In Horace Walpole's 1784 edition of Description of the villa, he describes the Beauclerk drawings thus: "The beauty and grace of the figures and of the children are inimitable; the expression of the passions most masterly, particularly in the devotion of the countess with the porter, of Benedict in the scene with Martin, and the tenderness, despair, and resolution of the countess in the last scene; in which is a new stroke of double passion in Edmund, whose right hand is clenched and ready to strike with anger, the left hand relents. In the scene of the children, some are evidently vulgar, the others children of rank; and the first child, that pretends to look down and does leer upwards, is charming. Only two scenes are represented in all the seven, and yet all are varied; and the ground in the first, by a very uncommon effect, evidently descends and rises again. These sublime drawings are the first histories she ever attempted, were all conceived and executed in a fortnight."
Description:
Title, date and artist name written by Horace Walpole on the verso, in ink., One of six Beauclerk drawings for Mysterious mother in The Lewis Walpole Library., and Lady Diana Beauclerk, English artist, 1734-1808.
Title from caption below image., Date of publication from unverified data from local card catalog record., "Pl. VI". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from unverified data from local card catalog record., "Plate I". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Well -- Priests --Chinese man.
Title from caption below image., "Pl. XII". One of 12 plates to Sterne's "Sentimental Journeys" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from unverified data from local card catalog record., "Plate II". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., "Pl. VII". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Couples --- Horses -- Shelves -- Crockery.
Volume 1, page 75. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Seemingly signed with initials and dated by the artist; the indeterminate, monogrammatic signature may be "CAv." or "Av.", With three stanzas of a song from Henry Carey's 1735 ballad farce The honest Yorkshireman written below image: Come hither my country squire, take friendly instructions from me ..., and Mounted on page 75 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
In the courtyard of the castle, the enormous ghost of Alfonso appears as Theodore, Manfred, and Friar Jerome look up in fear. Under the figure of the ghost two other figures lay prostrate on the ground, as the castle tumbles in ruins
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the vision of Alphonso looming large over the courtyard of the castle, the other characters in the foreground either bowing down or looking up in astonishment. The form of Alphonso, dressed in full armor, floats in front of a crumbling section of the castle. The moon occupies the cloud-filled sky above; an angelic figure is visible within a break in the clouds at the top of the image
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 239 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1853]
Call Number:
24 17 791P Copy 5
Collection Title:
Before title page. Castle of Otranto.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of an arched niche, surrounded by ornate Gothic tracery, in which several weapons and pieces of armor are arranged. A plumed helmet sits atop the center stack of the arrangement, with an armor chest plate and a round shield below it. Spears and a spiked mace stick out from the left side of the center stack; a variety of axes stick out from the right side
Description:
Title devised by curator., Unsigned; attribution to George Perfect Harding from local catalog card., Date of production based on artist's death date., and Mounted before title page in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Armor, Arms & armament, Helmets, Spears, Shields, and Axes