Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A stout man, wearing a coat and a tricorne, is shown half-length; he sits at a table, a mug of frothy beer in front of him
Alternative Title:
Old England's support
Description:
Titled by the artist in ink below image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Portrait of Paul van Somer (1576-1621), Flemish painter and printmaker
Alternative Title:
Paul van Somer
Description:
George Vertue, English artist, 1684-1756., Title from item., and Drawing that was later used for an engraving published in : Catalogue of engravers ... / digested by Mr. Horace Walpole from the mss. of Mr. George Vertue. Strawberry-Hill : Printed in the year MDCCLXIII [1763], opp. p.92.
A tracing by George Steevens of a print by William Hogarth: A confrontation in a bedchamber between a black woman in a nightgown in bed and four men who surround her canopy bed. One man holds a candle. The woman is slapping the one man while another pulls him away. A fourth man is pointing towards her shoulder
Alternative Title:
Discovery
Description:
Title from item., Date based on publication of the original print on which this tracing is based., Lengthy pencil note in William Windham's hand above the drawing: These two pieces viz. the one marked Qui Color albus erat and The Charmers of the age? are not prints but copies taken with a pen by Mr. Steevens, and given to me, together with many others, not copies, in return for those mentioned in his collection as given by me to him. [Signed] W.W. March 22d 1800., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 155., Tracing of a published print. Cf. See British Museum. Catalogue of political and personal Satires, v. 3, no. 2600., and On page 100 in volume 1.
A confrontation in a bedchamber between a black woman in a nightgown in bed and four men who surround her canopy bed. One man holds a candle. The woman is slapping the one man to her right on the cheek while another pulls him away. A fourth man is pointing towards her shoulder
Alternative Title:
Discovery
Description:
Inscription in ink under title in Horace Walpole's hand: " [A black girl imp[...]ed on High[...] Manager of Drury lane]. These three from plates in Mr Ireland's collection.", Inscription in ink: From Horace Walpole's Collection. Bought at Strawberry Hill Sale 1842. The remarks in his hand., Text in Latin and English., See British Museum. Catalogue of political and personal Satires, v. 3, no. 2600., Tracing of original print., Samuel Ireland, English printmaker and writer, d. 1800., and Portfolio containing 365 original drawings by, or prints engraved by and after, Hogarth. Folio.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1799]
Call Number:
Drawings H263 no. 1 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Portrait, drawn in an oval, of Richard Sackville. He is wearing 17th century dress with a high collar. He is holding in his left hand the tassles of part of his clothing
Description:
George Perfect Harding, English miniature painter, 1779/80-1853., Title from inscription in graphite pencil on verso of image: drawn by G.P. Harding. Richard Sackville Baron Buckhurst Earl Dorset after a [scarce] print by Simon Pass. From a scarce print by Simon Pass., Signed in ink lower left of image: GPH 1799., Inscribed in graphite pencil lower right: Richard Sackville, 3d earl of Dorset., and Inscription in graphite pencil on verso lower right: Drawing by George Perfect Harding: "GPH 1799 after a print by Simon Pass.
Subject (Name):
Sackville, Richard, Baron Buckhurst and Earl of Dorset, 1589-1624,
Title from note in a contemporary hand on verso; alternative title devised by curator. and Approximate date based on that of a print in the same collection done in a similar style and depicting a similar theatrical scene. See Lewis Walpole Library call no.: Waller no. 24.
Volume 1, page 96.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
A seal with a shield at center bearing the coat arms of Stafford, Roos and Burley: greyhound supporters on either side; anchor above
Description:
Title written in ink below image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 96.1 in volume 1 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Volume 2, page 398.2. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of six seals bearing images of clergy and armorial shields. The name of the English king who used each seal and the date it was used are written below each seal; depicted are seals used by Edward III, Edward IV, and Richard II.
Description:
Title written in ink at top of image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.2 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward III, King of England, 1312-1377., Edward IV, King of England, 1442-1483., and Richard II, King of England, 1367-1400.
Half-length, oval portrait of Sir Thomas More, Lord Chancellor, classical scholar, philospher, later canonized, looking slightly right and wearing the Collar of Esses, with the Tudor rose badge of Henry VIII; within a decorative border with an elaborately decorated flag, spectre and axe below. The two drawings were created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1741
Alternative Title:
Sir Thomas More
Description:
Title from inscription on verso of drawing., Portrait is unsigned, but the mount is decorated with a border in ink and wash and signed: H. Gravelot inv. et delin., Counter watermark in center of sheet used as the mount: IV., After Hans Holbein the Younger, and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Watercolor drawing depicting one wall of the chancel inside Barnwell Church, where the carved head of King Henry III was formerly located. The bottom parts of two windows, one of stained glass, are seen at top; an arch is built into the bottom part of the wall and a decorated rectangular structure is to the left of the arch
Description:
Title from note in black ink at bottom of sheet., Unsigned; artist unidentified., Date of production based on Horace Walpole's death date., Annotation in center of image in black ink: Head of King Henry the Third. About forty years ago the chancel of Barnwell Church (near Barnwell Castle two miles from Oundle) was repaired[?] and the head taken down by the carpenter employ'd, in whose hands it remaind. & his sons thirty years - who gave it to a carpenter of Peterborough where is remain'd till it came into the possession of Dr. Palmer of Peterborough. N.B. King Henry endow'd Barnwell Church., and Mounted on page 73 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.