le Songe d'Enfer (La Voie d'Enfer), 1-672. At least 6 verses are missing at the end; they were probably written on a leaf now missing after f. 18.
Description:
In French., Script: Copied by one hand in a rather uneven Northern Gothica Textualis Libraria, marked by many fusions., The opening letters of all verses are heightened in red; in art. 1 the first verse of each quatrain except the first one opens with a 1-line plain red initial. Art. 1 opens with a 3-line plain red initial, art. 2 with a 2-line one. All initials are executed over guide-letters., The codex is badly trimmed, causing the loss of letters at the end of verses., and Binding: Nineteenth century. Half brown leather over pasteboard, the boards covered with red paper. On the spine a black leather label with the gold-tooled title "CODICILLE / I. DE MEUN" and a green circular paper label with the handwritten shelfmark "301".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jean, de Meun, approximately 1240-approximately 1305. and Raoul, de Houdenc, approximately 1165-approximately 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together.
Description:
Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., and Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
Manuscript on parchment (thin, pliable) of Aristotle, 1) Priora analytica, Lat. tr. Boethius. 2) Posteriora analytica, Lat. tr. Jacobus Veneticus (ca. 1130-40). 3) Books I-III of the Ethica Nicomachea. 4) De anima, Lat. tr. Jacobus Veneticus. 5) De anima (from the Parva naturalia), Lat. tr. Jacobus Veneticus.
Description:
Attractive flourished initials, red and blue divided with penwork designs in the same colors, mark the beginning of arts. 1-4; first few words of each of these texts written in red and blue alternating majuscules. For minor text divisions 2-line initials red or blue with designs in the opposite color. Paragraph marks in red (or sometimes alternating red and blue). Headings and instructions to rubricator in red., Binding: Nineteenth century, Germany. Parchment case binding made from a bifolium of a missal (Germany, 15th century) containing text for the end of the Secret for the 11th Sunday after Pentecost through part of the Gospel reading for the 12th Sunday. Remains of title, in ink, on spine. Pink (faded red?) edges., and Script: Written in a small neat gothic text script, above top line and with uncrossed tironian et. Marginal and interlinear annotations, contemporary or slightly later, in a variety of scholarly hands; annotations written in ink, crayon and lead, some very faded and barely legible.
Subject (Name):
Aristotle
Subject (Topic):
Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient
Manuscript fragment on parchment of a sacramentary.
Description:
Decoration: rubrics in red; capitals in red., Script: written in an unidentified script., and These fragments, which appear to be from the same manuscript, are contained in Zi 6309 (Dante, Convivio), in which they are used as front and back endpapers.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscript Fragments in Beinecke Library, Medieval and Renaissance Manuscripts in Beinecke Library, and Sacramentaries