Title from text below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered in lower right corner of plate: 162., and Temporary local subject terms: Artwork -- Three Graces (Mythological characters) -- Quizzing glasses -- George Fairholme -- William Scott -- James Kerr.
"John Bull, grotesquely stout, is pressed downwards by a large rolled document which rests on his head inscribed 'Revision 3000 Resolutions Simplefication'. This roll is pressed down by three persons who rest their hands on it, their legs in the air, as if jumping to increase the pressure which has already so much compressed John Bull, concertina-fashion, that his arms reach the ground, and his contour is quasi-rectangular. The central figure is Pitt, saying, "Come, boys, since they say we have well begun, Let's bear hard till the whole's comprest in one". The other two are probably Rose and Steele, the Treasury Secretaries. The words 'Stamps' and 'Incidents' are inscribed on John Bull's shoulders, 'Custom' and 'Excise' (crossing each other) on his body."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified tentatively in British Museum catalog., Temporary local subject terms: Allusion to the speech of George III on January 23, 1787 -- Variety of taxes -- Tax reforms -- Consolidation of duties bill, February 26, 1778 -- Treasury secretary., and Partial watermark on left edge.
Publisher:
Pub'd for the proprietor, by E. Macklew, No. 9, Haymarket
Subject (Name):
Pitt, William, 1759-1806, Rose, George, 1744-1818, and Steele, Thomas, 1753-1823
"Satire against England: Pitt strides forward holding a flag next to a crown, while chained figures cringe at his feet, and a scaffold and executioner occupy the background."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... ou le triomphe du ministre Pitt, foulant aux pieds la couronne d'Angleterre, d'une main il tient une hache et les chaines dont il a su charger la Nation et le Roi, de l'autre il porte le drapeau de l'esclavage; les impots et les echafauds sont les moyens qu'il employe pour soutenir son pouvoir chancelant., French original, later copied by Gillray, dated 1789 by the Bibliotheque Nationale presumably based on its place in a collection by an artist who gathered prints at the time, Michel Hennin., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
History, Public opinion, Foreign relations, Axes, Calumets, Chains, Crowns, Gallows, Punishment devices, and Shackles
"Miss Farren (left) sits at her dressing-table, contemplating with rapt admiration an earl's coronet on a wig-block which is a caricature of Lord Derby's head. The voluminous draperies of her dress define a thin and angular figure, with a long thin neck. At her feet is an open book: 'Tabby's Farewell to the Green Room'; near it is a torn paper: 'Elegy to the Memory of an Unfortunate Lady. How Lov'd how valued once avails thee not To whom Related or by whom Begot.' A pad for inflating the figure (cf. BMSat 8388, &c.) lies across a stool (right). A 'Genealogical Chart of British Nobility' hangs from the dressing-table; the tree issues from the recumbent figure of 'Willm Conqr'; on it lies a small-tooth comb beside which is an insect. Behind Miss Farren are the closed curtains of an ornate bed, whose valance is decorated with the cap of Libertas and the words 'Vive la Egalite'. On the wall hangs a 'Map of the Road from Strolling Lane to Derbyshire Peak'; the places, from S. to N., are: 'Strolling Lane', 'Beggary Corner', 'Servility Place', 'Old Drury Common', 'Affectation Lane', 'Insolence Green', 'Fool-Catching Alley', 'Derbyshire Peak viz Devils Ar.' A jewel-box, bottles, &c, are on the dressing-table, some inscribed: 'Bloom de Ninon', 'For Bad Teeth', 'Cosmetick', 'For the Breath'. On the ground, under the valance of the table, is a large bottle of 'Holland[s]'. After the title: '"A Coronet! - O, bless my sweet little heart! - ah, it must be mine, now there's nobody left to hinder! - and then - hey, for my Lady Nimminney-pimmenney! [see BMSat 8888] - O, Gemmini! - no more Straw-Beds in Barns; - no more scowling Managers! & Curtsying to a dirty Public! - but a Coronet upon my Coach; - Dashing at the Opera! - shining at the Court! - O dear! dear! what I shall come to!'"--British Museum online catalogue
Description:
Title etched below image., Printmaker's signature is repeated, the second signature located below lower right margin of design and in a slightly different form: Js. Gy. inv. & ft., Additional publication line, with slightly earlier date, is etched below lower left margin of design: Pubd. March 20th, 1797, by H. Humphrey, Bond Street & St. James's Street., Sheet trimmed within plate mark., and Temporary local subject terms: Hat-stands -- Mirrors -- Coronets: earl's coronet -- Cosmetics -- Pincussions -- Female dress: cork rumps -- Genealogy: British nobility -- Maps: satiric map of Derbyshire -- Allusion to Derbyshire -- Allusion to the Green Room -- Spirits: Hollands gin -- Boxes: jewelry boxes -- Furniture: stools -- Furnishings: bed curtains -- Emblems: bonnet rouge -- Elegies.
