Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., After the title, a three-line verse by Dryden., Plate numbered "374" in upper right corner., Temporary local subject terms: John Bull -- See-saws -- Costume: male, jack-boots -- Crutches -- Wine -- Beef., Watermark: J. Whatman 1818., and Manuscript "273" in upper center of plate.
Publisher:
Pubd. June 1816 by T. Tegg No. 111 Cheapside
Subject (Name):
Léopold I, King of the Belgians, 1790-1865, Charlotte Augusta, Princess of Great Britain, 1796-1817, and George IV, King of Great Britain, 1762-1830
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, very tipsy, one leg on the supper-table, leans back in his chair, putting a hand under the chin of each of two very fat maidservants who stand one on each side. One (left) stands with her back to the fire where a large steak is grilling; she holds a pair of steak-tongs and a glass of wine. He says to her: "Dolly I admire your Chops and now for your Rump I shall find out the beauties of the Kremline in time! Dolly I have a great mind to make you a Dutchess you'll make a nice fat Dutchess, and Cis here shall be a Countess. Should you like to be a Dutchess Dolly?" She answers: "Any thing your Hiness chuses to make me!" General Bloomfield has risen from his chair (right) to hand a glass of wine to the other, saying, "Come Cis take a glass of Claret my girl Countesses [sic] a countess should drink nothing but Claret." Men cooks and soldiers crowd in a doorway (right) to watch. One (? Carême) says: "Got tam! vat he go do Dolly? My Dolly!" Another says to him: "Ah ha! I think you are done with Monr Fricasee." On the table are decanters, &c., and two candelabra. See British Museum Satires No. 13208, &c. The Pavilion, with its onion domes, was called the little Kremlin."--British Museum online catalogue
Alternative Title:
Beauties of grease, or, Luxuries of the Kremlin and Luxuries of the Kremlin
Description:
Title etched below image; the letters "as" in "grease" have been scored through and the letters "ec" etched above, forming the word "Greece.", Printmaker and date of publication from British Museum catalogue., Plate numbered "335" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 41 in volume 5.
Publisher:
Pubd. by T. Tegg, No. 111 Cheapside, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Bloomfield, Benjamin Bloomfield, Baron, 1768-1846
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Eight designs in two rows, each with lines parodying 'the House that Jack built' etched above each. Some section of the bridge appears in Nos. 1-5. [1] Tiny French soldiers gallop across the bridge; a man punts in the rapidly flowing river. Behind is Leipzig, a walled town backed by hills. Above: "This is the Bridge that was blown into air." [2] Three men, wearing helmets and aprons, excavate a pit beside the bridge, from which a man looks down: "These are the Miners that had the care / Of mining the Bridge . . . [&c.]." [3] A Grenadier corporal holds a long match towards the covered pit; three tiny Grenadiers run across the bridge: "This is the Corporal, stout and strong, / Who fired the Mine with his match so long, / Which was made by the Miners . . . [&c.]." [4] A swaggering officer points at the ground, looking over his shoulder at the corporal, who runs forward with his match, saluting obsequiously: "This is the Colonel of Infantry, Who ordered the Corporal . . . [&c.]." [5] The colonel listens deferentially to an officer who whispers in his ear, pointing downwards: "This is the Marshal of high degree / Who whispered the Colonel.. .[&c.]." [6] Napoleon gallops from the battlefield, indicated by a drum in the foreground and bodies in the background: "This is the Emperor who scampered away, / And left the Marshal . . . [&c.]." [7] Refugees, including women with infants and an old farmer, make gestures of despair. Behind is the blazing town which more fugitives are leaving: "These are the Thousands who cursed the day, / Which made him Emperor ... [&c.]." [8] Four allied sovereigns in a tent consult over a map held between them. Alexander (left) sits on a camp-stool, the others stoop over the map: the King of Prussia is in back view, facing the Emperor of Austria. Bernadotte faces the Tsar: "These are the Monarchs so gen'rous and brave, / Who conquered the Tyrant, and Liberty gave, / To Thousands on Thousands . . . [&c.]"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "253" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shillg. coloured.", Watermark, partially trimmed: Basted Mill [...?]., and Leaf 33 in volume 4.
Publisher:
Pubd. Decemr. 1, 1813, by Tho. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, and Charles XIV John, King of Sweden and Norway, 1763-1844
"The Russian bear (left), standing on its hindlegs on the edge of a narrow stream, 'The Vistula', holds Napoleon in its forepaws. Talleyrand steps out of the stream on to the further bank (right), blowing a trumpet from which issues a billowing cloud on which he writes a dispatch with a large pen. The upper waters of the stream are inscribed 'The Bug'; a placard on a post in the water is inscribed: 'Hic Jacet - Snug - in the Bug - several thousand of the Great Nation.' The bear says: "Hush a bye! Hush a bye! take it all quietly - you'll soon find yourself as Snug as a Bug in a Rugg". Napoleon, gesticulating wildly towards Talleyrand, says: "Oh D----n the bug. I wish I had never seen it. My Dear Talley - dont tell my faithfull subjects the true state of my Situation - any thing but the truth my Dear Tally. Oh this cursed Russian Bear how close he hug me." Talleyrand, his back to his master, answers, "Leave me alone for a Bulletin." Two clouds issue from his trumpet: the smaller and darker rises: '7,000 Prisoners, 3000 drowned, 12 Eagles taken, 6,000[?] Killed.' The other cloud descends, on it Talleyrand has written, his pen by the final word: 'For Paris Grand Bulletin The august Emperor of the great Nation, informs his faithfull and beloved Subjects, that having performed Wonders on the banks of the Bug. he has now closed a glorious campaign for the season, and retired with Ease and Comfort into Winter Quarters - '. He wears a mitre, bag-wig, a gown over his suit kilted up by a girdle from which swings a rosary and an ink-pot resembling a bowl for holy water. His right leg has a bowed shin, and his shoe is raised on blocks. On the ground by the bear are Napoleon's large bicorne and sword. Behind (left) is part of the façade of a 'State Prison', surmounted by a Russian Eagle, and inscribed 'Prisoners of War.' The races of French prisoners are pressed against heavily barred windows. In the background is a large encampment."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 32 x 47 cm.
