Title from item., Sheet trimmed withing plate mark., Two lines of verse below title: The buisiness of his church he did by proxy and loved al doxies but the orthodoxy., Printmaker from British Museum catalogue., Plate numbered '21' in lower left corner., and Temporary local subject terms: Parsons -- Young women -- Furniture: slipcovered love seat.
Publisher:
Pubd. Feby. 1st, 1806 by S.W. Fores, No. 50 Piccadilly
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed leaving thread margins., Three lines of verse after title: He that is robb'd not wanting ..., Temporary local subject terms: Portsmouth, Mary Anne, (Hanson), Countess of (afterwards Mrs. Alder), fl. 1823 -- Whips., Watermark: J. Whatman., and Manuscript "262" above the center of the plate.
Publisher:
Pubd. Jany. 1823 by S.W. Fores 41 Piccadilly
Subject (Name):
Alder, Daniel, fl. 1823-1824. and Portsmouth, John Charles Wallop, Earl of, 1767-1853.
"Sheridan (l.) sits in an arm-chair at his writing-table, pen in hand. He slouches forward, peering at a large playbill in his left hand. 'Tom Hickathrift \ and the \ Giants \ a new Growlo Drama \ with \ Wittington \ and his \ Cat \ a Pur-letta \ in which a real \ Cat and Mice \ will be Introduced \ - Due Notice will be given \ of Mr Carlo's next \ Performance.' He says: "Now I have got my head down Water I am determined to go on Swimmingly." The Newfoundland dog 'Carlo' (his massive padlocked collar so inscribed) who played in 'The Caravan', faces Sheridan holding in his mouth a basket labelled 'Raw Materials for New Subjects'; these are rolled MSS. inscribed: 'Dog-Matical Essays', 'Bark-shire Poems', 'Bones to Pick'. Fox (r.), immensely fat stands beside Carlo, in profile to the left., r. hand on the dog's head, l. in his coat-pocket. He says: "You are a very good Dog Namesake - a very good Dog indeed - I wish you would Spin me a little Money thes hard times - it would be very acceptable." Behind Sheridan are book-shelves; from a shelf inscribed 'Glass Slippers as good as New' two slippers dangle. The titles of the (bulky) books are: 'Jack the Giant Killer', 'Goody Two Shoes', 'little Red Riding Hood', 'Tom Thumb', 'Seven Champions [of Christendom]'; actually these tales were best known in penny chap-books"--British Museum online catalogue
Alternative Title:
Preparations for next season
Description:
Title from item., Sheet trimmed to plate mark on two sides., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Feby. 6th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Young alderman and his nurse
Description:
Title etched below image., Printmaker and date of publication from unverified data in local card catalog record., Plate numbered "308" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: Nursemaid -- Lighting: Candlestick -- Children's nurse., Watermark: 1817., and Leaf 83 in volume 5.
"A French dancing-master (l.), holding up his 'kit' or dancing-master's fiddle and bow at arm's length, addresses a group of representative British characters (r.). He says: "Monsieur, Sare, every ting depend pon lam to dance, widout dat you can do no ting at all in dis Worlt, for if you will get a Wife wid great deal Money, eh by Gar! you must dance away to Scotland, if you run in debt ver much, eh by Gar you must dance away from your Creditor, if you want a place from de great Lor, eh by Gar you must dance attendance, oh all de World dance every day, de Frenchman he dance after de Liberté, de Spaniard he dance away from Lor Nelson, den Lor Nelson dance after him, de Italian he dance to de Opera, den dance away wid your Money de Alderman he dance after de Turtle, so voila all de World von grand contré dance." A burly well-dressed Irish fortune-hunter says gloomily: "Arrah my dear Honey! and haven't I danced all the way from Sligo in order to pick up a Tight little partner to Jigg it to Scotland with me, and pay the piper into the bargain by Jasus to be sure I have." A raffish man, in ill-fitting clothes of fashionable intention, says: "Thats a Devilish good Hint, Monseer, so I'll lead off, without waiting for a partner, or some of my Creditors will be for Calling the Dance." A fat ugly 'cit' says: "O dear Heart! I could dance 20 miles after Turtle, in spite of the Gout." He raises one gouty foot in a slashed shoe. A bare-footed Scot takes snuff, saying, "Ah! the Mon says Vary true, I have been dancing attendance on a great Laird these twa Year and ha got nothing but promises. I be na so lucky as my Friend Johnny M'Cree" [Melville, see BMSat 10378]. A sturdy sailor ('Jack Bull'), taking a quid from his tobacco-box, looks with fierce appraisal at the Frenchman, and says: "They have led us a preetty dance sure enough, but shiver my timbers if we Won't make [sic] sing out for it when we do catch them". Behind (r.), a capering French opera dancer holds up a full purse, saying, "Good bye Jack Bull I go dance home wid de Guiné!" After the title: '"Thus Life is like a Country Dance, the World a spacious Ball Room'' - Dibdin'."--British Museum online catalogue, description of state with S.W. Fores imprint
Description:
Title from item., Sheet trimmed within plate mark., Date of publication from British Museum catalogue., 'Argus' is a pseudonym employed by the printmaker Charles Williams., and Cf. No. 10423, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of variant state.
