Title from item., Plate engraved for: Hempel, Charles William. The commercial tourist, or, Gentleman traveller., and For further information, consult library staff.
"Satire on the influence of Lord Bute on the young George III, showing the king and queen, as a lion and lionness, in a coach decorated with thistles, driven at speed by Princess Augusta with Bute at her feet whipping on the horses and throwing out coins; Britannia has fallen and is about to be run over by the coach. Henry Fox rides postillion, asking for instructions from Bute who replies that the route is "through [the Princess of] Wales". A Scots footman warns that William Pitt is following; Pitt and Newcastle gallop after the coach while Cumberland has been thrown from the "H[anove]r" horse". Lord Mansfield and another Scottish peer (identified in the verses below as "Jockey Americanus") ride beside the coach "to guard 'em along". A group of Scotsmen in the foreground cheeer Bute on. Etched title and three columns of verse below."--British Museum online catalogue, description of alternate state
Description:
Title etched above image., Plate numbered '30' in upper right corner., Two columns of verse below image: See the coach fill'd with Scotish thanes, a female managing the reins ..., Restrike of no. 3898 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, and Temporary local subject terms: Dismemberment of the British Empire -- Vehicles: coach.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Depiction of the elaborate canopy of the tomb of William of Louth, Bishop of Ely, in Ely Cathedral
Description:
Title from dedication in Latin etched below image., State before "Plate XVII" added in upper left corner., Date of publication from that of the volume in which a later state of the plate was issued., Early state of a plate from: Bentham, J. The history and antiquities of the conventual and cathedral church of Ely ... Cambridge [England] : Printed at the University Press by J. Bentham ..., 1771., Sheet trimmed to plate mark., and Mounted on page 171 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
publisher not identified
Subject (Name):
William, of Louth, -1298., Cole, William, 1714-1782., and Ely Cathedral
"Portrait of William Beckford, from his monument in the Guildhall; whole length, standing, looking to the left, wearing fur trimed robes and garter chain; seated by his feet to the left a female personification of the City of London weeping, and on the right the figure of Trade & Commerce shown slouching with head bowed; the statue on large pedestal; book illustration."--British Museum online catalogue
Description:
Title etched below image., Artist from the Catalogue of engraved British portraits., Approximate date of publication from the British Museum online catalogue, registration no.: 1868,0822.5031., Sheet trimmed within plate mark., and Mounted to 24 x 17 cm.
Publisher:
publisher not identified
Subject (Name):
Beckford, William, 1709-1770 and Beckford, William, 1709-1770,
Title from caption below image., Date of publication from unverified data from local card catalog record., "Plate I". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Well -- Priests --Chinese man.
Title from caption below image., "Pl. XII". One of 12 plates to Sterne's "Sentimental Journeys" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., "Pl. VII". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Couples --- Horses -- Shelves -- Crockery.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the vision of Alphonso looming large over the courtyard of the castle, the other characters in the foreground either bowing down or looking up in astonishment. The form of Alphonso, dressed in full armor, floats in front of a crumbling section of the castle. The moon occupies the cloud-filled sky above; an angelic figure is visible within a break in the clouds at the top of the image
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 239 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A group of amateur watercolor drawings that illustrate various scenes from Clara Reeve's Gothic novel The old English baron. The drawings are inserted throughout the printed text of the fourth edition, bound in near the scenes that are depicted. Although untitled, the drawings have been assigned titles that derive from the text
Description:
Collection title devised by cataloger., Each drawing is signed 'C. Boyle' and most are dated with the month, day, and year of production. The artist is probably Charlotte Boyle-Walsingham (1769-1831), who married Lord Henry Fitzgerald in 1791; she legally changed her name to Charlotte FitzGerald-de Ros in 1806, after successfully petitioning to end the abeyance to the Barony of de Ros and becoming 20th Baroness de Ros of Helmsley., Bound in a copy of: Reeve, C. The old English baron: a Gothic story. London : Printed for Charles Dilly, in the Poultry, MDCCLXXXIX [1789]., Lacking the two published plates., Bound in vellum with gilt edges and tooling and with pink silk endpapers., Extra-illustrated with eight watercolor drawings on vellum, produced by Charlotte Boye in 1789 (these drawings are cataloged separately)., Autograph (Fitz-Gerald?) scratched out on page iii., and In red case.
Title devised by cataloger., Lady Diana Beauclerk, English artist, 1734-1808., Date based on James Boswell's reference to his visit to Richmond on 17 May 1781 and seeing Lady Diana Beauclerk working on paintings from Spenser's Faerie Queene., One of a series of five illustrations., and For further information, consult library staff.
Subject (Name):
Beauclerk, Diana, Lady, 1734-1808. and Spenser, Edmund, 1552?-1599.