Publisher:
Pubd. March, 1807 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
Eylau, Battle of, Bagrationovsk, Russia, 1807, National emblems, and Russian
Title from item., Sheet trimmed within plate mark on top and bottom., Printmaker's name suggested by British Museum catalogue., Image appears above a set of verses, signed S W F., Variant state. Cf. No. 12033 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Temporary local subject terms: Frostbite -- Crutches -- French military officers., and Written in contemporary ink, at top of print: 167.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bursts out of a terrestrial globe on which a map is freely sketched. One leg is still below the surface; he puts the other on the 'East-Indies' close to 'Bengal'. He is astounded to find himself face to face with John Bull (right) who also emerges from the globe, a half length figure with a huge cudgel in his right. hand. From John's coat-pocket project papers: 'Secret Intelligence'. Napoleon in his dismay drops his sword and a 'Plan of Operations in the Eas [sic] Indies'. He says: "Begar Monsieur Jean Bull again! Vat - you know I was come here!" John answers: "To be sure I did - for all your Humbug deceptions I smoked your intentions and have brought my Oak Twig with me, so now you may go back again." Napoleon wears an enormous feathered bicorne. On the lower part of the design 'France' and 'The Tight Little Island' are shown."--British Museum online catalogue, description of a variant state
Alternative Title:
Unexpected meeting
Description:
Title etched below image., Printmaker from description of variant state in the British Museum catalogue., Plate numbered "283" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For a variant (earlier?) state numbered "48" in upper right corner, see no. 10995 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., and Leaf 93 in volume 4.
Publisher:
Pubd. July 9th, 1808, by Thos. Tegg, 111 Cheapside
"Britannia, tall and powerful, holds Napoleon across her knee, and raises a birch rod to thrash his bleeding posterior. She wears Roman draperies, with corslet and plumed helmet. The rod is tied with a ribbon inscribed: 'United Kingdoms'. She says: "There take that and that and that, and be carefull not to provoke my Anger more." He exclaims: "oh forgive me this time and I never will do so again, oh dear! oh dear! you'll entirely spoil the Honors of the Sitting." Beside Britannia (left) are her spear and sword; beside Napoleon (right) his huge cocked hat and sabre. The scene is by the sea (left), with a fleet of retreating vessels flying the tricolour flag. On the right is a cliff on which a small British lion lies on a scroll inscribed: 'Qui uti scit ei bona' [good things to him who knows how to use them]."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., With watermark: A. Stace., and Matted to 49 x 38 cm.
Publisher:
Pubd. June 13th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815, Britannia (Symbolic character), Spanking, Warships, and French
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., Mounted on page 39 of: George Humphrey shop album., 1 print : etching ; sheet 17.6 x 26 cm., On laid paper, hand-colored., and Imperfect; sheet has been cut in half, with bottom portion (17.3 x 20.7 cm) containing the verses mounted separately beside upper portion containing the engraved plate.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., 1 print : etching, hand-colored ; plate mark 35.8 x 26.1 cm, on sheet 39.5 x 28.2 cm, and Printed on laid paper (with a watermark)
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"A satire on the rebuilding of Drury Lane Theatre. Whitbread, Chairman of the Committee, bestrides a barrel, the head inscribed 'The Butt M, T' [empty]. He has long ass's ears and points to a table beside him on the extreme right where there is a model of a theatre with a pillared portico and pediment. This rests on a paper inscribed 'Whitbread Copeland Holland Rolls &ca clear gains 450000!!!!!' Next Whitbread a man sits behind a similar table littered with plans all inscribed 'Plan of Drury Lane'. He also has ass's ears, to which a second pair has been added in water-colour. He looks through an eye-glass, resting his right elbow on an anchor, while he holds at arm's length the model of a theatre whose portico is flanked by two large sphinxes. A carved sun, like the emblem of the Sun Fire-Office, decorates his chair; on the right is a broad post or terminal pillar supporting a man's head, also with ass's ears. This rests on a volume inscribed 'Commons', and on its face in large letters are the words 'Ex Nihilo Nihil Fil'; from its upper edge a signpost arm projects to the right inscribed 'To Coventry', showing that he is Peter Moore. Behind Whitbread (left) and partly screened by a heavy curtain is a table supporting a third model of a theatre, also with a portico. Whitbread, frowning slightly, says: "These Resolutions once carried good bye Friend Sherry Old Claimants and new Subscribers (aside) Hem! I think I have bullied the Committe [sic] properly." His neighbour (? Lord Holland) who smiles, has a round good-humoured face; he says: "La! Mr Chairman I think my Sphynxes look Monstrous Pretty.""--British Museum online catalogue
Alternative Title:
Punishment of a modern Midas
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman., and Matted to 37 x 46 xm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England), Whitbread, Samuel, 1764-1815, Moore, Peter, 1753-1828, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Theaters, Architectural models, Barrels, and Traffic signs & signals