Publisher:
Pubd. by C. Knight, Lambeth, and sold at No. 7 Cornhill
A torrent of taxes gushes from the mouth of Lord Henry Petty, chancellor of the exchequer, emptying into the "Unfathomable Sea of Taxation" in which John Bull is drowning in full view of greedy cormorants representing members of the Grenville ministry which was formed after the death of William Pitt
Alternative Title:
John Bull swamped in the flood of new taxes
Description:
Title etched below image., Attributed to Williams in the British Museum catalogue., A copy of a print by Gillray. Cf. No. 10564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and With stamp of S.W. Fores in the lower right corner.
Publisher:
Pubd. May 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Windham, William, 1750-1810, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
Subject (Topic):
Taxes, John Bull (Symbolic character), Fountains, Cormorants, and Rowboats
Title from item., Sheet trimmed within plate mark., Reduced copy of print originally published by S.W. Fores in 1801., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker inferred by cataloger based other prints from the series., Plate numbered '11' in the lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Stupidity., and Watermark.
Title from item., Sheet trimmed within plate mark., Reduced copy of print originally published by S.W. Fores in 1796., Plate is part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Plate is numbered '15' in lower left corner., Printmaker inferred by cataloger based upon evidence present in other prints from the series., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Games: backgammon -- Clergy -- Furniture: card tables -- Lighting: candlesticks.
George III stands before his throne, face hidden behind a pillar, his sceptre raised over head ready to strike Grenville as his kicks him. Other members of the ministry flee in confusion and terror, some rubbing their posteriors to show that they too have been kicked. A label floats from the King: What! What! bring in the Papists! O you cunning Jesuits you! What you thought I was like little Boney & would turn Turk or anything? ... Grenville has lost hold of a scroll on which can be read: Catholic Bill for bringing the Papists into power & supporting the Broad bottom Jesuits in their places for securing the Papists in commanding of the Army & Navy & all the Public offices ...
Alternative Title:
Emancipation of all the talents
Description:
Title from item. and Text following title: Vide the fate of yr Catholic Bill.
Publisher:
Pubd. March 23 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, James Francis, 1743-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Anti-Catholicism, Catholic emancipation, Politics and government, Fools & jesters, and Thrones
"George IV sits fishing under a little pavilion; his rod is a sceptre, larger than that in Britis Museum Satires No. 15126. He has hooked a frog, which Lady Conyngham, kneeling beside him, is about to scoop with a landing-net. She says: Oh what a beautifull fish! I think its something of the Gudgeon kind, but a most Noble one. A large kingfisher stands on the opposite bank watching them. The King sits on an ornate stool, resting a gouty leg on a smaller one. He wears a bell-shaped top-hat, the plain high-collared coat of recent portraits with knee-breeches. Beside him are creel and bait-box. The pavilion is merely an ornate canopy for his stool, decorated with onion domes like that of the Pavilion, bells, and a crown. Lady Conyngham wears a décolletée dress with long gloves, and roses in her hair. Behind is a realistic view of the Cottage, with a peacock in front of it, and Windsor Castle."--British Museum online catalogue
Description:
Title etched below., Attributed to Charles Williams in the British Museum catalogue., Temporary local subject terms: Male costume: top hat -- Fishing net., and Watermark: Fellows 1824.
Publisher:
Pubd. June, 1826 by S.W. Fores 41 Piccadilly
Subject (Geographic):
Virginia Water (England : Lake), and Windsor Great Park (England),
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Windsor Castle,