Title from item., Printmaker's name suggested In the British Museum catalogue., Temporary local subject terms: Chalice -- Sir John McMahon (1754-1817)., and Mounted to 31 x 44 cm. ;written in later hand in ink along bottom: Sheridan Buckingham Temple Grenville.
Publisher:
Pubd April 13th 1812 by Wm Holland No 11 Cockspur St.
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Sheridan, Richard Brinsley, 1751-1816
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight libellous representations arranged in two rows, each with a caption. (1) She is stout, homely, and rather truculent as 'A Planters Daughter.' (2) As a clumsy and bejewelled parvenue she is 'A French Countess'. (3) In weeds she holds a handkerchief to one eye: 'A Widow.' (4) Elegantly dressed, she holds out heavily shackled wrists: 'A Prisoner'. (5) Similarly dressed, she raises a forefinger and holds a fan before one eye: 'A Loose Fish.' (6) She dances, Maenad-like, snapping thumb and forefinger, as 'Barras's Mistress' [see British Museum Satires No. 10369]. (7) She wears a military tunic and plumed helmet, and holds a riding-switch as 'A Generals Lady.' (8) Walking in profile to the left. holding out a sceptre and wearing a jewelled gown and a crown, she is fat and vulgar as 'An Empress' [see British Museum Satires No. 10362]."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark on bottom edge., Companion print to: The progress of the Emperor Napoleon., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Plate numbered "236" in upper right corner., Moustaches added in pencil to the four figures in top row of design., and Leaf 12 in volume 4.
Publisher:
Pubd. April 20th, 1808, by Thos. Tegg, 111 Cheapside
Subject (Name):
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight libellous representations arranged in two rows, each with a caption. (1) She is stout, homely, and rather truculent as 'A Planters Daughter.' (2) As a clumsy and bejewelled parvenue she is 'A French Countess'. (3) In weeds she holds a handkerchief to one eye: 'A Widow.' (4) Elegantly dressed, she holds out heavily shackled wrists: 'A Prisoner'. (5) Similarly dressed, she raises a forefinger and holds a fan before one eye: 'A Loose Fish.' (6) She dances, Maenad-like, snapping thumb and forefinger, as 'Barras's Mistress' [see British Museum Satires No. 10369]. (7) She wears a military tunic and plumed helmet, and holds a riding-switch as 'A Generals Lady.' (8) Walking in profile to the left. holding out a sceptre and wearing a jewelled gown and a crown, she is fat and vulgar as 'An Empress' [see British Museum Satires No. 10362]."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark on bottom edge., Companion print to: The progress of the Emperor Napoleon., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Plate numbered "236" in upper right corner., 1 print : etching ; sheet 24.7 x 35 cm., On wove paper, hand-colored., and Annotation on right margin, scratched through: W.L. Spenser, Esq.
Publisher:
Pubd. April 20th, 1808, by Thos. Tegg, 111 Cheapside
Subject (Name):
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
"Plate from the 'Scourge', viii, before p. 83. The Regent sits on a throne wearing academic cap, gown, and bands, and holding a huge birch-rod. Poised on his cap is a tiny merry-go-round; on the central post Punch, wearing a fool's cap, postures on one toe; on the rim are a tiny car, a donkey, goose, &c. His legs are wide apart and he has some resemblance to Henry VIII. He addresses Princess Charlotte who stands on the right, walking away but hindered by the Duke of York whom she tries to push aside. Beside the throne are Eldon and Ellenborough. Eldon (left), wears his Chancellor's wig and gown, a bag over his shoulder, his left hand on the right arm of the throne. Ellenborough sits at the Regent's left. A cross in the form of a pillory hangs from his neck; this is combined with a circle inscribed 'Croix de Pillory' forming a cross of Iona type. He holds a book: 'Magna Charta'. Beside him, and at the foot of the throne, are a birch-rod and a bag labelled 'Thumscrews & gags'. On a stool (left) next Eldon sits a fat and jovial bishop (the Archbishop of Canterbury) holding a bottle, and a large paper which he is reading: 'an old Song to a new Tune / I know my trade / Which tho it be made / By some a mighty serious / occupation, / I have found that to laugh / Is better by half / And more likely to get / a presentation / Tis all a mere hum / To stand preaching humdrum / And telling old Tales of / repentance / You had better burlesque / Both pulpit and desk / And turn up your female acquaintance / So bein ....' A roll of 'Old Songs Humorous Amorous &c', and a book (of old jests): 'Joe Miller', lie at his feet. Neglected behind his stool lies a book of 'Com[mon] Pray[er]'. The Regent says to his daughter: "I have sent for you my Dear Girl, to give you advice--for the future you must look up to me, as a pattern of Chastity, Sobriety, and Fidelity--I have just dismissed your late attendants, and intend now to teach you these virtues by my own precept and example--you will henceforward live under my roof--if you dont Obey--Mind--this!!" [his birch-rod]. Lord Eldon: "If you will allow me Sir! to send my wife to her, she will teach her how to Obey, I'll answer for it and that Scott free!!" Ellenborough: "Don't mind Brother Bags I'd have every body know what the Law can do it can decorate a Lord with the Croix de St Pillory, why not a Lady!" The Princess: "I wont stay Uncle--I won't be a Prisoner--I don't care for all the Bishops and Lords in the Kingdom, I'll put my self under the protection of some Coach'ee and drive to my Mother that I will!" The Duke of York answers: "No No my dear! must not run away from School Nuncky will pet it and Nurse it and Nunckys deary shant fret that it shant." He wears a military coat over a surplice, and a mitre projects from his coat-pocket. The Archbishop, turning from the conclave and absorbed in his song, says: "Fore George but this is a good one I must get into the right tune." The throne is an elaborate quasi-Chinese, quasi-Gothic erection, the top of the canopy with the Prince's feathers cut off by the upper margin, leaving the words 'Qui Pense'. The canopy is edged by bells. Below it are two winged cherubs' heads, both shedding tears. The arms are inscribed respectively 'Wisdom' and 'Activity', Eldon leaning against the former, Ellenborough against the latter. In a niche beneath the left arm are two bottles: 'Curr[açoa]' and 'Brandy'; the corresponding right niche is hidden by Ellenborough. On each side of the throne and above the heads of the two judges is an alcove containing large volumes: (left) 'Rule a Wife and [have a wife', John Fletcher's comedy, 1624, revived by Garrick]; 'Gullivers Travels'; 'Gack the Gian Killer' [sic]; 'Tom Thumb'; 'Family Quarrels a Novel in one Vol.' On the right: 'Little Red Riding Hood'; 'Law and Equity'; 'Duty of Jurymen by Veritas'; 'Life of John Bull'. These alcoves are flanked by large pictures partly cut off by the upper margin and concealed by labels enclosing speeches. On the left is 'Char[les the Se]cond', on the right 'Pri[nce Re]gent', a realistic rendering of his paunch and legs. At his feet is a scroll inscribed 'A Chines Bridge'. Against the portrait hangs a cage inscribed 'Sterne's Starling', containing a bird which puts its head through the bars, saying, "I can't get out."--British Museum online catalogue
Alternative Title:
Royal pedagogue and his ushers
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Watermark: H[?] 18[?]., and Manuscript "150" in upper center of plate.
Publisher:
Pubd. Augt. 1, 1814 by W.N. Jones No. 5 Negate [sic] Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (right) are a tree and a balustrade, against which grow a rose-bush and a thistle."--British Museum online catalogue, description of the Gillray print of which this is a copy and "A close copy by Williams, with additions, apparently ante-dated ... Behind the Prince Lord Dartmouth, Lord Chamberlain, stands full face, holding his wand, his gold key attached to his coat. Pitt and Moira turn their eyes slyly towards each other: both weep large burlesqued tears, as do the Queen and Dartmouth."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Copy of a print by Gillray; see British Museum catalogue., Imperfect; sheet mutilated in lower right corner with slight loss of text., Text following title: And he arose and came to his father, and his father saw him & had compassion, & ran & fell on his neck, & kissed him. Read the Parable, verse 16th to 24th., and Watermark. With residue of blue paper on verso, formerly mounted in an album?
