A group of gentlemen seated at an oval table, with glasses full of wine, laugh uproariously at a joke as they look down at the dog at the foot of the table
Description:
Title from text at bottom of image., Companion print to: No effect., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 117 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 41.2 x 56.7 cm., and Sheet trimmed within plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
780.02.15.03++
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 19 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching in brown ink on laid paper, with brown and blue-gray wash ; sheet 41.9 x 57.5 cm., and Sheet trimmed to plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 148., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
"A monk walks through a ford leading a dog with a crown on its head: 'Father Peters' leading George III to Rome. The monk says "He cocks his Tail yet". He is going towards a wayside cross (right), above which are rocks, on which is seated the Pope, holding out a cross towards the travellers and saying "Hold out my Sons to the End & I'll give you a Crown of Glory". Behind him is a dome surmounted by a cross indicating St. Peter's. On the other side of the pool (left) there are also rocks, on them stands a sheep (?) and in the distance, by the sea-shore, are two small churches of rural appearance; off the shore are three dismantled ships with brooms at their mast-heads to show that they are for sale, the scene being inscribed "Little Britain."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum online catalogue., and Sheet trimmed to plate line.
Publisher:
Pub. by M Darly No. 159 Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820., Pius VI, Pope, 1717-1799., and Petre, Robert Edward Petre, Baron, 1742-1801.
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '12' in upper left corner., Eighteen lines of verse in three columns, below image: To this brave man the Knight repairs For counsel in this law affairs; ... As heart can wish, and need not shame The proudest man alive to claim., Copy of no. 515 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 93., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
A young gentlemen sits in a chair opposite three fashionable young ladies and their mother who are seated on a sofa. His wide grin suggests that he has amused himself with an anecdote, but the expressions on the ladies' faces indcate that he has failed to amuse them. One of the young ladies looks down at the dog in her lap, another looks at her fan
Description:
Title etched below image., Companion print to: A capital joke., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Hudibras and Ralpho riding on tired, emaciated horses travel on a country road. In the foreground to the left, a dog snarls at their approach while to the right, a man, holding a rake in one hand and his hat in his other hand, laughs at the sight of the rotund rider as he backs into and knocks over a table laden with baskets of produce and a tankard as he bends toward the riders. Behind him on the right, his wife grabs for the falling baskets and reaches for him to prevent further damage, a look of alarm on her face. In this end state a house has been added behind the wife
Alternative Title:
Sir Hudibras his passing worth, the manner how he sally'd forth and Hudibras sallying forth
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '2' in upper left corner., Verse in three columns below image: "When civil dudgeon first grew high, and men fell out they knew not why: when Gospel-trumpeter surrrounded with long-ear'd rout, to battel sounded, and pulpit drum ecclesiastick was beat with fist, instead of a stick, then did Sir Knight abandon dwelling and out he rose a colonelling. A squire he had, whose name was Ralph, that in th' adventure went his half. An equal stock of wit and valour he had laid in, by birth a taylor. Their armes and equipage did fit as well as vertues, parts and wit their valours too were of a rate, and out they sally'd at the gate.", Copy of no. 505 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 83., and From a set of twelve prints, all with two sewing holes along left edge.
Print shows a hideous old maid standing at right before her chair, supported on a crutched stick, as she addresses a comic doctor at left, who faces her, much disconcerted, with his gold-headed cane pressed to his chin. Her dress is antiquated, with high-heeled shoes; one foot is swollen with "Gout", the other with "Chilblains", and is also distorted with "Corns". Her person and costume are covered with the names of diseases in appropriate places: "Lightness" (on a feather nodding from her head), "Head Ache", "Stupor", "Dizziness", "Palsy", "Ague", "Sore Throat", "St Vit. Dance", "Asthma", . etc. Medicine bottles on a table beside her are labelled "Miss Grunt" and "T- Grunt". A little dog, shaved in the French manner, barks at the doctor. The room is a comfortably furnished parlour, with an iron balcony outside a window reaching to the floor, with a background of trees
Alternative Title:
Walking hospital
Description:
Title from item., From the Laurie & Whittle series of Drolls., Two columns of etched verse beneath title: Im loaded with ev'ry disease, it is true ... You're welcome to all, Sweet Miss's adieu!, and Plate numbered "525" in the lower left corner.
