Manuscript on parchment (speckled on hair side) of 1) Petrarch, Rerum vulgarium fragmenta. 2) Petrarch, Triumphi.
Description:
Acquired from H. P. Kraus in 1960 by Thomas E. Marston., Binding: Nineteenth century, Italy. Brown calf, blind- and gold-tooled. Gilt edges. Title on spine: "Petrarca". Signed by "CR"., Illuminated by Antonio di Niccolo di Lorenzo. The decoration consists of an illuminated title page with full border, white vine-stem ornament on blue, red and green ground with white, blue and pale yellow dots, respectively, with a thin gold bar in all margins, forming a diamond (black) in inner and a roundel with a profile head of a young woman against blue sky with some clouds in the outer margin. In the lower border a medallion (erased) framed in gold and supported by four round-faced putti with multicolored wings in green and red. Superimposed on the border are a variety of multicolored birds, a lion and two putti. These animals are related to animals in contemporary Florentine manuscripts and perhaps reflect the use of a model book. Historiated initial, 10-line, gold, on blue green and red ground with white vine-stem ornament attached to the inner border, with a half-length portrait of Petrarch holding a book against a blue sky with white cloud formations. Six illuminated initials (ff. 143r, 155v, 159r, 168v, 176r, 178v), 6- and 5-line, gold on blue, red and green grounds with white vine-stem ornament extending into margin, and gold dots with hair-line extensions. On f. 143r, initial joined to partial border, same as above. Plain initials in blue, paragraph marks alternate red and blue. Headings in red., and Script: Written by Carlo di Palla Guidi in a round humanistic script, above top line.
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (coarse, remains of deckle edges) of 1) Unidentified Italian epitome of the Ps.-Ciceronian Rhetorica ad Herennium. 2) Unidentified and anonymous treatise on memory.
Description:
Binding: Nineteenth century, Italy (?). Half bound in vellum with a gold-tooled spine and Spanish marbled sides. Ribbon bookmark., Script: Written in gothic bookhand by a single scribe, above top line., Spaces left for initials remain unfilled, except on f. 25r where there are three poorly executed initials in red; guide letters for decorator. Paragraph marks and initial strokes, in red., and Watermarks, along upper edge: unidentified mountain and hunting horn.
Subject (Name):
Pseudo-Cicero
Subject (Topic):
Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Memory, Rhetorica ad Herennium, and Rhetoric--Early works to 1800
Manuscript on paper in 2 volumes of a rhyme concordance (rimario) to the vernacular poetical works of Francesco Petrarca (1304-1374), arranged in an approximate alphabetical order, with numbered references to the pages or folios of an unidentified edition of 374 pages or folios (this being the highest number to which references are made).
Description:
Binding: Sixteenth century. Venetian de luxe bindings, brown morocco over pasteboard. The covers are bordered with blind-tooled and gold-tooled fillets; gold-tooled corner pieces and in the center gold-tooled coat of arms with two lilies of the Fugger family. On the front cover of vol. 1 are the gold-tooled vowels "A" and "E", on the front cover of vol. 2 the vowels "I", "O" and "V", referring to the content of both volumes. Gold- and blind-tooled spine with three raised bands. Red and green headbands. Gilt and gauffered edges. Marks of four pairs of ties., Script: Copied by one scribe in rapid Gothico-Humanistica Cursiva., and Watermark: Anchor within a circle, Briquet 586-589.
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Concordances, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper in 2 volumes of a rhyme concordance (rimario) to the vernacular poetical works of Francesco Petrarca (1304-1374), arranged in an approximate alphabetical order, with numbered references to the pages or folios of an unidentified edition of 374 pages or folios (this being the highest number to which references are made).
Description:
Binding: Sixteenth century. Venetian de luxe bindings, brown morocco over pasteboard. The covers are bordered with blind-tooled and gold-tooled fillets; gold-tooled corner pieces and in the center gold-tooled coat of arms with two lilies of the Fugger family. On the front cover of vol. 1 are the gold-tooled vowels "A" and "E", on the front cover of vol. 2 the vowels "I", "O" and "V", referring to the content of both volumes. Gold- and blind-tooled spine with three raised bands. Red and green headbands. Gilt and gauffered edges. Marks of four pairs of ties., Script: Copied by one scribe in rapid Gothico-Humanistica Cursiva., and Watermark: Anchor within a circle, Briquet 586-589.
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Concordances, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (goatskin) of a 1) Ps.-Marcellus, Gesta Petri et Pauli. 2) Ps.-Bernardus Claraevallensis (Ps.-Anselmus Cantuariensis), Sermo de miseria humana. 3) Guigo II Carthusianus (d. 1188, Ps.-Augustinus Hipponensis), Epistola de vita contemplativa (Scala claustralium). 4) Italian version of Dan. 13:1-64. 5) Passio Ciryci et Iulittae. 6) Passio sanctae Caeciliae. 7) Passio sanctae Eugeniae. 8) Vita sanctae Theodorae. 9) Passio sanctae Theodosiae. 10) Passio sanctae Felicitatis cum septem filiis. 11) Passio sanctae Reparatae. 12) Passio sanctae Agathae. 13) Passio sanctae Luciae. 14) Passio sanctae Agnetis. 15) Passio sanctae Domitillae. 16) Vita sanctae Thaidos. 17) Passio sanctorum Simplicii, Faustini et Beatricis. 18) Vita sanctae Margaritae. 19) Vita sanctae Mariae Aegyptiacae. 20) Passio sanctae Ursulae et sociarum. 21) Vita sanctae Mariae Magdalenae, followed by three miracles performed by the saint.
Description:
Binding: Nineteenth century. De luxe brown leather binding over cardboard, the covers decorated with gold- and blind-tooled frames; flat gold-tooled spine, with gold-tooled inscriptions: “LEGGENDE / DI SANTI / TESTO DI LINGUA / DEL / BUON SECOLO” and “TRASCRITTO / NEL / 1462”. Brownish marbled endleaves., Headings in red, sometimes missing. Blue plain 3-line initials (Capitalis) with guide-letters, half inset; missing on p. 198. On the opening page white vinestem left margin border with incorporated 7-line initial, and white vinestem lower border with wreath in which a coat of arms is missing (a later hand, who made also a few notes elsewhere in the manuscript, has written in the blank space "Ipsa est antiquitas")., and Script: Copied by one hand in Humanistica Textualis.
Subject (Topic):
Christian hagiography, Christian literature, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (thick, coarse) of Lives of the Saints, preceded by accounts of events in the Bible from both the Old and New Testaments. Folios 51 and 61 interchanged in rebinding.
Description:
Binding: Nineteenth century, Italy. Rigid vellum case with two red labels on spine: "Trattati di storia sacra" and "Manuscritto 1360"., Crudely executed title page, f. 1r, consisting of floral and foliage motifs in upper margin, scroll around column in inner margin, and, in outer margin, scroll around column terminating in elongated arm with text on the scroll (much rubbed and stained). In lower margin a coat of arms (damaged; probably: or, two columns gules); the letters B and C on either side in the bases of columns in inner and outer margins. The decoration of title page in bright red and green. Plain initials (some with simple foliage designs), headings, paragraph marks, pointing hands, and hands holding crosses or symbols of passions of martyrs (e. g., gridiron for Laurence), all in bright red, green, and/or black., Folio 1 damaged; no loss of text., Script: Written by several scribes in unruly mercantesca script, above top line. Script becomes smaller and tighter toward end of codex., and Watermarks: similar in design to Briquet Ciseaux 3708 dated Genoa, 1465.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library