"Sir George Shuckburgh, in the white draperies with tricolour border and white cap of a Judge of the High Court, stands full-face on a low platform of stone slabs. His right hand is raised as if expounding a principle. Two tufts of hair project laterally from under his cap, and his upper lip and chin are conspicuously long. His dress is approximately correct, except that the cap is larger and the draperies rest on the floor instead of being ankle-length. The black and white paving of BMSat 9208 is repeated in front of the judge. Behind him a long cushioned bench (indicating the House of Commons) stretches across the design."--British Museum online catalogue
Description:
Title etched below image., Eighth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory judge.
Publisher:
Pubd. May 15th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804
"Bedford, conventionally handsome, stands in the 'grand costume' of a Director, its magnificence heightened by Gillray. His hat is turned up with enormous tricolour ostrich-feathers. Over his blue tunic is a long red cloak, lined with white, which trails on the ground. He wears a lace collar, a white sash with gold tassels, a large sabre. Tunic and cloak are heavily embroidered in gold. He stands in a commanding attitude, his head turned in profile to the left, his right arm extended with pointing forefinger. The walls and pillar (right) of a palatial building form a background. Round the pillar is draped a gold-fringed curtain embroidered 'Egalite'; it is tied back to show a ducal coronet and the (Bedford) motto 'Che sara [sara]'."--British Museum online catalogue
Description:
Title etched below image., Fourth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Director.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
"Sir F. Burdett, standing with his left foot forward, his head in profile to the left, his hat in his left hand, holds out a paper to an official whose presence is indicated by a heavy shadow, and the arc of a circular pavement. He is scarcely caricatured, except for the exaggeration of the crest of hair projecting over his forehead. His dress is as described (except that his cloak reaches almost to the ground instead of being short): 'A long white waistcoat [tunic], a blue sash, blue pantaloons, a short blue cloak with red lappet; a black round hat, with a white feather streaked with blue and red: half boots', op. cit., p. 6. Cf. BMSat 9182. In the print the red lining of the cloak predominates. A pilastered wall and stone-flagged floor form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum online catalogue., Twelfth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory Messager d'Etat.
Publisher:
Pubd. May 21st, 1798, by H. Humphrey, St. James's Street
"Members of the Opposition, arranged in two horizontal rows, receive the news of Aboukir. [1] In the upper left corner Burdett sits, directed to the right, intently reading the 'Extraordinary Gazette' on 'Nelson's Victory'; his shock of hair covers his eyes, and he says, left hand raised in alarm: "sure I cannot see clear?" On the wall (left) is a print, a profile head of 'Buonaparte'. [2] Jekyll stands beside Lansdowne, who reclines in an arm-chair in dressing-gown and bonnet-rouge, a gouty leg resting on a cushion. He holds out a paper headed 'Captured IX French Ships of War'; under his arm is a paper: '2 Burnt'; he holds up two fingers. Lansdowne puts his hands over his ears, saying, "I can't hear! I can't hear." (For Jekyll and Lansdowne cf. BMSat 9179, &c.) [3] Bedford, sitting on a large treasure-chest, sourly tears in half a paper: 'complete Destruction of Buonaparte's Fleet - ', saying, "It's all a damn'd Lye". Behind his chest are padlocked sacks inscribed '£', indicating his wealth; on the wall hang jockey-cap, boots, and riding-whip. [4] Erskine lies back in his chair holding a smelling-bottle to his nose, from his dangling right hand have dropped papers: 'Capture of Buonaparte's Dispatches'. He says "I shall Faint, I.I.I." He sits by a table on which are writing-materials and 'Republican Briefs'. (For Erskine's fainting in court, and egotism, see BMSats 7956, 9246, &c.) [5] Norfolk sits in an arm-chair beside a table on which are signs of a debauch: overturned decanters and a candle guttering in its socket. Wine pours from his mouth and from a glass in his right hand. At his feet is a broken tobacco-pipe, in his left hand a paper: 'Nelson & the British Fleet'. He says "what a sickening Toast!" (cf. BMSat 9168, &c). [6 and 7] Tierney and Sheridan sit looking at each other across a table, Tierney (left) clutching his knee, on which lies a paper: 'End of the French Navy - Britannia Rules the Waves'. From his pocket issues a paper: 'End of the Irish Rebellion'. He says: "ah! our hopes are all lost". Sheridan, elbows on the table, his chin in his hands, says "I must lock up my Jaw!" Before him are papers: 'List of the Republican Ships Taken and Destroy[ed]'. [8] Fox, in the lower right corner, hangs by a noose, having just kicked a stool from under his feet; his crisped fingers have dropped a paper: 'Farewell to the Whig Club'. He says: "and I, - end with Éclat!" He wears a bonnet-rouge."--British Museum online catalogue
Alternative Title:
Good-news operating upon loyal-feelings
Description:
Title etched below image., Temporary local subject terms: Victories: reference to Nelson's victory in the battle of the Nile, 1 August 1798 -- Opposition -- Allusion to the Whig Club -- Furniture: chairs -- Spirits: port -- Glass: wine bottles -- Lighting: candlesticks -- Writing materials: ink stands -- Suicides -- Smelling salts -- Pictures amplifying subject: portrait of Buonaparte., and Mounted to 33 x 48 cm.
