Title from caption below image., Printmaker from unverified data from local card catalog record., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Walking sticks -- St. Stephen's Chapel -- Hampton Court -- Male costume: 1820 -- Italians., and Manuscript "266" in upper center of plate.
Publisher:
Pub. July 22, 1820 by S.W. Fores 41 Picadilli
Subject (Topic):
John Bull (Symbolic character) and Musical instruments
"Ministers and others strike at a shuttlecock above their heads inscribed 'Speakers Warrant'; among the feathers sits a little man holding a crowned staff; he says: "Curse this game I dont Like it I never experienced Such boning about in my life, I wonder when you will have done"; he is Colman the Serjeant-at-Arms. Eldon, in his Chancellor's wig and gown and holding the Purse of the Great Seal, is the centre of a close group; he says: "Dont knock it here we have not power to Strike it". Perceval, in back view, wears his Chancellor of the Exchequer's gown and holds a document inscribed 'Majority'; he says: "Curse the thing I wish I had never Seen it away with it". A second judge whose head is partly visible behind Eldon is probably Ellenborough. On the right is Gibbs, holding a paper inscribed 'Attorn[ey Gen]eral'. He says: "D-n it Ill hit it as Hard as I can tho I'm almost afraid to meddle with it". There are two others in the group, one is silent, the other resembles Canning (not in the Ministry); he says: "Sure honey Right or wrong I always stick to the Strongest Side so do let me have a Slap at it". The sturdiest striker stands in back view on the left, with a paper inscribed 'Read Bow Street' projecting from his pocket; he says: "I cant Read it Die Veneris! why its Spanish to me we dont understand Them there warrants". On the extreme left stands the Speaker, Abbot, with a bat inscribed 'Double'; he says: "Dont Strike it to me again Ill have nothing more to do with it I've sent it to Bow Street". The bats used are not the usual long-handled battledores as (e.g.) in British Museum Satires No. 9716, but short-handled wooden bats. Above the design: 'NB The Feathers of the Shuttle Cock were pluked [sic] from a Sumersetshire Goose' [Lethbridge, see British Museum satires no. 11538]."--British Museum online catalogue
Alternative Title:
New game of shuttlecock as played by his Majesty's servants for the amusement of John Bull
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Watermark.
Publisher:
Pub. 22 Apl. 1810 by Fores, Picadilli [sic]
Subject (Name):
Colman, Francis John, Eldon, John Scott, Earl of, 1751-1838, Perceval, Spencer, 1762-1812, Ellenborough, Edward Law, Baron, 1750-1818, Gibbs, Vicary, Sir, 1751-1820, Canning, George, 1770-1827, Abbot, Charles, Baron Colchester, 1757-1829, and Lethbridge, Thomas Buckler, 1778-1849.
Subject (Topic):
John Bull (Symbolic character), Badminton, and Games
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, seated sideways on his chair, is in back view, holding out his hand in an oratorical gesture towards a ragged and despairing John Bull, who stands hat in hand addressing him. He says: "Why you unatural Grumbler after I have done all I could to get rid of your Money you Still grumble did I not give you a Fète did I not Build you a Bridge did I not Treat you with a Smell of all the nice things at my Feast did I not sign the Corn Bill did I not refuse the [scored through] your Address have I not drank whole Pipes of Wine for fear it should be waste'd have I not spent all your money because you should not spend it your self have you not got the Income Tax to keep you sober, & as for your Dress the Thinner the better for the Sumer Season so Johnny go Home to work its all for the good of your Country." The Regent wears a powdered wig and whiskers, a tight-waisted coat with small pointed tails over very tight breeches, sleeves puffed at the shoulders. John has no coat, wears a tattered waistcoat, shirt, and breeches, has one ragged stocking with a pad over the knee, and one bare leg covered with a twisted straw rope, with dilapidated shoes, thus resembling a destitute day labourer instead of a 'cit' or farmer. He registers despair and alarm."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Later state, with plate number added and beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pub. 17th June 1815, T. Tegg, Cheapside. Cf. No. 12556 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "233" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Sheet trimmed within plate mark on right edge., Temporary local subject terms: Powdered wig -- Male costume, 1815., Watermark: Basted Mill., and Leaf 93 in volume 5.
