Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher. In the lower right corner, an image of a cross-section of brain, labeled below frame "A Methodist's brain"
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
Publisher:
Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher
Description:
Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and 1 print : etching ; plate mark 481 x 380 mm.
Publisher:
Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
"A broadside satirising Lord Bute, his Cider Excise scheme, and the Peace Treaty of Paris (1762); with an etching showing a podium with King George III seated on a throne, in front of him a group of men (aldermen) delivering a petition; on the right Lord Bute, dressed in tartan; with engraved speech bubbles and inscriptions, and with letterpress title and verses in one column."--British Museum online catalogue
Alternative Title:
Sawney's oeconomy and Sawney's economy
Description:
Caption title from song in letterpress printed below the plate., Above title: To the Lord Mayor, Aldermen, and Common Council of the City of London; To the glorious Opposition; and to the authors of the North Briton, this piece is humbly inscribed., Sheet trimmed to plate mark at top., Eight stanzas of song below title: All the friends of the land, who corruption withstand, the Muse patriotic must prize ..., "(Price six-pence).", Publisher's advertisement following imprint: Where may be had the Tyburn Interview., Watermark: Strasburg lily., and Mounted to 41 x 28 cm.
Publisher:
Printed for J. Burd, in the Temple Exchange Passage, Fleet Street, and sold by all printsellers, &c. in London and Westminster
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Bute, John Stuart, Earl of, 1713-1792
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., and Mounted on page 60 with three other prints.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., 1 print : etching on wove paper ; plate mark 17.6 x 12.6 cm, on sheet 20.2 x 14.7 cm., and Mounted on verso of leaf 42 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Partial watermark upper left edge., and On verso, written in ink in a contemporary hand: Burlesque on the admission ticket to Hasting's trial. The three heads on the cannons are Burke, Fox, & Sheridan.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 78.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 29.2 x 23.8 cm, on sheet 32.1 x 25.8 cm., and Mounted on verso of leaf 58 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 43 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government