Publisher:
Pubd. Octr. 3d, 1798, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Tierney, George, 1761-1830, Erskine, Thomas Erskine, Baron, 1750-1823, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Burdett, Francis, 1770-1844, Jekyll, Joseph, 1754-1837, and Napoleon I, Emperor of the French, 1769-1821
The design closely follows George Cannings "New Morality".
Alternative Title:
Promis'd installment of the high priest of the Theophilanthropes and Promised installment of the high priest of the Theophilanthropes
Description:
Title etched below image., Statement following publisher's name: ... for the Anti-Jacobin magazine & review., Five columns of verse etched under title: "Behold! The directorial lama, sovereign priest Le Paux whom atheists worship ...", Plate from: Anti-Jacobin magazine & review, v. 1, p. 115., and Sheets trimmed to plate mark.
Publisher:
Publishd. August 1st, 1798, by J. Wright, No. 169 Piccadilly
Subject (Geographic):
Great Britain., France, Great Britain, England, and London
Subject (Name):
Bedford, Francis Russell, Duke of, 1765-1802, Canning, George, 1770-1827., Erskine, Thomas Erskine, Baron, 1750-1823, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, La Revellière-Lépeaux, Louis-Marie de, 1753-1824, Priestley, Joseph, 1733-1804, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Southey, Robert, 1774-1843, Tierney, George, 1761-1830, Wakefield, Gilbert, 1756-1801, and Wollstonecraft, Mary, 1759-1797
Subject (Topic):
Jacobites, Theophilanthropism, Leviathan, Newspapers, Philanthropy, History, Foreign public opinion, British, Religious aspects, Politics and government, and Periodical illustrations
"Ghosts (right) stand in a row at the foot of Fox's bed; he sits up, staring in terror, hands raised, large tears on his cheeks. The ghosts emerge from clouds; they are headless, with bloodstained necks round which are nooses, except for Lord Edward Fitzgerald, who stands above the others, in profile to the left, with blood-stained hair and shirt. His right hand is on his breast and he says: "" Who first sedue'd my youthful Mind from Virtue? - "Who plann'd my Treasons, & who caus'd my Death? - "Remember poor Lord Edward, and despair!!! - " Fox says: ""Why do'st thou shake thy, Goary Locks at me? "Dear, bravest, worthiest, noblest, best of Men! "Thou can'st not say, I did it! - " The body on Lord Edward's right and on the extreme right is that of Grogan, a leader of rebels in Wexford, it was said under compulsion, hanged from Wexford Bridge, his head fixed on a pike. Lecky, 'Hist. of England', 1890, viii. 95, 166-7. On Lord Edward's left is a body, the label from the neck inscribed 'Remember Hervay'. (Bagenal Harvey, commander-in-chief in Wexford (ibid. viii. 91), executed with Grogan.) Next is 'Quigley' (or O'Coigley), see BMSat 9189, executed 7 June 1798 at Maidstone. Next, a label, 'Shears's', rises from clouds in which the bodies are concealed. (John and Henry Sheares, elected to the Directory in Dublin on the arrest of Bond and others, were arrested 21 May and executed on 14 July 1798. Lord Edward died of the wounds received when he resisted arrest, see 'Auckland Corr.' iv. 414 ff., 442-4.) Above Fox's head fly two naked creatures with infantine bodies, webbed wings, and the serpents of faction or discord springing from their heads and writhing round their bodies. They hold up between them a paper inscribed 'Confessions \ of O'Conner \ Ol Bond'. The bed is framed in heavy curtains. Mrs. Fox lies asleep with her back to Fox. On the ground at his side is an open book partly hidden by the bed-draperies: ' . . . Head Quarters London. Plan of the Irish Rebellion.'"--British Museum online catalogue
Description:
Title etched below image., Two lines of paraphrased quote following title: "In glided Edward's pale-eye'd ghost and stood at Carlo's feet.", Sheet trimmed within plate mark., and Temporary local subject terms: Irish Rebellion, 1798 -- Allusion to St. Ann's Hill -- Ghosts -- Literature: quotation from The Excursion: A Poem in Two Books by David Mallet (?1705-1765) -- Literature: quotation from Macbeth by William Shakespeare (1564-1616), iii, 4.50 -- Banegal Harvey, d. 1798 -- Allusion to Arthur O'Connor, 1763-1852 -- Allusion to Oliver Bond, 1760-1798.
Publisher:
Pubd. Sepr. 21, 1798, by H. Humphrey, 27 St. James's Street
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue
Alternative Title:
Dance a l'eveque
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Sheet trimmed within plate mark., and Temporary local subject terms: Theatre: stage -- Opera: dancers -- Musical instruments -- Stage lighting -- Devil -- Dancing -- Newspapers: reference to Morning Herald.
