"Boswell (left) and Johnson (right) talk across a small circular table on which is a candle. Boswell leans on the table, with raised fingers, talking vivaciously. Johnson leans back as if asleep, his stick between his outstretched legs. Through an open door (left) is seen the back of Mrs. Boswell hurrying from the room. A bracket-clock points to 1.55. A dog looks up at Boswell yawning. The floor is boarded."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Four lines of verse below title: "We talked of murder -- and of the antient trial by duel -- We sat till near two in the morning having chatted a good while after my wife left us ..." Vide Journal p. 15., Sheet trimmed within plate mark., Temporary local subject terms: Wall clock -- Dog., and In mss. in lower left corner: E-147.
Publisher:
Pubd. 30 May 1786, by E. Jackson No. 14, Mary-bone Street, Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, Boswell, Margaret Montgomerie, d. 1789, and Boswell, James, 1740-1795.
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., and Mounted to 29 x 43 cm.
Publisher:
Pubd. March 4, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, Croker, John Wilson, 1780-1857, Adam, William, 1751-1839, and Wardle, Gwyllym Lloyd, 1762?-1833
"A young man, [Friedrich Christian Accum (1769-1838) misidentified by Dorothy George as] Humphrey Davy (1778-1829), stands on a platform in a crowded lecture-room, circular in shape, an arc of the wall being shown. He pours liquid from a kettle into a beaker. His table is covered with similar beakers, a tiny retort, &c. Behind him is a door inscribed 'Surrey Institution'. The absorbed audience consists chiefly of pretty women in evening dress and ugly and elderly men. Men are seated on the platform; one is standing. In the foreground (left) a much caricatured elderly man in old-fashioned dress and bag-wig leans forward on his stick, registering anguished jealousy. In his pocket is a book: 'Accum's Lectures' .... Spectators look down from a balcony immediately above the platform."--British Museum online catalogue
Description:
Title etched below image., Date of publication from Grego. A date of ca. 1810 is given in the British Museum catalogue., and Watermark: J. Whatman 1810.
Title from caption below item., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 30 x 44 cm.
Publisher:
Pubd. April 24th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, and Wardle, Gwyllym Lloyd, 1762?-1833
Print shows an ugly and leering elderly man, identified as the London banker Thomas Coutts, embracing the actress Harriet Mellon (later Mrs. Coutts, and subsequently Duchess of St. Albans).
Description:
Title from item.
Publisher:
Pub. 15 May, 1815, by T. Palser, Surry Side Westr. Bridge
Subject (Name):
Coutts, Thomas, 1735-1822 and St. Albans, Harriot Mellon, Duchess of, 1777?-1837
A night scene under the Piazza of Covent Garden, the center of which is seen through the arch of the arcade. A couple hurry arm-in-arm through a doorway (right) over which is Haddocks (a bagnio). The woman is the Duchess of Devonshire, shown with a bare breast and holding a lantern. She tells the prim young man "Vote for whom you please but kiss before you poll." He answers, "Tis too much neighbor! I could not go through with it." On the left behind the couple is Mrs. Hobart who holds her lantern to see an old Chelsea pensioner and a negro supported on stumps and crutches. She says to them, "D-m the Duchess, she got all the young voters."
Alternative Title:
Dark lantern business, or, Mrs. Hob and Nob on a night canvass with a bosom friend and Mrs. Hob and Nob on a night canvass with a bosom friend
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed partially within plate mark., and Mounted to 29 x 38 cm.
Publisher:
Pub. April 24th, 1784, by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Covent Garden (London, England)
Subject (Topic):
Brothels, Lanterns, Lighting, People with disabilities, Political elections, and Prostitutes
"An obese old doctor sits between Mrs Clarke and a thin elderly officer (right), chapeau-bras, sitting grotesquely expectant on the edge of his Easy Chair. The doctor puts a money-bag inscribed 800 into the dress which Mrs. Clarke holds up to receive it, pointing to the officer, one Captain Tuck. From his pocket hangs a paper Doctor Doneover [Donovan] Agent to Old Nick-Deanery 2000, Commissary 1000, Majority 800 Mrs. Clarke (left) sits in a Ricketty Chair; its seat is Morocco Bottom [an allusion to Taylor, see No. 11218]; under her feet are three papers: My admirable angel My Dear dear pretty little darling; My Love my Life I cannot exist without you; Gazzette. She is one of Rowlandson's pretty meretricious women, and does not resemble Mrs. Clarke. Behind her is a curtained bed, its head inscribed Boudoir; above this hangs a bust profile portrait of Fredirick 2 beneath which a paper is pinned up: List of Candidates for Promotion Sums offered Clav . . . [Clavering, see No. 11247] 2000, Dow. [Dowler, see No 11253]-800, OM [O'Meara, see No. 11258] 300 .. . 200. Beside the bed is an ornate table with decanters and glass, and a paper: Rogues all sing tanta-ra-ra-Blood an Thunder when Whore and Rogue are rent asunder. On the floor is a book, Mrs Clarks Ledger, on which are papers spiked on a file: Promotions paid for. Two quotations from Gay's 'Beggars Opera' complete the design. Above the doctor's head, on a large scroll, are eight lines beginning:"Tis Woman that seduces all mankind, Under Tuck's chair is a paper: If you mention vice or bribe, Tis so pat to all the tribe-each cries that was levelled at me."--British Museum online catalogue
Alternative Title:
Industrious Mrs. Clarke winding up her accounts
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed to plate mark on one side., and Mounted to 30 x 43 cm.
Publisher:
Pubd. M. Febry. 15, 1809, by Thos. Tegg, No. 111 Cheapside
Title from item., Sheet trimmed to plate mark on all sides., In upper right corner of design: Plate 25., Copy of no. 11686 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Paternoster Row -- Parson.
Publisher:
Pub Apr. 1, 1813 at R. Ackermann's Repository of Arts, 101 Strand
Title from item., Sheet trimmed within plate mark on all sides., In upper right corner of design: Plate 21., Variant state of no. 11682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Dairies.
Publisher:
Publishd Apr. 1, 1813 at R Ackermann's Repository of Arts, 101 Strand
Title from item., Sheet trimmed within plate mark on all sides., In upper right corner of design: Plate 5., Variant state, Cf. No. 11511 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Inn yards -- Landladies.
Publisher:
Pubd. Apr. 1. 1813, at R. Ackermann's Repository of Arts, 101 Strand