Authors of the Catholic Reform Bill, Wellington and Peel are dressed in tall conical caps and tied to the back of chair carried by Eldon. A fat bishop, probably Howley, walks behind, carrying the legs of the chair, as the head of Cumberland with gapping mouth appears behind him. A fat John Bull character looks on the scene from the left foreground. The group is met on the right by an angry Irish ragamuffin wearing a barrister's wig and waving his fist and a shillelagh, suggesting that he is O'Connell
Alternative Title:
Don't you remember the fifth of November
Description:
Title etched below image., Lower right corner, device of Paul Pry, pseudonym of William Heath : a figure with hat and cane., Publication date from British Museum catalogue., and Publisher's advertisement following imprint: Political & other caricatuers [sic] daily pub.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Howley, William, 1766-1848, O'Connell, Daniel, 1775-1847, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Politics and government, and John Bull (Symbolic character)
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A procession of characters riding fantastic velocipedes (see British Museum Satires No. 13399), in profile to the right, each an isolated figure, arranged in two rows divided by a horizontal line. Each machine is an appropriate object mounted on two wheels. [1] 'The Aldermans Hobby'. Fat, drink-blotched, and with gouty legs, he rides a turtle. [2] 'The Sailors Hobby'. He vigorously rides an anchor, despite a wooden leg. He has a pugnacious expression, and a long pigtail. [3] 'The Jews Hobby'. He has a beard and rides a bag of 'Old Clothes'. [4] 'The Doctors Hobby'. A very thin apothecary, a medicine-bottle in his pocket, rides a 'Mortar', using the pestle as a steering-rod. [5] 'The Ireishmans Hobby'. A peasant, with one shoe and stocking, a straw rope twisted round the other leg, rides a bull, holding it by the horns. Cf. (e.g.) British Museum Satires No. 5605, by Gillray. [6] 'John Bulls Hobby'. A jovial and paunchy fellow rides a huge round of beef, inscribed 'Rump of Beef 4p. lb.', the dish being on rollers. He holds up a tankard of 'Porter' and knife in his right hand, sticking a fork into the meat. [7] 'The Welchmans Hobby'. He rides a goat whose legs are planted on two disks inscribed 'Cheese'; he has a goat-like profile and in his hat is a leek. [8] 'The Real Dandy Hobby'. A dandy strides along on a correctly drawn machine. He wears breeches, full in the seat, with spurred top-boots."--British Museum online catalogue
Alternative Title:
Everyone his hobby
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "346" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 57 in volume 5.
Publisher:
Pub. Ap. 24th, 1819, by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Topic):
John Bull (Symbolic character), Jews, Bicycles & tricycles, City council members, Ethnic stereotypes, Hobbyists, Military uniforms, British, Physicians, Dandies, and Sailors
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Frenchman, tall and gaunt, his thin legs engulfed in post-boy's boots, addresses John Bull (left), shrugging his shoulders and extending his hands: "by Gar Mr Jean Bull you Var much alter Should not know you var Jean I was as big as you now." John, an elderly cit, still paunchy, but with clothes hanging in wrinkles, turning his head in profile to the left, contemptuously smokes a short pipe, the smoke inscribed 'Puff'. His right hand rests on a cudgel inscribed 'Wellington Oake'. He answers with a fierce scowl: "why look you Mounseer Parley Vou tho I have got Thinner my Self I have a little Sprig of Oake in my hand thats as strong as ever and if you give me any of your Parlerver I'll be D--d if you shant feel the wait of it"."--British Museum online catalogue
Alternative Title:
John Bull come to the bone
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "234" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: 1817., and Leaf 78 in volume 4.
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole pub. of P. Prys caricatues [sic]., Text above imprint: None are orilinal [sic] without McLeans name., Text below image: The architect. Glory consists in the designment and idea of the work; his ambition should be to make the form triumph over the matter., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Buckingham Palace -- Male costume: Apron -- Trowels -- Architects -- Walking-sticks., and Numbered in ms. at top of sheet: 91.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Duke of York rides a velocipede (see British Museum Satires No. 13399), taking long strides, on a country road from London, indicated by St. Paul's, the Monument, &c. in the background, towards Windsor Castle on a hill (left). He wears a mitre and surplice with regimentals and jackboots. He turns his head to address John Bull (right), a paunchy 'cit' who stands stolidly, his hands resting on a stout stick: "You see Johnny I dont like to Squander away your money I won't have any more Clarks I wont go to Valencienes any more Ill run nothing but real Dandies there's a Saveing for you Johnny only £10000 a year for hearing the Doctors Reports & pay all my Traveling Expences I gave Mr Johnston £8 for this Charger the Cheapest I could get theres Economy for you you'l live in Clover now." John answers, with protruding underlip: "Dang it Mistir Bishop thee art saveing indeed thee used to ride in a Coach and Six now I pay thee 10.000 a year more thee art Rideing a wooden Horse for all the world Like a Gatepost"."--British Museum online catalogue
Alternative Title:
Penny saved a penny got
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "340" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 50 in volume 5.
Publisher:
Pub. April 8th, 1819, by T. Tegg, 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827