Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: "This said the high, outragious Mettle, Of Knight, began to cool and settle ...", and On page 31 in volume 1. Plate trimmed to: 26.5 x 34.5 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: "This said the high, outragious Mettle, Of Knight, began to cool and settle ...", and Numbered "10" in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
"To right, a soldier and a young woman embracing each other; to extreme right, a woman seated, facing back; to left, a soldier on a horse, in profile to left, holding another horse's bridle; in a landscape."--British Museum online catalogue, description of an earlier version of the same design
Description:
Title engraved below image., Sheet trimmed within plate mark., Plate from: Angelica's ladies library; or, Parents and guardians present. London : Printed for J. Hamilton and Co.; and Mrs. Harlow, 1794., Illustration to verses that are perhaps part of a longer ballad, the author of which is unidentified., and Mounted on page 105 of: Bunbury album.
Publisher:
Publish'd Jany. 23, 1794, by W. Dickinson, No. 24 Old Bond Street
Title devised by cataloger., Series title from caption below image; plate number in upper right., Plate from: Graphic illustrations of Hogarth from pictures and drawings in the possession of Samuel Ireland author of this work, v. 2, opposite page 125., and Prints trimmed within plate mark with loss of imprint. Imprint from impressions as issued in bound volume: Lewis Walpole Library 75 H67 S794.
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title, state, and date from Paulson., Third state: Scene number has been removed but traces remain., Sheet trimmed to plate mark with loss of last two character's in printmaker's name., Ms. note in Steevens's hand above: Cocu Imaginaire / 171., and On page 52 in volume 1.
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., and On page 21 in volume 1. Plate trimmed to: 14.1 x 7.7 cm.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples