Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A black man, dressed as a macaroni except for his tightly curled natural wool, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis."--British Museum online catalogue and "Perhaps a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a negro slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Characters, macaronies, & caricatures. [London] : Pubd. by MDarly, 39 Strand, 1773., and Plate numbered "v. 4" in upper left corner and "14" in upper right corner.
Publisher:
Publish'd according to act by MDarly, 39 Strand
Subject (Geographic):
England and England.
Subject (Name):
Dyson, Jeremiah, 1722-1776
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Politicians, Staffs (Sticks), and Daggers & swords
"Satire on the election for County Durham, 14 April 1784: Sir Thomas Clavering and Sir John Upton, one headless, holding a caption labelled 'The Irish Faction for ever' and carrying the other, who has no feet, on his back, who says 'I serv'd you as long as I could stand' and carries captions lavelled 'Coal owners Bill' and 'A command in India'; both seated on an ass facing left, which brays 'Thus I go to Parliament and am not the first Ass that has farted for preferment, but this is dirty work and hard Labour' and which has a collar labelled 'I speak for my Master / Populus me sibilat at plaudo ipse domi' and strips at the saddle labelled 'Curse all Pitts / But a Coal-Pitt'; with the ass' droppings falling on a crest with the motto 'Diem Perdidi'; a mitre, crozier and sword and label 'At rest' on the ground in the centre, playing cards and papers labelled 'Turnpike Speech / Election Speech' to left; a milestone to right labelled 'From Durham / T: C / J: E / 14 April 1784'."--British Museum online catalogue
Alternative Title:
Northern ass
Description:
Title etched below image., Attribution to W. Hutchinson from annotation on verso of British Museum impression. See British Museum online catalogue, registration no.: 1865,1014.456., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark in the center of sheet.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Clavering, Thomas, Sir, 1719-1794, Eden, John, Sir, 1740-1812, and Great Britain. Parliament, 1783-1784.
Subject (Topic):
Elections, Donkeys, Defecation, Traffic signs & signals, Miters, Crosiers, Daggers & swords, and Playing cards
Leaf 70. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a lady, standing in profile to the left. In her right hand she holds a ticket inscribed "PANTHEON admit Lady No. Rep". She resembles portraits of Mrs. Baddeley and appears to be regarding her Pantheon ticket with a complacent smile. She wears a low bodice and a necklace; a train from her shoulders falls over a frilled and flounced petticoat. Her elbow sleeves have wide lace frills, and she wears long gloves. Her hair is dressed high and ornamented with lace."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "16" in upper right corner., and First of three plates on leaf 70.
Publisher:
Pub. by MDarly, Strand, March 3d, 1772, according to act
"Whole length portrait of a lady, standing in profile to the left. In her right hand she holds a ticket inscribed "PANTHEON admit Lady No. Rep". She resembles portraits of Mrs. Baddeley and appears to be regarding her Pantheon ticket with a complacent smile. She wears a low bodice and a necklace; a train from her shoulders falls over a frilled and flounced petticoat. Her elbow sleeves have wide lace frills, and she wears long gloves. Her hair is dressed high and ornamented with lace."--British Museum online catalogue, description of an earlier state
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "16" in upper right corner., and For later state, see no. 4998 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Pub. by MDarly, Strand, March 3d, 1772, according to act
Title from item., Sheet trimmed within plate mark., Publisher's advertisement following imprint: ... whe [sic] may be seen the largest collection of caratures [sic] in the world. Admite 1 shilg., and Temporary local subject terms: Dice and dicebox -- Allusion to Crown and Anchor tavern -- Male costume: sansculotte -- Allusion to sansculottes -- Subscription for Fox, 1793 -- Allusion to Catiline: Fox as Catiline.
Title from item., Sheet trimmed to plate mark., Four lines of verse in two columns below title: How happy could I be with either ..., Publisher's advertisement following the imprint: ... who has again opened his exhibition room to which he has added several hundred old & new subjects., Temporary local subject terms: Duplicity -- Association Against Levellers -- Sansculottes -- Music: c̦a ira -- Slogans: God save Great George our King -- Bludgeons -- Weapons: pistol -- Dover Straights., Watermark: Strasburg bend with initials G R below., and Mounted to 40 x 34 cm.
