Two fashionably-dressed men stand in profile facing each other in a conversation
Description:
Title from item., Publication place and date from an unverified card catalog record., Plate numbered '4' in lower right corner., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress, ca. 1763? -- Hats: enormous tricorne hats -- Wigs: bag wigs., and Watermark: Strasburg lily with initials ICH below.
Description of the festival held in Milan on 12 June, 1743, honoring the newly elected Archbishop Giuseppe Pozzobonelli., Illustrations: 5 etched plates, 3 of them depicting triumphal arches. [1.] (impression size 25 x 18 cm.) Portrait with caption: Joseph Puteobonellus Mediolanensis & ecls. Archiepiscopus S.R.E. Cardinalis creatus die 9. Septembris 1743; signed: Dal Rè fec. [2.] (impresion size 51 x 36 cm.) Caption: A capo il Corso di P.T. nel soleñe ingresso nella Citta di Milano del. Em.mo Giuseppe Pozzobonelli li 21. Giugno 1744; signed : Antonius Quadrius Inu. et del., Lapoer Sculp. [3.] (impression size 42 x 30 cm.) Caption: A capo della contrada de Piatti in P.T.P.S. Gior.o in Palazzo di Milano li 21. Giugno 1744; signed: I. Ricardus del. et pins.t, C. Lapoer sc. Mediol.i. [4.] (impression size 42 x 30 cm.) Caption: Alla Piazza del Duomo p[er] il solenne ingresso nella Citta di Milano dell' Em.mo Giuseppe Pozzobonelli li 21 Giug.no 1744; signed: Antonius Quadrius In. et del., Lapoer Sculp.it. [5.] (impression 50 x 74 cm.) Procession leading to the Cathedral in Milan with caption: Solenne ingresso seguito nella Città di Milano dell'Eminentiss.mo Cardinale Giuseppe Pozzobonelli Arciuescouo di detta Metropoli; listing 49 participants, signed: Marc'Ant.o DalRè., In Italian, with some Latin., and Signatures: *⁶ a-i⁴ k⁶.
Publisher:
Nella Regio-ducal corte, per Giuseppe Richino Malatesta stampatore regio-camerale e della città,
Subject (Geographic):
Milan (Italy)--Social life and customs--Early works to 1800.
Subject (Name):
Catholic Church.--Archdiocese of Milan (Italy)--History., Dal Re, Marc'Antonio, 1697-1766., Lapoer, Gaetano., Malatesta, Giuseppe Richino, printer., Pozzobonelli, Giuseppe,--1696-1783., Quadrio, Antonio., and Riccardi, Giovanni Battista.
Subject (Topic):
Ceremonial entires--Italy--Milan--Early works to 1800., Processions--Italy--Milan--Early works to 1800., and Triumphal arches--Italy--Milan--Early works to 1800.
Any baking pears, Poires cuittes au four, and Peri da cucinare in forno
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 60 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Allumettes et binets and Lesca e solfanelli da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 3 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Any kitchen stuff have you maids, Qui a de la graisse a vendre, and Chi ha grasso da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 40 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Qui a de vieilles ferrailles a vendre and Stracci piombo feracci da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 58 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 43 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
The text, attributed to Paolo Paciaudi (cf. Brooks & Melzi), describes the symbolic meaning of the monument erected on the occasion of the visit of Joseph II in Parma and of the announcement of marriage of Ferdinand, Infant of Spain, Duke of Parma.
Description:
Engraved title vignette depicting the two sides of a portrait medallion, commemorating the visit of Joseph II. in Parma, with caption: "Adventvs Avg. Felicissimvs Parm. Iosephvs II. Roman. Imp. CICICCCLXVIIII.", engraved by Benigno Bossi after Petitot. Large head-piece on p. [V], engraved by Tommaso Baratti after Petitot, and large tail-piece on p. XI, engraved by Antonio Baratti after Petitot. Two engraved pictorial initials., Final p. blank., Full-page ill. of the monument, with scale, engraved by Simon François Ravenet (the son) after Petitot., Text in French and Italian in parallel columns, t.p. and inscriptions in Latin., The text, attributed to Paolo Paciaudi (cf. Brooks & Melzi), describes the symbolic meaning of the monument erected on the occasion of the visit of Joseph II in Parma and of the announcement of marriage of Ferdinand, Infant of Spain, Duke of Parma to Maria Amalia, Archduchess of Austria. The monument was designed by the French architect Edmond Alexandre Petitot., and Year in title printed as CICICCCLXVIII, the thrid and fifth Cs reversed.
Publisher:
Giambattista Bodoni,
Subject (Name):
Baratti, Antonio, 1724-1787., Baratti, Tommaso, fl. 1769., Bodoni, Giambattista, 1740-1813, printer., Bossi, Benigno, 1727-1800?, Ferdinand,--Infant of Spain, Duke of Parma,--1751-1802--Marriage., Joseph--II,--Holy Roman Emperor,--1741-1790--Monuments., Maria Amalia,--Archduchess of Austria, consort of Ferdinand, Infant of Spain, Duke of Parma,--1746-1804--Marriage., Petitot, E. A. (Edmond Alexandre), 1727-1801., and Ravenet, Simon François, 1748-ca. 1814.
Subject (Topic):
Monuments--Italy--Parma--Early works to 1800. and Royal visitors--Italy--Parma--Early works to 1800.