"Satire on the times in four compartments each showing the figure of Time and a grindstone in relation to current events: the incompetent management of war with France; John Barnard's lottery scheme, in which Henry Legge, Chancellor of the Exchequer, had invested heavily; Henry Fox's "Treachery,Vanity, Folly & Impudence" which Pitt promises to crush; the burden of taxes on all but the friends of the Devil."--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Design divided into four compartments, each with its own title and numbered Part 1 to 4., Temporary local subject terms: Grinding stones -- Britannia (Symbolic character) -- British Lion -- Personifications: Time -- Frenchmen -- Spaniards., and Mounted to 23 x 38 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Attributed to Horace Walpole in the British Museum catalogue. Now known not to have been created by Walpole or printed at Strawberry Hill. See Hazen, A.T. Bibliography of Horace Walpole, page 173 and his Bibliography of the Strawberry Hill Press, pages 145-148., A set of cards with moral maxims printed on fronts and backs in black and red ink: e.g., "Poverty is the fruit of idleness, Small griefs are loud, great ones still ...", All engraved with decorative border., and Imperfect set: one card lacking and printed leaf of Explanation. For further information, consult library staff.
On a raised platform, the Devil sits on top of 3 casks, one labelled "small beer". He straddles a huge key, from which are suspended, as on a gallows, 2 gentlemen, the one on the right bearing some resemblance to George III. On the left 2 maids or washerwomen wave mop and broom at the hanged man (possibly Pitt?), saying "You tax maid servants no more". On the right Samuel House, standing before his tavern, offers a tankard to Jeffrey Dunstan, who is voicing his support of Charles James Fox. The Devil is uttering the words of the title
Alternative Title:
Key of the back stairs and the small beer etc
Description:
Title derived from text in image. and Mounted to 27 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Dunstan, Jeffery, 1759?-1797. and House, Samuel, -1785.
Subject (Topic):
Devil, Keys (Hardware), Taverns (Inns), Women domestics, Hangings, and Clothing & dress
Charles Churchill in the form of a huge bear (right, as in Hogarth's print The Bruiser) and wearing clerical neckbands, looks down, mouth agap, at a little dog (left) who snarls back. The dog personifies Hogarth as in his own print "Trump"; his paws rest on a artist's palette inscribed "Line of beauty". The bear's paw rests on a sheet inscribed "Epistle to Wm. Hogarth," the poem which Churchill published in response to Hogarth's sketch of Wilkes described as "John Wilkes, Esqr."
Alternative Title:
Satire on Hogarth and the Rev. C. Churchill
Description:
Title from later state, engraved for the engd. for the Hiberia magazine. and Alternative title from British Museum catalogue: Satire on Hogarth and the Rev. C. Churchill.
Title assigned by cataloger., Publication date from an unverified card catalog record., Sheet trimmed within plate mark on three sides., and Temporary local subject terms: Tropical islands -- Savages -- Doctors: witch doctor -- Black giants -- Illustrative material -- Scrolls.
A portrait of Thomas Gray standing, nearly three-quarter length, facing the viewer. He holds a letter in his right hand, which rests on his left wrist, the whole framed in masonry, arched at the top
Description:
Title supplied by cataloger., After the painting by J.G. Eccardt in the National Portrait Gallery, London., Artist from the Catalogue of engraved British portraits, which also states: "This plate was engraved for the Poems 1753 but destroyed by Gray's desire.", and Lewis Walpole Library Quarto 532 C753 Copy 4: Bound in as the frontispiece opposite the title page: Designs by Mr. R. Bentley, for six poems by Mr. T. Gray. London : Printed for R. Dodsley, in Pall-Mall, MDCCLIII [1753]. Impression formerly owned by Horace Walpole with his ms. notes. Trimmed to plate mark.
A portrait of Thomas Gray standing, nearly three-quarter length, facing the viewer. He holds a letter in his right hand, which rests on his left wrist, the whole framed in masonry, arched at the top
Description:
Title supplied by cataloger., Printmaker from statement of responsibility on variant state: J.S. Müller sculpt., After a painting by J.G. Eccardt in the National Portrait Gallery, London. See Catalogue of engraved British portraits., Date of publication from that of the volume for which the plate was engraved. According to the Catalogue of engraved British portraits, "This plate was engraved for the Poems, 1753, but destroyed by Gray's desire.", Sheet trimmed to plate mark leaving thread margins., For a variant state bearing printmaker's signature, see: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 376., Mounted on page 66 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Sitter's name "Mr. Thomas Gray" written in brown ink at bottom of sheet, in Thomas Kirgate's hand.
To the author of a late letter to the merchants of London
Description:
Title from item., Plate numbered '33' in upper right corner of design., Sheet trimmed within plate mark., An engraved letter in the form of rebus., The following words within title are represented by a rebus: To by a toe, 'er' in 'letter' by an ear, 'ants' in 'merchants' by two ants, London by a panorama of a city., and Plate from: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759.
"A sculptured monument to Sir George Savile against a stone wall. A life-like half length figure of Savile looking to the right is set in an alcove with inscriptions above and below. Above: 'The Guardian Genius of that Good Man and Upright Senator \ Sir George Saville Bart \ Hovers with anxiety over The Tomb; not without Hopes, that his Countrymen \ may e're it be too late, see the Necessity of Peace, - the Improbability of \ the Present Ministers making it, - & the Benefit which would result, from a Temperate Reformation of those Abuses, "from which {to use his own memorable words) \ it was notorious, that all our Calamities Sprung."!!!' Below: 'Fuimus Troes, fuet [sic] Ilium et ingens Gloria Teucrorum. Virgil Here lie the Remains of the \ - Requisition, - \ The last Hopes of the Independent Gentlemen of Yorkshire; \ in full Confidence \ that when Corruption shall have ceased to prey upon the \ Human Frame, that it will rise again to \ - Immortal Glory.- \ Reader, \ You will no longer doubt the just Cause or upright \ Intention of this Requisition, when you learn, that \ the Merchants of Leeds, its greatest Enemies, have \ Thought that an Elegant Monument should be dedicated \ to it's \ Memory. \ "Your Cause of Sorrow must not be measured by his \ "Worth, for then it hath no End." Shakespere Mackbeth \ "Quis Desiderio sit Pudor aut Modus \ "Tam chari Capitis." Horace.'"--British Museum online catalogue
Description:
Title, printmaker, and questionable date of publication from British Museum catalogue., Probably commissioned by the Yorkshire Reform movement. See British Museum catalogue., and Temporary local subject terms: Monuments: sepulchral monument to George Savile, 8th Bt. -- Literature: Shakespeare's Macbeth, v.8.44 -- Literature: Virgil, Aeneid.