"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., and Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"John Bull (left), a stout countryman wearing jack-boots, rides (right to left) through a wood on a wretched hack, ready to fall under his weight. Pitt kneels on the ground (right) in profile to the left, aiming a blunderbuss (which is supported on crossed sticks) point-blank at John; it is inscribed 'Standing Army'. He masquerades as a beggar: his dress is tattered, on the ground is his hat, containing coins; he says: "Good Sir, for Charity's sake \ "have Pity upon a poor ruin'd Man; - \ "drop if you please, a few bits of \ "Money into the Hat, & you shall \ "be rewarded hereafter -" From his coat-pocket project a cocked pistol and a paper: 'Forced Loan in reserve'. He points to a document on the ground beside him: 'Humble Petition, for Voluntary - Contribution Subscriptions & new Taxes, to save the Distres'd from taking worse Courses.' John Bull has dropped his righteins and holds his hat, full of guineas; he looks with melancholy distrust at Pitt, but drops guineas into his hat. His horse, disfigured with sores, is evidently the white horse of Hanover, its head-band is red and blue, the Windsor uniform (cf. BMSat 8691, &c). From the bushes behind Pitt emerge the heads and shoulders of (right to left) Dundas, Grenville, and Burke, each with a pistol levelled at John Bull. Dundas wears Highland dress, Grenville peer's robes and a grenadier's cap with the letters 'Wm R' (cf. BMSats 7479, 7494, &c.): he looks down reflectively at Pitt instead of at his victim, implying that he is his cousin's henchman; Burke has a pen in his hat. On the left is a signpost pointing (right) 'From Constitution Hill' (cf. BMSat 8287) and (left) 'To Slavery Slough by Beggary Corner.'"--British Museum online catalogue
Alternative Title:
John Bull escaping a forced loan
Description:
Title etched below image., Temporary local subject terms: Highwaymen -- Beggars -- Weapons: blunderbuss -- Pistols -- Petitions -- Reference to Loyaly Loan -- Symbols: White Horse of Hanover -- Coins: guineas -- Signposts., and Mounted to 32 x 48 cm.
Publisher:
Pubd. Decr. 10th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Fantastic insects (l.), with human heads assail a hive (r.) standing on a low and very solid wooden stand, the 'Treasury-Bench'; ministerial bees emerge to defend it. The apex of the hive is a royal crown from which sprout ears of straw. In the upper left. corner is the grotesque body of Sidmouth terminating in a clyster-pipe inscribed 'Clysteria Ministeria'; the wings are bottles inscribed 'Emetic' and 'Cathartic' [cf. BMSat 9849]. Above him flies the head of (?) Fitzpatrick between wings inscribed 'Hedge Lane' and 'Chick-lane' (London slums and resorts of prostitutes). An adjacent aquiline profile resembles George Hanger. Below, and to the right., is Lauderdale, his wings patterned with tartan. Above (r.) is Erskine, in barrister's wig and bands, both wings inscribed 'Protest'. Next (r.), Moira is supported on ostrich-feather wings, indicating the Prince of Wales (see, e.g., BMSat 10253). Immediately below him is Grattan, with a barbed tail, his wings inscribed 'Irish Emancipation' [cf. BMSat 10404]. Next, and in the forefront, is Grey, like a dragon-fly (and striped blue and buff), his four wings inscribed 'Vanity'. In the next row below are (l. to r.) Ellenborough with malevolent features framed in a judge's wig; Bedford, his wings inscribed 'Disappointment'; Sheridan, his bloated body patterned like Harlequin (cf. BMSat 9916, &c), his wings inscribed 'Stale Jests' and 'Joe Miller'. The huge Temple has wings made of sheets of paper, inscribed 'Stationary', 'Fools-Cap', 'Gilt Post', and 'Wax', 'Pens', 'Wafers' [see BMSat 10721, &c.]. He spits copiously at the defenders. Next is the age-worn profile of Grafton. In the row below are (l. to r.) Lord Holland, with wings inscribed 'Volponean Rancour' [as nephew and devoted pupil of Fox, cf. BMSat 9892] and 'Kalpinist [Hindu] Subtilty'. Next, Lord Spencer, his wings inscribed 'Cunning Policy', and (behind) the profile of Lord Carlisle. Next, and immediately below his son Temple, is Buckingham, in spectacles and Garter ribbon, directing a blast from his 'broad bottom' against the crown on the hive. His wings are 'Catholic Loyalty' and 'Catholic Gratitude'. Close to him is the distended body of Grenville, marked with an irradiated cross and puffing a curling cloud at the enemy. His wings are 'Envy' and 'Ambition'. The three Grenvilles, 'Broad-Bottoms' (see BMSat 10530) par excellence, are close together, and in the centre front of the attack. ..."--British Museum online catalogue
Description:
Title etched below image., Mounted to 31 x 43 cm., and Pencil notations by Mrs. Annie Burr Lewis identifying most of the caricatured persons on the left.