Publisher:
Pubd. March 25th, 1797, by H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829 and Smith-Stanley, Edward, 1752-1834
"A pugilistic contest between George III (left) and Charles IV of Spain (right), standing waist-deep in the sea. Each wears a crown, but that of Charles falls from his head. George III says, "Another thump in the bread basket will do your business, Whiskerando!" Each has a backer: behind George is Neptune, holding his trident and crowned with sea-weed; he extends his left arm, saying, "Bravo! my Son, make him feel the dominion of the Seas is thine and shall be so for ever." That of Spain is the Pope wearing his robes and triple crown, and holding his crozier to which two keys are attached. Fame emerges from clouds above Neptune, blowing her trumpet and holding a laurel wreath above George III's head. The two kings and Neptune are nude."--British Museum online catalogue
Description:
Title etched below image., Attributed in the British Museum catalogue to H.W.: possibly either Henry Wigstead or William Holland., Sheet trimmed within plate mark., Publisher's advertisement above the image: In Holland's exhibition rooms may be seen the largest collection of humorous prints. Admittance one shilling., and Watermark: fleur-de-lis on crowned shield with a monogram WC below.
Publisher:
Pubd. by William Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charles IV, King of Spain, 1748-1819, and Pius VI, Pope, 1717-1799
Subject (Topic):
Neptune, Clergy, Popes, Crowns, Trumpets, Angels, and Fights
Eight figures in two rows are depicted reading Thomas Paine's pamphlet The Rights of Man, each gesturing dramatically and each with a lengthy quote above his head either praising or denouncing the ideas expressed. On the top row are Edmund Burke (reading the passages referring to himself), Charles Fox, George III, and Charles Jenkinson. In the second row, Queen Charlotte, Mary Wollstonecraft Godwin, William Pitt, and Richard Sheridan seem to address each other in a similarly lively debate of contrasting responses to Paine's arguments
Description:
Title etched below image., Attributed to F.G. Byron. See An Oxford Companion to the Romantic Age .../ Iain McCalman. Oxford : Published by Oxford University Press, 2001, p. 20., Below image on right: In Holland's exhibition rooms may be seen the largest collection of caricatures in Europe. Admitte. on shilg, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on sides., For further information, consult library staff., and Pencil annotations identify each of the caricatures, but identifies Mary Wollstonecraft as Hannah More. Questionable printmaker attribution in local card catalog: R. Newton f.?
Publisher:
Pubd. May 26, 1791 by William Holland, No. 50 Oxford Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Paine, Thomas, 1737-1809., George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Jenkinson, Chalres, 1727-1808., Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
History, Foreign public opinion, British, and Politics and government
Title from item., Attributed to Newton by curator based on other works of this artist in the collection., Sheet trimmed within plate mark., Reduced copy of a print published in London on May 26, 1791, by W. Holland., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: satire on Paine's The Rights of Man -- Reading -- Readers., and Watermark: name (illegible).
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Jenkinson, Charles, 1727-1808
Title from item., Place and date of publication conjectured from imprint of book., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., and Temporary local subject terms: Earl of Errol or Lord Haddo? -- Dr. James Hutton.
Publisher:
publisher not identified
Subject (Name):
Monboddo, James Burnett, Lord, 1714-1799, Davidson, John, -1797, and Paton, George, 1721-1807
Title from item., Place and date of publication conjectured from imprint of book., Plate from: A series of original portraits and caricature etchings by the late John Kay (1877 ed.), Numbered '99' in the lower right corner., and Temporary local subject terms: Earl of Errol or Lord Haddo? -- Dr. James Hutton.
Publisher:
publisher not identified
Subject (Name):
Monboddo, James Burnett, Lord, 1714-1799, Davidson, John, -1797, and Paton, George, 1721-1807
"Burke, as a lunatic, is seated on straw dressed only in breeches, but wearing a rosary and crucifix round his neck; Major Scott stands behind him, shaving his head. His right wrist and left ankle are chained to a staple in the floor, the chains being inscribed 'The Censure of the Commons' and 'The Contempt of the Lords'. He clenches his fists and turns his head in profile to the right, towards a vision of Hastings, saying, "Ha! Miscreant! Plunderer! Murderer of Nundocomar! where wilt thou hide thy head now ?" Hastings walks in profile to the right, carrying a sack over his shoulder inscribed '£4000000'; he is about to enter the gate of 'St James's' from which two hands emerge to receive him labelled (in reversed characters) 'Welcome'. Clouds surround Hastings and the Palace, showing that this is a vision. In the background (left) is a gibbet from which hangs a figure rudely drawn, as if chalked on awall, representing 'Nundocomar'. ..."--British Museum online catalogue
Alternative Title:
Little major shaving the shaver
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Three columns of verse below image, following title: Madness, thou chaos of the brain; what art, that pleasure, giv'st & pain? ..., Publisher's advertisement above image: Aitken's exhibition room in Castle Street, Leicester Fields, is now open'd for the inspection of the nobility, & the public in general, containing the only compleat assortment of satiric, humourous & caricature productions now extant. Admittance gratis., "Pr. 1 sh. plain, 1 s. / 6 cold.", Temporary local subject terms: Warren Hastings trial, 1789 -- Executions: hanging of Nuncomar, 1775 -- Burke's chains: Parliamentary rebuke -- Literature: quotation from John Hoadly, 1711-1776 -- Burke's politics during Regency crisis -- Military uniforms -- Major's uniform -- Bag of money -- Allusion to St. James's Palace -- Allusion to Queen Charlotte -- Crucifixes -- Spectacles -- Razors -- Oriental costume -- Lunatics -- Visions., and Watermark: countermark S Lay.
Publisher:
Pubd. May 8th, 1789, by J. Aitken, Castle Street, Leicester Square
Subject (Name):
Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Scott, Major 1747-1819 (John),, and Nandakumara, Mahārāja, d. 1775