Title from item., Sheet trimmed within plate mark resulting in partial loss of ms. annotation., Four lines of verse in two columns below title: How happy could I be with either ..., In lower right corner added in contemporary hand: Sold by Fores & Co. 51 St. Pauls Churc[h Yard]., Publisher's advertisement following the imprint: ... who has again opened his exhibition room to which he has added several hundred old & new [subjects]. Also a complete model of the guillotine 4 feet high. Admite. 1.., Reissue, with additional advertisement, line of text below the verse and sale information, of No. 8142 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Duplicity -- Association Against Levellers -- Music: c̦a ira -- Slogans: God save Great George our King -- Bludgeons -- Weapons: pistol -- Dover Straights.
Smith, Charles Loraine, of Enderby, 1751-1835, printmaker
Published / Created:
[4 June 1782]
Call Number:
782.06.04.04++
Image Count:
1
Resource Type:
still image
Abstract:
"Musicians are grouped round a piano. Their names (some misspelled) are written in the margin. The pianist sits in profile to the right looking fixedly at his score; he is Ferdinando Bertoni, a Venetian composer who accompanied his friend Pacchierotti to England. The most prominent of the musicians is Pacchierotti, who stands behind the piano next the pianist, holding open a music book, but smiling at a lady, who sits (right) on a bench among the performers. She is Lady Mary Duncan, whose admiration for Pacchierotti's singing was the talk of the town, carried to the point of absurdity, and of discourtesy to other singers. (Walpole, 'Letters', xii. 141, 3 Jan. 1782, and xv. 16-17, 4 July 1791.) She is the largest figure in the design, out of scale with the other figures. She sits in profile to the right holding up a closed fan, gazing intently at Pacchierotti. Behind her stands the player of the bass, identified as Cariboldi. Seated on the bench next her, on her right hand and wearing spectacles, is a man playing the oboe, identified as Hayford. Seated in a chair in front of Lady Mary and on the pianist's right hand is the cellist, Cervetto, evidently the younger Cervetto (1747-1837), who played at the professional concerts at the Hanover Square Rooms from 1780. Behind the piano stand (left to right) a violinist, identified as Salpietro, an oboist, J. C. Fischer (1733-1800), who was a great attraction at the Bach-Abel and Vauxhall concerts, and another violinist, Langani or Langoni. To the right of the piano, blowing the French horn, stands Pieltain. In the foreground (right) in profile to the left sits Miss Wilkes on a stool, her hands in a muff, smiling at Dr. Burney, who stands bending towards her, his hands held out. He wears a bag-wig and sword, and appears to be deep in conversation in spite of the singing of Pacchierotti, a fashionable habit much condemned by his daughter Frances, see 'Cecilia'. Behind Miss Wilkes on the right stands another of the audience, holding his hat under his arm."--British Museum online catalogue
Description:
Title from item., Printmaker from attribution in the British Museum online catalogue., Publisher's name is fictitious., and Sheet trimmed to plate mark.
Publisher:
Pubd. 4th June 1782 by M. Rack, London
Subject (Name):
Bertoni, Ferdinando, 1725-1813, Pacchierotti, Gasparo, 1744-1821, Duncan, Mary Tufton, Lady, 1723-1806, Cervetto, James, 1747 or 9-1837, Fischer, Johann Christian, 1733-1800, Wilkes, Mary, 1750-1802, and Burney, Charles, 1726-1814
Subject (Topic):
Chandeliers, Concerts, Harpsichords, Musicians, and Musical instruments
Leaf 68. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Full-face portrait of a man walking to right and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "11" in upper right corner., Temporary local subject terms: Macaronies -- The Temple -- ?Greyhound -- Queue wig bound with ribbon -- Little cocked hat., and Second of three plates on leaf 68.