Page 223. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man leans from a rostrum (right), holding up his wig, addressing an audience of men and women, seated and standing, most of whom hold up their wigs, disclosing bald or cropped heads. In his left hand is a wig of luxuriant curls which he has taken from the head of a protesting old woman. Most of the wigs simulate natural hair, either short or in ringlets. On the wall is a placard: 'For Debate, \ Opinions \ on \ Baldness. \ It is the sincere wish of the \ proprietors of this Institution, \ that Gentlemen and Ladies will be Uncover'd on this important Occasion'."--British Museum online catalogue
Alternative Title:
Debate on the baldness of the times
Description:
Title etched below image., One of the series of Laurie & Whittle drolls., Numbered '217' in lower left of plate., Temporary local subject terms: Architectural details: rostrum & paneling., and Watermark: Russell & Co. 1799.
Publisher:
Published 24th May 1798 by Laurie & Whittle, 53 Fleet Street, London
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[circa 1730-1745]
Call Number:
Print10157
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Date and place of publication from British Museum website., Description from British Museum: A satire [of] political ignorance set in a country barber-surgeon's shop in which the people have been given the heads of animals. At centre left, an old woman with the head of a cat, is being bled by a man with the head of an elephant whose hand is on her left breast, a monkey-headed boy holds a basin to catch the blood spurting from her arm. Behind them a man, with a boar's head wearing a work-apron reads from the Grub Street Journal to a man with the head of an ass and a bell round his neck. In the centre a cat-man sitting on a barrel holding a shaving dish has his whiskers trimmed by a barber with an ape's head on top of which is a flamboyant hat with long feathers. An ape-man behind waits his turn, and a man with two wooden legs and a crutch leaves through an open door. Overhead on the left is a projecting sign from which hangs a board showing an owl beneath which is written "Shave & Bleed for A Peny". Stuffed creatures hang from the ceiling: a grotesque fish, an eel with gaping moth, and an ape. The wall at the rear has been chalked with tallies and three wigs hang from it. A table in the foreground on the right has pulled teeth and various barbers' instruments on it. A hat with a large feather lies on the ground., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Barber surgery & surgeons; Barber shops, interior.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Surgical instruments, Crutches, and Elephants
Title from no. 6360 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5. and Reversed version of an unidentified portrait of a man in bag wig, with long upper lip and receding chin (cf. British Museum catalogue o. 6360).
Head-and-shoulder portrait of a gentleman in profile to the right in a bag wig and ruffled shirt. He has a very long, beak-like nose and wears spectacles
Description:
Title from British Museum catalogue. and Beginning of imprint statement is lightly etched and barely visible.
Publisher:
Pub. 14th Feb. 1783 by H. Humphrey, No. 51 New Bond St.
"Husband and wife dressing in a bedroom, the tent-shaped bed-curtains forming a background. The woman is thin and has a mole on her face, the man broad, but their deficiencies are similar. She stands (left), about to raise her shift and adjust false posteriors. A false bust, false teeth, and wig, simulating natural curls, are on the table behind her, on which are also the man's wig and an eye in a tumbler of water. Both are bald. He sits (right) in shirt and breeches, about to put on a pair of stockings with false calves of fleece. Both register sour dissatisfaction with themselves and each other."--British Museum online catalogue, description of an earlier state
Alternative Title:
Persons in wedlock should be properly matched
Description:
Titles from text in French and English below image., Later state, with altered publication line, of no. 13455 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed to plate mark., Print stamped with price: Price 1s., On sheet with watermark: Smith & Allnut 1818., and ounted to: 44.1 x 37.5 cm.
Publisher:
Pub. Jan. 20, 1820 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Spouses, Bedrooms, Baldness, Marriage, Wigs, Dentures, and Artificial eyes