Title devised by cataloger., Questionable date of publication based on watermarks from this print and another in the series at The Lewis Walpole Library., Six designs on one plate, each with a letter etched above and a word and its definition etched below., Description based on imperfect impression; probable plate number has been erased from upper right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: T. Edmonds 1825.
In two rows of three, from top left: a young man, his right knee resting against a rock, pulls back his short cape to reveal a small bouquet of flowers; a young couple embrace and toasting with wine glasses; a young couple seated and in conversation; a young woman in a headdress with feathers and touches to her face a folded fan; a couple dance; an older, short woman stands in profile to the right, her head slightly turned towards the viewer
Description:
Title devised by cataloger., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Watermark: royal cipher with initials GR inside a cirle.
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: a landscape with figures on horseback and the bard with attendants on a cliff on the upper left. On the verso, lower edge, a sketch of a head with a helmet in grey wash with swatch of wash background
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., With watermark on top portion of sheet: L.V. Gerrevink., Horace Walpole's ms. note on mount below image on leaf 11 referring to this and the image above on leaf 12: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., and Formerly mounted on bottom half of leaf 12 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Watercolor of the view of Horace Walpole's home, Strawberry Hill in Twickenham, with the Thames River and the lawns
Description:
Title devised by curator., Companion drawing to his: Strawberry Hill chiefly taken in the year 1769 by Mr. Sandby. Lewis Walpole call no.: 49 3485 (12) no. 1., Drawing that was later used as the basis of an engraving for A description of the villa of Horace Walpole (1784) entitled: South front of Strawberry Hill., and Paul Sandby (bap. 1731-1809), English artist and architect.
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[1766]
Call Number:
Drawer 769.00.00.82
Image Count:
1
Resource Type:
still image
Alternative Title:
Saint Martin dividing his cloak
Description:
Title, printmaker, and publication information from lettered state in the British Museum., After a painting by Anthony van Dyck. Artist statement on lettered state makes a false attribution to Rubens; see British Museum online cat., registration number: 1870,0625.597., Plate no. 26 from: A collection of prints engraved after the most capital paintings in England. London: [J. Boydell, 1769], v. 1., and Watermark.
A view of Horace Walpole's home in Twickenham, Strawberry Hill from the south. Two gardeners roll the lawn, pulling the heavy roller behind them, towards the lower right. In the distance is a view of the Thames and Richmond in the distance
Alternative Title:
Southview of Strawberry Hill
Description:
Title devised by curator., Artist unknown., Watermark: J. Whatman., and This is the drawing from which Annie Burr Lewis made her first needlepoint, now at the Lewis Walpole Library and signed: ABL '38.
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Buildings, structures, etc, Estates, and Gardening
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[25 March 1785]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 27. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text on reissued state, published by J. Harris on 1 March 1799; see Lewis Walpole Library call no.: 799.03.01.01., For a slightly earlier state, before the date following printmaker's name was changed from "Jany." to "March", see Lewis Walpole Library call no.: 75 B87 770., A single design on three plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 3 prints forming 1 image : etching with drypoint on laid paper ; sheets 52 x 47 cm or smaller., and Sheet trimmed within plate marks.
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice which has not yet been filled in with text as in the finished version. In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third, with a pen and ink-horn at his buttonhole, tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer. Beside and behind him a man with a bottle in one hand sniffs at another bottle (both later labeled in final state). An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title, printmaker, artist, and publication information from later state in the British Museum catalogue., An early state, possibly a proof before letters for a later state with the imprint "London, Publish'd June 26th, 1788, by W. Dickinson, engraver, No. 158 Bond Street" and with the framed notice in the left part of the design expanded and filled with etched text, see no. 7452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to design., and Watermark.
Title from letterpress broadside with which this plate is associated. See Catalogue of prints and drawings in the British Museum., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Later state of the left side plate. Cf. No. 4013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Corporations: Corporation of London -- Laws and statutes: cider act, 1763 -- Pictures amplifying subject: portrait of Lord Bute -- Excisemen -- Thrones -- Resignations: Lord Bute's resignation, 1763., Mounted to 31 x 38 cm., and Watermark.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Title assigned by cataloger based on letterpress text below., Publication information extrapolated from that of Walpole's Works., Head-piece illustration to a verse by Horace Walpole with caption title: The funeral of the lioness : a fable imitated from La Fontaine., Plate from: The works of Horatio Walpole, Earl of Orford. London, 1798, v. 4, page 377., and Watermark: 1797.