Publisher:
Publish'd May 2d, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Ellenborough, Edward Law, Baron, 1750-1818, Grattan, Henry, 1746-1820, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, William IV, King of Great Britain, 1765-1837, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Canning, George, 1770-1827, Taylor, Michael Angelo, 1757-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Henry Dundas, Viscount, 1742-1811, and Rose, George, 1744-1818
One of many satires on the morganatic marriage of George IV and Mrs. Fitzherbert. on the left Mrs. Fitzherbert as Dido sits on a funeral pyre made up of phallic-shaped logs and watches the Prince of Wales sail away in a small boat whose flag is inscribed with the word 'Windsor' [Castle]. The wind which fills the ragged sail of the boat appears to be produced by a blast from the mouths of Dundas and Pitt, whose profile heads are on the extreme left. It is directed at Dido's head, and has blown off a royal crown, an orb and sceptre, and a coronet decorated with the Prince of Wales's feathers. With a tragic gesture she holds out in her right hand a mutilated crucifix. Her breast is bare and her girdle of 'Chastity' is broken. At her feet lie emblems of Popery: a sharp-toothed harrow inscribed 'For the conversion of Heretics', shackles, a pair of birch-rods, an axe, a scourge, and a rosary and crucifix. The pyre seems to be made of money-bags. The boat is the 'Honor'; the Prince is seated between Fox, who holds the tiller, and Burke, who holds the sail; his arms are folded and he looks over his shoulder at Fox, saying, "I never saw her in my Life". Fox echoes "No, never in all his Life, Damme"; Burke, wearing a Jesuit's biretta, says "Never", and North, who sits beside him, apparently asleep, says "No, never". After the title is engraved: 'Sic transit gloria Reginae' (pardoy of "Sic transit gloria mundi"). See British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored, on laid paper ; sheet 274 x 371 mm.
Publisher:
Pubd. May 21st, 1787, by S.W. Fores, Piccadilly, London
Subject (Name):
Virgil., George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
"Dundas as a colossus (a shah or bashaw of the Indies) straddles across the ocean, one foot on the roof of the India House (left), the other on a piece of land on the extreme right representing Bengal. In the sea below his outstretched legs are several ships in full sail making for Bengal; the nearest is inscribed 'troops'. Dundas wears a turban and crown, a cloak and oriental tunic with a kilt, bare knees and tartan stockings. His turban is inscribed 'Charged Mr F------with a design to shift the Crown from the Monarch's to his own head. Mr D speech'. His arms are extended above his head pointing to, and nearly grasping, a sun in the upper left corner of the design and to a crescent moon in the upper right corner. Both have faces which look down with dismayed surprise at Dundas, who looks towards the sun. Beneath the title is inscribed: '"One Foot in Leadenhall Street, & the other in the Province of Bengal." Vide Mr D------s Speech.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Dundas's quarrel with East India Company -- Face on the sun -- Man in the moon -- Ships carrying troops to India -- Indian patronage -- Dundas's attack on the East India Bill -- Dundas as a Bashaw -- Hats -- Bengal -- East India House.
Publisher:
Pubd. March 7th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Melville, Henry Dundas, Viscount, 1742-1811 and East India Company.
"French men-of-war are tossed helplessly by huge waves, which are lashed to fury by blasts from the mouths of (left to right) Pitt, Dundas, Grenville, and Windham, whose heads emerge from clouds. Fox is the (realistic) figure-head of 'Le Révolutionaire' (right) which, with broken masts, is about to founder. He receives the full strength of the blasts from Pitt and Dundas, and looks up despairingly, his head against the tricolour stripes which encircle the mast. Playing-cards float in the water by the ship. On the left 'L'Egalité' is wrecked by a blast from Grenville, which shatters a flag-staff, with a flag inscribed 'Vive . . Egalité'. Behind, a vessel disappears in a whirlpool. In the foreground (left) 'The Revolutionary Jolly Boat' is being swamped under the influence of a blast from Windham; the occupants throw up their hands despairingly: Sheridan, standing in the stern, is still unsubmerged; the others (left to right) are Hall the Foxite apothecary, [So Wright and Evans. He has perhaps more resemblance to Dr. Towers.] Erskine, in wig and gown, M. A. Taylor, and Thelwall, washed overboard, with a paper: 'Thelwall's lectures' (see BMSat 8685). [Wright and Evans put Dr. Lawrence's name between that of Sheridan and Erskine; he is not depicted.]."--British Museum online catalogue
Alternative Title:
Destruction of the French Armada
Description:
Title etched below image., Another signature etched in bottom right portion of image: Js. Gy. des. et f., Another publication line etched in lower left but mostly obscured within margin of image., Sheet trimmed within plate mark., and Temporary local subject terms: Fleets: French fleet -- Storms: gale.
Publisher:
Pubd. Jany 20th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Taylor, Michael Angelo, 1757-1834, Thelwall, John, 1764-1834, and Erskine, Thomas Erskine, Baron, 1750-1823
"Pitt and Dundas are tipsily carousing at a rectangular table from which the cloth has been removed. Pitt, wearing spurred top-boots, sits on the corner of the table in profile to the left, his chair behind him at the head of the table. Dundas (left), wearing a plaid across his shoulders, sits full-face, turning his head in profile to the right, and waving a tobacco-pipe towards Pitt. They touch glasses, each holding his glass in the left hand; Pitt tries to fill them, but with the bottle reversed, spilling its contents. On the table is a decanter of 'Brandy', a bottle on its side, a clutter of empty bottles, glasses, Pitt's broken pipe, and a plate of food. In the foreground are bottles in a wine-cooler, and under the table is a chamber-pot on which is a figure of Britannia. Above the heads of the topers: '"Send us Victorious, "Happy and Glorious, "Long to Reign. - go it my Boy! "Billy my Boy, all my Joy, - God save the King!'"--British Museum online catalogue
Alternative Title:
Evening scene three times a week at Wimbleton
Description:
Title etched at bottom of image., Sheet trimmed within plate mark on the sides., and Mounted to 27 x 37 cm.
Publisher:
Pubd. May 27th, 1795, by H. Humphrey, No. 37 New Bond Str
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
Britannia (Symbolic character), Bottles, Chamber pots, Glassware, Intoxication, Pipes (Smoking), and Wine