36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
Photographs compiled by an unidentified compiler of the Black Butte Mine in Lane County, Oregon, 1910-1920. Depicted are the mining camp and unidentified miners in mines or at mine shaft entrances. The only photograph with a caption is of an illustration done by artist Edward Lange of the Black Butte Mining District
Description:
The Black Butte Mine, a mercury mine in Lane County, Oregon, was in operation from the 1890s until the late 1960s., Caption in English., Title devised by cataloger., and Place of creation and date supplied by cataloger.
Subject (Geographic):
Oregon., Oregon, and Lane County (Or.)
Subject (Name):
Lange, Edward, 1846-1912. and Black Butte Mine.
Subject (Topic):
Mercury, Mercury mines and mining, Miners, Mines and mineral resources, and Mining camps
Drawing of a plan for one pier for the Great Cloister at Horace Walpole's home Strawberry Hill, Twickenham, Middlesex; with extensive notes on the design and measurements. An incomplete pencil sketch on verso. Harris notes: "It is difficult to relate this drawing to the Great Cloister. It may be for Bateman's cloister at Old Windsor."
Description:
Title devised by cataloger., Part of a watermark at top of sheet, centered., One of 11 drawings numbered 56-66 by W.S. Lewis, continuing the numbering used for an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760]., and Harris dates these drawings tentatively between 1757-1760.
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
A preliminary drawing showing the elevation of a design for the screen in the Holbein Chamber at Horace Walpole's home, Strawberry Hill in Twickenham, Middlesex, with brattishing over the door added in pencil. One of three designs for the screen included in Walpole's album of Bentley drawings
Description:
Title devised by cataloger., Formerly mounted on the verso of leaf 55 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760]., and Date from J. Harris.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Set of 290 black-and-white prints of Rockwell Kent's illustrations and decorations for the 1930 Lakeside edition of Moby Dick. The prints are housed in 148 mats, with each mat holding one to four prints, and divided into three volumes that correspond to the published Lakeside edition. The mats for each volume are housed in a custom case with paper spine and cover labels featuring Kent's illustrations. Volume 1 contains mats 1-49 (95 prints) and the inventory of illustrations; volume 2 contains mats 50-94 (89 prints); and volume 3 contains mats 95-148 (106 prints).
Alternative Title:
Moby Dick
Description:
BEIN 2023 Folio 19: From the library of William S. Reese. Twenty-six sheets bear the Strathmore drawing board trademark stamp. Accompanied by manuscript inventory of illustrations in an unidentified hand (11 pages). Each mat is numbered in pencil with a number corresponding to this inventory. The final 9 illustrations (mats 145-148) likely do not appear in the published Lakeside edition. and Title devised by cataloger.
Plate with numbered depictions of the obverse and reverse of fourteen Roman coins and medals. Numbered "4" among these is a gold medal, with heads of Marc Anthony and his wife Octavia, that was formerly in the collection of Horace Walpole at Strawberry Hill
Description:
Title devised by cataloger., Publication information from that of the volume for which the plate was engraved., Plate from: Pinkerton, J. An essay on medals: or, An introduction to the knowledge of ancient and modern coins and medals; especially those of Greece, Rome, and Britain. London : Printed for J. Edwards ... and J. Johnson ..., 1789., "Vol. I, plate 2"--Upper right corner., Imperfect; only top half of plate is present, with bottom half and all text trimmed away. Description based on a more perfect impression., Mounted on page 110 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., With manuscript label on separate strip of paper mounted below image: Mr. Walpole's unique gold is no. 4 of this plate., Mounted beside a note from Horace Walpole to Richard Bull in which Walpole mentions the depiction of his Marc Anthony medal in the second edition of Pinkerton's An essay on medals. In the note Walpole also mentions sending along the plate in question, and the impression mounted here probably represents the top half of the plate he sent to Bull., and For further information, consult library staff.
Publisher:
J. Edwards and J. Johnson
Subject (Name):
Antonius, Marcus, 83 B.C.?-30 B.C., and Octavia, -11 B.C.,
Plate with numbered depictions of the obverse and reverse of fourteen Roman coins and medals. Numbered "4" among these is a gold medal, with heads of Marc Anthony and his wife Octavia, that was formerly in the collection of Horace Walpole at Strawberry Hill
Description:
Title devised by cataloger., Publication information from that of the volume for which the plate was engraved., Plate from: Pinkerton, J. An essay on medals: or, An introduction to the knowledge of ancient and modern coins and medals; especially those of Greece, Rome, and Britain. London : Printed for J. Edwards ... and J. Johnson ..., 1789., "Vol. I, plate 2"--Upper right corner., Imperfect; only top half of plate is present, with bottom half and all text trimmed away. Description based on a more perfect impression., Mounted on page 111 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on wove paper ; sheet 7.4 x 10.3 cm., Imperfect; only bottom half of plate is present, with top half and all text trimmed away., This impression probably represents the bottom half of a plate sent by Horace Walpole to Richard Bull. See top half of plate and note from Walpole to Bull mounted on preceding page (page 110)., and For further information, consult library staff.
Publisher:
J. Edwards and J. Johnson
Subject (Name):
Antonius, Marcus, 83 B.C.?-30 B.C., and Octavia, -11 B.C.,
Drawing of a section with half-wall plan of the Tribune at Horace Walpole's home Strawberry Hill, Twickenham, Middlesex; with two small sketches of details also in ink but with some additions in graphite
Description:
Title devised by cataloger., Watermark in center of sheet: Fleur de lis., and One of 11 drawings numbered 56-66 by W.S. Lewis, continuing the numbering used for an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)