Publisher:
Publish'd July 24, 1813, by Jas. Whittle, & Richd. H. Laurie, Fleet Street, London
"Three grotesquely ugly old maids stoop delightedly over a Cupid who sleeps against a rose-bush, arrow in hand, his unstrung bow beside him. On the back of one sits an ape; a lap-dog is beside her. A parrot sits on the bonnet of another, the third kneels. On a mound (right) a cock stands crowing: 'Cock a doodle doo.'"--British Museum online catalogue
Description:
Title etched below image., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819"--Curator's comments, British Museum online catalogue, registration no.: 1865,1111.2137., Sheet trimmed to plate mark., and Watermark: C. Wilmot 1815.
Publisher:
publisher not identified
Subject (Topic):
Older people, Single women, Roses, Putti, Cupids, Monkeys, Dogs, Parrots, and Roosters
"Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog."--British Museum online catalogue
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Collector's stamp in red on verso: half-length raised figure of fox with initials MW below., and Watermark: A. Stace 1801.
Publisher:
Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
Coke, Thomas William, Earl of Leicester, 1752-1842 and Keppel, Anna Amelia, Countess of Leicester, 1803-1844
Subject (Topic):
Spouses, Walking, Dogs, Sheep, and Traffic signs & signals
Text begins: There are five strange wonders in the world. To hear a lawyer tell truth, to see a prodigal turn thrifty ..., In three columns with the title and four woodcuts above all columns; the columns are not separated by rules; the imprint is at the foot of the third column, below a single rule., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Printseller's announcement following imprint: Where may be had, the greatest choice of histories, old and new ballads, patters, &c. better printed than at any other place., Mounted on leaf 44. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
A scene in a fashionable library with ladies and gentlemen conversing with attendants at the counters on either side. On the left a woman looks in a book while her male companion converses with a clergyman, as the woman behind the counter consults a book. On the right, a man sits in a chair as a lady discusses her choices with the man behind the counter who reaches for a book below a sign 'Stamp'. Behind him is another sign "Just published [...]" An older woman with a walking stick approaches the counter on the right, followed by a Black servant and a dog. The windows are filled with books and prints. Through the open door a woman with an umbrella is silhouetted; to the left another sign "History Westminster and its monuments."
Description:
Title etched below image., Printmaker, publisher, and date of publication from the volume in which this plate was issued., Plate from: Poetical sketches of Scarborough / illustrated by twenty-one engravings ... made upon the spot by J. Green and etched by T. Rowlandson. London : Printed for R. Ackermann by J. Diggens, 1813., Aquatint probably added to this plate and others in the volume by J.C. Stadler and J. Bluck. See: Hardie, M. English coloured books., Sheet trimmed within plate mark., and Watermark, partially trimmed: [J. Wha]tman [18]14.
Publisher:
R. Ackermann
Subject (Geographic):
Scarborough (England) and Great Britain,
Subject (Topic):
Black people, Interiors, Libraries, Books, Bookcases, Window displays, Light fixtures, Dogs, and Stores & shops
Verse -- "You gallant beaus of pleasure,". -, In five columns with the title and two woodcuts above the first three; the imprint spans the bottom of the last two, below a series of long dashes; the columns are separated by columns of ornamental rules and type ornaments., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Mounted on leaf 27. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Sold by J. Evans, No. 41, Long-Lane, West-Smithfield
Subject (Topic):
Ballads, English, Husband and wife, Money, Prostitution, Wealth, Swine, Dogs, Chickens, Roosters, and Birds