"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., 1 print : etching on wove paper, hand-colored ; sheet 35.5 x 24.6 cm., Sheet trimmed within plate mark on three sides; window mounted to 51 x 36 cm., and Mounted opposite page 594 (leaf numbered '28' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"A colossal but life-like bust of Napoleon is placed on a mound of decollated human heads. He gazes fixedly upwards in profile to the left; round his neck and bare breast is twisted a noose of rope. Round this idol dance demons with human heads, holding hands. They are naked except for head-coverings, and have horns, hairy legs, tail, with one leg terminating in a cloven hoof, the other in the claw of a bird of prey. These 'Hell Hounds' have labels hanging from a collar of rope, showing that they are 'Caulincourt', 'Fouché', 'Savory', with a pen in his hat (he succeeded Fouché as Minister of Police in 1810), 'Vandamme', 'Davoust', 'Ney', 'Lefebre'. Two demons fly towards the emperor, holding a large wreath which is on fire, with the inscription 'He Deserves A Crown of Pitch.' This they are about to place on the idol's head, towards which gallops through the air a small demon (right) on a goat, blowing a horn. In the foreground lie dead and dying soldiers, one is decapitated, another (right) is naked and has lost an arm which he holds out with an agonized expression towards the idol. In the background (left) soldiers are feeding a bonfire with 'English Goods'. On the right is a blazing town."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Unidentified collector's stamp on verso.
Publisher:
Pubd. April 8, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Idols, Nooses, Demons, Heads (Anatomy), Decapitations, War casualties, Soldiers, and Dismemberment
"Pitt (left) and St. Patrick (right) bestride bulls whose horns are locked in combat, their noses pressed together; the bulls are similar, but the Irish animal is sturdier, its head heavier, its tail erect. Pitt wears armour with a plumed helmet and a cloak. He holds a baton and says: "Never fear St Patrick all will be yet very well they are a little restive at first but they will take to it, kindly enough bye and bye - I'll warrant you." St. Patrick, wearing a tiara and holding a crozier, says: "Pon my Conscience I don't know what you call it but the duece of any thing like an Union do I see except their horns being fastened together". Pitt's cloak and St. Patrick's robe fly out, as if the two had been riding rapidly towards their impact."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Library ink stamp in inscription area: Philosophical Institution, Beaumont Square M.E. [i.e. Mile End].
Publisher:
Publish'd Janry. 1801 by R. Ackermann, N. 101 Strand
Subject (Name):
Pitt, William, 1759-1806 and Patrick, Saint, 373?-463?
A scene in a fashionable library with ladies and gentlemen conversing with attendants at the counters on either side. On the left a woman looks in a book while her male companion converses with a clergyman, as the woman behind the counter consults a book. On the right, a man sits in a chair as a lady discusses her choices with the man behind the counter who reaches for a book below a sign 'Stamp'. Behind him is another sign "Just published [...]" An older woman with a walking stick approaches the counter on the right, followed by a Black servant and a dog. The windows are filled with books and prints. Through the open door a woman with an umbrella is silhouetted; to the left another sign "History Westminster and its monuments."
Description:
Title etched below image., Printmaker, publisher, and date of publication from the volume in which this plate was issued., Plate from: Poetical sketches of Scarborough / illustrated by twenty-one engravings ... made upon the spot by J. Green and etched by T. Rowlandson. London : Printed for R. Ackermann by J. Diggens, 1813., Aquatint probably added to this plate and others in the volume by J.C. Stadler and J. Bluck. See: Hardie, M. English coloured books., Sheet trimmed within plate mark., and Watermark, partially trimmed: [J. Wha]tman [18]14.
Publisher:
R. Ackermann
Subject (Geographic):
Scarborough (England) and Great Britain,
Subject (Topic):
Black people, Interiors, Libraries, Books, Bookcases, Window displays, Light fixtures, Dogs, and Stores & shops