A broadside illustrated with engraved head-and-shoulders portraits of Princess Charlotte and Prince Leopold at top of sheet followed by 29 lines of letterpress text mourning the death of the Charlotte on November 6th, 1817
Description:
Title from beginning of letterpress text., Portraits at top have the engraved captions "Princess Charlotte" and "Prince Leopold.", Biographical details immediately above lower border., "Price one shilling."--Below lower border., and For further information, consult library staff.
Publisher:
published not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Charlotte Augusta, Princess of Great Britain, 1796-1817,, and Léopold I, King of the Belgians, 1790-1865,
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '11' in upper left corner., Eighteen lines of verse in three columns, below image: That beastly rabble, that came down From all the garrets in the town, ... Made up of rags to personate Respective officers of state., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 1, number 514., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), number 92., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: Come none of your nonsence I'm not to be had ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, 14, Great St. Andrew-Street, Seven Dials
Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: Since the children of discord still urge the campaign ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, 14, Great St. Andrew Street, Seven Dials
All-engraved card printed with a black mourning board, with an image of her home Claremont below the title and below, nine lines that provide biographical details and an anecdote a snuff box that she had commissioned before her death, a gift for her husband Prince Leopold. A poem of nine lines, intended to be inscribed on the lid of the snuff box, is engraved below
Alternative Title:
Late residence of our much beloved and truly lamented Lady, the Princess Charlotte of Wales ...
Description:
Title from texted engraved above image., First line of verse: To Claremonts terrac'd heights, and Esher's Groves ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865., and Claremont House (Surrey, England),
Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: Your zervant good gentlefolks, how d'ye all do ..., and For further information, consult library staff.
Publisher:
Printed for and sold by J. Pitts, 14, Great Saint Andrew Street, Seven Dials
All engraved including title page on verso of first leaf., Date from publication based on known date of Thomas Hope's commission for the work by Henry Moses. Cf. Designs of modern costume, engraved for Thomas Hope of Deepdene. London : Costume Society, 1973., Plates signed: H. Moses del. et sc., and Bound in contemporary straight-grain red morocco, bordered in blind on covers, spine gilt in compartments; with a bold autograph on the recto of front free marbled end-paper: Edward Bell.For further information, consult library staff.
Publisher:
Pubd. by Henry Setchel & Son 23 King Strt. Covt. Garedn
Twelve titled dot-and-line figure vignettes in two rows. Top row from left to right show the stick figures (or "pin men") in mulitple social situations: "Asking to dance", "Leading out", "Hands four round", "Down the middle", "Right and left" and "Setting". Second row from left to right: "Cross hands", "Pousette", "Hornpipe", "Tete à tete", "Fainting", and "Taking home royal".
Description:
Title from item., Plate published in: Ackermann's Repository of Arts for February 1, 1817, following page 90., An example of the "line and dot" caricature., Accompanied by a satirical poem from the artist's perspecive, scorning the great masters' classical training in figure drawing and sculpture., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
Publisher:
Published Feb. 1, 1817 at R. Ackermanns, 101 Strand
Volume 4, after page 232. Memoirs of Horace Walpole and his contemporaries.
Image Count:
1
Resource Type:
still image
Abstract:
Full-length portrait of English historian Edward Gibbon in right profile
Alternative Title:
E. Gibbon
Description:
Title etched at bottom of plate., Facsimile of Gibbon's signature etched above title., Plate from: Dyer, C. Biographical sketches of the lives and characters of illustrious and eminent men. London : C.G. Dyer and H. Setchel and Son, 1819., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge. Missing text supplied from impression in The Morgan Library & Museum, accession no.: MA 10252., Window mounted to 22 x 14 cm., and Bound in after page 232 in volume 4 of an extra-illustrated copy of: Williams, R.F. Memoirs of Horace Walpole and his contemporaries. London : Colburn & Co., 1852.
Publisher:
Pubd. by C. Dyer, Compton Street
Subject (Name):
Gibbon, Edward, 1737-1794, and Gibbon, Edward, 1737-1794.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 148., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London