Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Four lines of verse below image: The puppets blindly led away, are made to act for ends unknown ..., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767)., and Temporary local subject terms: Buildings: St. James's Palace -- Puppets -- Puppeteers -- Theater: stage -- Theater curtain -- Devil -- Audiences -- Wigs: bag wig.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Barrington, William Wildman Barrington, Viscount, 1717-1793, Warburton, William, 1698-1779, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lyttelton, George Lyttelton, Baron, 1709-1773, and Granby, John Manners, Marquis of, 1721-1770
Two head-and-shoulder portraits in separate ornamental oval frames of subjects identified by George in the original publication as a Colonel C. in the Guards (No. 9) and the widow of Lord 'A.H.' (No.8).
Alternative Title:
Susceptible soldier
Description:
Titles from text below images. and Copy of a tête-à-tête published in Town and country magazine, November 1777 (ix, 513), with different titles and plate numbers. Cf. No. 5420 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.5.
Young cub attended by the clerks of the Admiralty at Arthurs
Description:
Title from text below image., Publication place and date from British Museum catalogue., Sheet trimmed within plate mark., Illustration to a letter describing Charles James Fox's gambling proclivities while in the post of the Lord of the Admiralty., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 8, p. 28., and Temporary local subject terms: Clubs: Arthur's -- Domestic service: scullion boy -- Reference to the Lord of Admiralty -- Admiralty clerks -- Reference to Hoyle.
Title etched below image., Possibly a plate from: Kirby's wonderful and eccentric museum; or, Magazine of remarkable characters. London : R.S. Kirby, 1803-20., and Sheet trimmed to plate mark.
Publisher:
Published October 6th, 1814, by R.S. Kirby, 11 London House Yard, St. Paul's
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., 1 print : etching with engraving on laid paper ; sheet 25.8 x 14.9 cm., and Imperfect; sheet trimmed within plate mark on top edge with loss of title.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Three men and two women in a lottery insurance office, one man with quill pen behind desk. The other individuals all hold bills reading "Mess. Gosling & Co. pay the bearer one hundred..." Sign on back wall reads "Tickets insured by Iohnson & Co." and coat of arms of George III is visible on wall to the right. One of the women is a barmaid and holds 2 tankards
Description:
Title from text below image., Sheet trimmed within plate mark., and Imprint from Lottery magazine.
Publisher:
Edward Johnson
Subject (Geographic):
England
Subject (Topic):
Lottery winners, Lotteries, Drinking vessels, Interiors, Coats of arms, and Clothing & dress
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[31 August 1839]
Call Number:
839.08.31.01
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the legal case between two purveyor’s of medical ointments Felix Albinolo and Thomas Holloway in the form of a dialogue between Mr. Bull, Mr. Murphy, Mr. Sawney; with an image with a cartouche "Albinolo's, or, The St. Come et St. Damien (brothers & physicians.) Ointment, 23 Earl Street, Blackfriars, London." decorated with an eye (all-seeing?) at the top, snakes on the side, and a lion at the bottom
Alternative Title:
No family ought ever to be without a pot of Albinolo's ...
Description:
Title from text below image., Text above image: No family ought ever to be without a pot of Albinolo's, or the St. Come and St. Damien's Ointment., Attribution to C.J. Grant from his known contributions to the periodical in which this illustration appeared. See: C.J. Grant's political drama. London : University College, c1998, page 12., Illustration from: The Penny satirist. London : B.D. Cousins, v. 3, no. 124 (31 August 1839), page 4., and Wood engraving with letterpress text.