Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Country view with a church at center, its grounds enclosed by a fence with a gate. A tree is seen in the foreground on the right; smaller bushes surround the church on the left. A windmill and a small building sit atop a hill in the distance
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
LWL Ptg. 102 Framed, on view in Administration Area
Image Count:
1
Resource Type:
still image
Abstract:
View of the Ponte Lucano and the Mausoleo dei Plauzi, or the tomb of the Plautius family, located near Tivoli in Italy. The rural scene is populated with figures both at work and leisure. Patch painted this type of scene for English grand tourists
Alternative Title:
Italianate river landscape and Italian riverscape
Description:
Title from 2005 Christie's appraisal: An Italianate River Landscape.
Subject (Geographic):
Italy and Tivoli.
Subject (Name):
Mausoleo dei Plauzi (Tivoli, Italy),
Subject (Topic):
Mausoleums, Bridges, Tombs & sepulchral monuments, Rivers, and Ruins
An album of amateur drawings, with scenes in Kent, East Sussex, Hertfordshire and Surrey. The artist, only identified with the initials 'S.G.L.', provides titles and dates for the majority of the drawings. The first group (thirteen in all) dated 1828 are views in Kent, Sussex, and Hertfordshire, including Leeds Castle, Hythe, Sandgate, Rye, Pevensey Castle, Tunbridge Wells, St. Albans, and Hatfield. The second, larger group of drawings are scenes in and round the village of Bletchingley (sometimes Bletchingly) in Surrey, depicting village life -- for example, the 'Church Yard', 'Parsonage', 'Farm Yard', landscapes with farm houses, country lanes, bridges, and people fishing, andc. -- and include both people and animals. Other views of places in the vicinity are scenes in Nutfield, London Road, Bletchingley from London Road, Rabbit Heath, et cetera All the drawings in or around Bletchingley (thirty-nine in total) are dated between August 14th and October 14th 1829. Several of the drawings are on blue paper and are highlighted with white chalk, conveying a nocturnal quality to the scene. A final group of ten undated, untitled drawings also depict rural scenes, presumably in southeastern England
Alternative Title:
Bletchingley S.G.L. 1828-1829
Description:
In English., Title from contemporary manuscript note on front cover., Album bound in three-quarter leather with marbled-paper boards, with the title written in black ink on front board: Bletchingly S.G.L. 1828 1829. Also with a dark-green morocco spine label gilt-stamped: S.G.L. Bletchingley 1828-29. On front pastedown: a label manuscript note "Laura" scored through and then "Alice" written above., and For further information, consult library staff.
Subject (Geographic):
Bletchingley (England), East Sussex (England), Kent (England), Hertfordshire (England), Surrey (England), England, Surrey., and England.
Subject (Topic):
Country lif, Bridges, Castles & palaces, Fishing, City & town life, and Villages
An album of amateur etchings, mostly by Charlton Wollaston and The Hon. Booth Grey, and a few pen and gray wash landscape sketches and portraits. Many of the etchings are represented by multiple impressions and variant states, and on various paper stocks. Also mounted in the album is a copy of a bust of a man by Miss Clarke, from College-Green Worcester and dated 1789. Some later prints are mounted on 19th century photolithographs. The etchings represent country scenes -- thatched cottages, peasants, farms and farm animals, and peasants at work -- as well as views of churches, villages, ruins, and landscapes with row boats and skiffs on rivers. Also included are several engravings and prints from published works on various topics including a large engraving of Greek sculptural elements pasted on the inside of the back cover
Alternative Title:
Collectanea Cantab
Description:
Title devised by cataloger., Caption title from p. [1]: Collectanea Cantab., Many of the sketches are signed with the monogram "CW" or the initials "BG"., Binding: 18th century limp vellum blank account book with paper printed with three columns of vertical rules. First couple of pages have been removed with stubs suggesting that the book may have been first used for accounts., and For further information, consult library staff.
Subject (Geographic):
England, Isle of Wight., and Isle of Wight (England)
Title from dealer's description., Unsigned; attributed to Rowlandson., and Inscribed on verso: Names of the Ships taken by Lord Howe on 1st of June 1794, and brought into Portsmouth Harbour; Sans Pareille 84 Guns, L'America 74, Limpetue 84, Northumberland 84, Achille 76, La Vengeur 74.
Subject (Geographic):
Portsmouth (England)
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799.
Subject (Topic):
First of June, Battle of the, 1794, Harbors, Warships, British, French, Crowds, Cannons, Carriages & coaches, Peg legs, and Victories
Volume 1, page 123. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
View of a white Gothic-style building framed by trees, with a woman walking in front on a path leading from the door
Description:
Title devised by curator., Signed by the artist in bottom part of image., Date of production based on the inclusion in the same volume of other drawings by Shepherd that depict the temporary building for the Strawberry Hill Sale of 1842., and Bound in as page 123 in volume 1 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
Title devised by curator, based on pencil annotation "Eaton-Socon" at bottom of mounting sheet., Unsigned; artist unidentified., Date supplied by cataloger., and Mounted on page 78a in an extra-illustrated copy of: Lysons, D. Magna Britannia. London : T. Cadell and W. Davies, 1813.
Subject (Geographic):
Eaton Socon (St. Neots, England)
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
Aylesford, Heneage Finch, Earl of, 1751-1812, artist
Published / Created:
[not after 1806]
Call Number:
Folio 75 B935 805 folder 55 Box 5
Collection Title:
[Scrapbook of drawings].
Image Count:
1
Resource Type:
still image
Abstract:
Ink drawing depicting part of a fallen tree in the foreground on the left; a castle sits atop a hill in the background on the right
Description:
Title from local catalog card., Signed by the artist in upper left corner., Date of production based on the death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 205 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.