Publisher:
Pubd. March 14th, 1798, by H. Humphrey, St. Jamess [sic] Street
"The upper part of a telegraph, not the usual screen in one plane (cf. BMSat 8837), but two screens at right angles to each other, the point of junction in the centre of the design. This is supported on a rectangular structure the upper part of which is open, with an aperture below each telegraph. From each of these Jekyll looks out in profile to the left and right, respectively. The telegraph, which is in the foreground, the lower part cut off by the lower margin of the design, overlooks from a height two views of the mouth of the Bruges Canal, flowing from an undulating landscape with a small town and distant windmills. Each Jekyll pulls strings which are attached to circular disks (for letters) in the upper part of the apparatus. On the left he looks through a rolled paper inscribed 'Morning Chronicle' over the intact sluice at the mouth of the canal, outside which are a few boats. From the disks above floats a label: "Ay, now let us see what are the fruits of this miserable Ostend Expedition! - ay, I see that the intelligence I had from Bruges, was of undoubted authority! - yes, yes, our Informations are always to be depended upon! - ay! sure enough there's the great Sluice of Sluykens, which was blown up! - the damages have all been repaired in a Week, & the Canal is now as full as at any former period! - O Lord! O Lord! - this is the way that poor John Bull's money goes!" Above each telegraph floats a tricolour flag surmounted by a bonnet-rouge; on the left the flag is inscribed 'June 20 1798', on the right it is 'June 21. 1798'. On the right Jekyll looks through a rolled paper: 'Capt Pop'em's Information from Capn Winter'. The landscape below shows a block of masonry exploding in the middle of a turbulent flood in which are carried down timbers and wrecked boats. His telegraph signals: 'Why what the devil do I see? - sounds, why here's incontestable evidence that the Sluices are all destroyed! - the Masonry all blown up! - and the Navigation of the Canal at an end! O Lord! what damages they have done!- why it can't be repaird by any effort, in less than 12 Months! - Mercy upon me, what will my Lord Malagrida say when I tell him about the business?' Jekyll's two profiles are identical; both smile waggishly. ..."--British Museum online catalogue
Alternative Title:
Little second-sighted lawyer gving a true specimen of patriotic information
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of text below title: "After so candid & honorable a statement, no man can suspect the Honble. Gentleman of wilful misreprentation [sic]." - Mr. Ds remark., One line of text above image: "I trust the world will not regard me as a person ready to bring before them any matter which does not rest on a proper foundation!", and Temporary local subject terms: Military expeditions: Ostend expedition, May 1798 --Telegraphs -- Newspapers: Morning Chronicle -- Reference to taxation -- Reference to John Bull -- Reference to Captain Sir Home Riggs Popham, 1762-1820 -- Reference to the Marquis of Lansdowne.
Publisher:
Pubd. June 23d, 1798, by H. Humphrey, 27 St. James Street
"Pitt and Dundas (in tartan), back to back, vigorously ply long whips against a herd of swine with human faces whom they drive through broken palings from the enclosure in which they stand (right). On the extreme left is the corner of a pound through which poke the heads of two (normal) swine, ringed and shedding tears. The swine who are being flogged have, beside their human heads, ringed snouts, both heads being enclosed in a wooden triangle. The leaders are Fox, with Norfolk (cf. BMSat 9205) on his right and Bedford (cf. BMSat 8684) on his left, the others are less prominent: Erskine, Tierney, looking over Fox's back, Burdett, Derby, and Nicholls (left), while M. A. Taylor (right), smaller than the others, scampers to right instead of left. Beside the pound (left) stands a grinning yokel (John Bull); on its post is a placard: 'London Corresponding Society - or the Cries of the Pigs in the Pound'. The background is a row of conical haystacks behind which is a thatched and gabled farm-house. ..."--British Museum online catalogue
Alternative Title:
Swine flogg'd out of the farm yard and Swine flogged out of the farm yard
Description:
Title etched below image., Three columns of verse etched below title: Once a society of swine, liv'd in a paradice [sic] of straw, a herd more beautiful & fine, I'm sure Sir Joseph never saw ..., and Temporary local subject terms: Allusion to George III as Farmer George -- Allusion to the London Corresponding Society.
Publisher:
Pubd. June 22d, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, and Taylor, Michael Angelo, 1757-1834
Subject (Topic):
John Bull (Symbolic character), Farms, Haystacks, and Swine
"The Irishman, with coarse features and cropped hair, stands on a rounded hill, left arm raised oratorically, right hand on one of two pistols in his belt, saying, "No Union, Erin go Brack!" He wears a round hat tilted to one side, and with a small tuft or plume, a double-breasted coat with the skirts looped up, pantaloons and half-boots, a long sabre. He looks to the left On the plain beneath (right), across which run tiny fugitives, are burning buildings and clouds of smoke."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Irishmen -- Irish Rebellion, 1798 -- Mottoes: Erin go bragh -- Guns: pistols -- Weapons: sabre -- Male dress: pantaloons.
Publisher:
Pubd. July 10th, 1798, by H. Humphrey, St. Jamess [sic] Street