Publisher:
Pubd. Novr. 18, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Pitt, William, 1759-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Dartmouth, George Legge, Baron, 1755-1810
"The Regent, scarcely caricatured, rides (right to left) a white horse with the (bloated) head of Sheridan, the flank being branded 'P R'. The horse walks along a cobbled street which is strewn with large stones on each of which is the head of a member of the Opposition. Sheridan says: "Never fear, my dear Master, I will carry you through this ugly road in safety--I'll hick all the vile stones aside that would impede your way, and your old Hack, Sherry, you will find able to support you to the last." On the stone under his hoof is the head of Grenville. Two others have already been kicked aside: (?) Holland, and, in the foreground, the Duke of Norfolk. Others (left to right) are: Buckingham (in spectacles) and Whitbread, Grey, Lord Temple, Moira, and Erskine. Others are not characterized. The street leads into 'Manchester Square', showing that the Prince is on his way to Hertford House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum online catalogue., 1 print : etching ; sheet 23 x 32.6 cm, Printed on wove paper, hand-colored., and Imperfect; sheet trimmed within plate mark on three sides, resulting in loss of bottom half of title from lower edge.
Publisher:
Pubd. March 1812 by Wm. Holland, No. 11 Cockspur Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Henry, 1746-1817, Holland, Henry Richard Vassall, Baron, 1773-1840, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Politicians, Horses, Riding habits, and Cobblestone streets
"The Regent, scarcely caricatured, rides (right to left) a white horse with the (bloated) head of Sheridan, the flank being branded 'P R'. The horse walks along a cobbled street which is strewn with large stones on each of which is the head of a member of the Opposition. Sheridan says: "Never fear, my dear Master, I will carry you through this ugly road in safety--I'll hick all the vile stones aside that would impede your way, and your old Hack, Sherry, you will find able to support you to the last." On the stone under his hoof is the head of Grenville. Two others have already been kicked aside: (?) Holland, and, in the foreground, the Duke of Norfolk. Others (left to right) are: Buckingham (in spectacles) and Whitbread, Grey, Lord Temple, Moira, and Erskine. Others are not characterized. The street leads into 'Manchester Square', showing that the Prince is on his way to Hertford House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum online catalogue., and Sealing wax present on verso; remains of album page at top.
Publisher:
Pubd. March 1812 by Wm. Holland, No. 11 Cockspur Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Henry, 1746-1817, Holland, Henry Richard Vassall, Baron, 1773-1840, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Politicians, Horses, Riding habits, and Cobblestone streets
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
"The Duke of York's head in profile to the left is the centre of rays which at some distance are obscured by dark clouds. The eye and part of the face are hidden by a five-pointed star, in which is the head of Mrs. Clarke, also in profile to the left. The star casts a sharp shadow on the Duke's face. His very thick neck is encircled by a military collar and black stock. Below the title: 'This Phenomena was known to a few Philosophers previous to its becoming visible to the public Eye, and we are assured by many Scientific persons, is not likely to happen again within the existance of the present generation--vide Vox Stellum'."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. April 1809 by Walker, Cornhill
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne, 1776?-1852
"Diogenes stands in the House of Commons between the two front benches; both arms are thrown out towards Burdett with a dramatic gesture; in one hand is his lantern, illuminating the patriot at close range; small clouds at his feet indicate that he is a ghost. He turns his head to look steadily at three members on the front Ministerial bench (left), saying: "An Honest Man is the noblest work of God" [Pope, 'Essay on Man', quoted by Burns, cf. British Museum Satires No. 11562]. The three culprits (unrecognizable) register shame and terror, their hair standing on end. Burdett stands by the front bench (right) on which is his hat, displaying to the frightened Ministers (one intended for Perceval) a document headed 'Magna Charta--Pro Rege, lege, grege' [see British Museum Satires No. 11547]. Except for one member on the front bench, those behind Burdett stand, five being depicted, three of whom wave their hats. All the occupants of the gallery wave still more emphatically. In the background and on the left is the Speaker's Chair; the diminutive Abbot, author of the famous Warrant, see British Museum Satires No. 11545, &c., holds up a hand in astonished alarm. Burdett was in the Tower during May, see British Museum Satires No. 11558. 'Hair on end' is an allusion to Lethbridge, see British Museum Satires No. 11538."--British Museum online catalogue
Alternative Title:
Ghost of Diogenes, more hair on end
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Lettered above image: Tegg's Caricatures, No. 111 Cheapside, no. 13. Price one shillg. colod., and Text below title: Diogenes being observed looking about with a lanthorn alight a noon day, was asked what he was hunting after when he replied, for an honest man.
Publisher:
Pubd. May 1810 by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Diogenes, -approximately 323 B.C., Burdett, Francis, 1770-1844, Perceval, Spencer, 1762-1812, Abbot, Charles, Baron Colchester, 1757-1829, Lethbridge, Thomas Buckler, 1778-1849., and Great Britain. Parliament. House of Commons,