"Portrait of the singer, performing at Vauxhall; holding sheet music, resting on ballustrade in front of him; an orchestra in background; in oval with ornaments at top."--British Museum online catalogue
Alternative Title:
Mr. Darley as performing in the orchestra at Vauxhall
Description:
Title etched below image., Printmaker from signature on earlier state: Barlow sculp., Later state, with printing plate cut down on right and left sides, removing part of the ornaments above portrait. Title has also been re-etched to fit the new dimensions, with printmaker's signature and imprint statement removed from the plate in the process. For the earlier state with the imprint "Published as the act directs by W. Locke, Septr. 1st, 1792", see British Museum online catalogue, registration no.: 1862,1011.643., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 10., Inlaid to 55 x 38 cm., and Mounted on page 35 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
Publisher:
publisher not identified
Subject (Name):
Darley, William, approximately 1756-1809, and Vauxhall Gardens (London, England)
A man stands in a room holding a caduceus decorated comic mask, saying ''When I do stare, see how the subjects quacke'." He is surrounded with bills and a bag of coins on the table, both suggesting corruption. At sign hanging from the table reads "Alexandrian Memorial, A loss is no benefit. No committee." Below on the floor, another discarded scroll reads "Rejected with prejudice." At his foot is an animal (a fox?) holding a sign "Designs [ca]refully copied, civilly returned, and he carries in his hand a piece of paper "I perceive the trick & will avoid the cheat. Na-th." Behind him hangs a sign, "The exact-u-trick is safe or 22d Sept." On the wall is a picture of the facade of a theater. Probably a satire on an unidentified theater manager
Alternative Title:
Managerial puff!!
Description:
Title from text above and below image., Approximate date of publication suggested in dealer's description., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Topic):
People associated with arts, entertainment & sports, Caduceus, and Corruption
A fire-and-brimstone preacher haranguing an unhappy-looking audience. An assistant holds up a parasol to shelter him
Description:
Title from text below image., Possibly after Thomas Rowlandson. An apparent earlier state of this print, without the title and with a thicker border, is attributed to Rowlandson in the Philiadelphia Museum of Art collection database (Accession Number: 1960-139-85)., Date of publication suggested in dealer's description., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
"Portrait, three-quarter length; seated in an armchair in front of a wall with fluted pilasters; directed towards right, facing front; wearing a long dark fur-trimmed coat over light waistcoat, shirt, breeches and stockings; his left hand resting on an open book on a covered table, next to other volumes of books; curtain on right; coat of arms below image lettered with motto "Deo Juvante"; after Howard; lettered state."--British Museum online catalogue
Description:
Title engraved below image., Window mounted to 51 x 36 cm., and Mounted opposite page 576 (leaf numbered '5' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Fitzwilliam, Richard Fitzwilliam, Viscount, 1745-1816,
"On the floor of a room are six pieces of blue Delft china in the shape of men and women. Descriptions are etched beneath the design, headed "Scene Delft. Dramatis Personae", the first (left) being, "Mynheer Van Vase of an Ancient Etruscan Family long since broken to pieces by ye vile Visigoths in deep love with Miss Cruet but discarded by her". On the walls are pictures in the Dutch manner, two portraits, a still life and a landscape, and in the back wall is a casement window. Across the ceiling is etched, "Collateral branch of the Heidelbergh Family"."--British Museum online catalogue
Description:
Title from text within image., Sheet trimmed to plate mark on bottom edge leaving thread margin., Mounted on page 77 of: Bunbury album., 1 print : etching on laid paper ; sheet 27.6 x 37.7 cm., and Sheet trimmed to plate mark.
"Three grotesquely ugly old maids stoop delightedly over a Cupid who sleeps against a rose-bush, arrow in hand, his unstrung bow beside him. On the back of one sits an ape; a lap-dog is beside her. A parrot sits on the bonnet of another, the third kneels. On a mound (right) a cock stands crowing: 'Cock a doodle doo.'"--British Museum online catalogue
Description:
Title etched below image., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819"--Curator's comments, British Museum online catalogue, registration no.: 1865,1111.2137., Sheet trimmed to plate mark., and Watermark: C. Wilmot 1815.
Publisher:
publisher not identified
Subject (Topic):
Older people, Single women, Roses, Putti, Cupids, Monkeys, Dogs, Parrots, and Roosters
The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Bart. Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed 'Garden of St Cath[erine]'. This is held out by two hands projecting from the right margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her right hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her entirely from just below her large waist down, with only one leg extended below. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., A reversed copy of a print attributed to Theodore Lane that was published 22 January 1821 by G. Humphrey. See no. 14110 in the Catalogue of prints and drawings in the British Museum, v. 10., and The letters "ee" have been added in ink to the censored word "Qu-n's" in title, to complete the intended word "Queen's".
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
Caption title., In one column with a woodcut above the title., A slip song., In verse., First line: See the mall throng'd with ladies, the gay and the fair ..., and For further information, consult library staff.
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys.The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., A reduced copy of the fourth plate in the "Industry and idleness" series. For the original plate engraved by Hogarth and published in 1747, see no. 2926 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 171., Caption centered below image, a quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Plate numbered "4" in upper right corner., and Bound in after page 264 in volume 3 of an extra-illustrated copy of: Pennant, T. Some account of London.
Title from text below image., Illustration from an unidentified edition of: Heads of the people, or, Portraits of the English. Editions of this work were illustrated by Kenny Meadows and published ca. 1840., Text below title: She let her second floor to a very genteel man. Tatler., and Window mounted to 24 x 36 cm.