"Men and women are grouped irregularly at a table laid with dessert. A young military officer presses with his foot the toe of a vis-à-vis, making an elderly woman scream, while the young woman next her looks consciously unconscious. A gouty old man has been trampled on, he tilts back his chair, raising a swathed leg. Two elderly women (left) sitting together watch the incident with indignation. A fat man is placidly amused, a thin one looks sour. A tiny clipped poodle barks."--British Museum online catalogue.
Alternative Title:
Endeavouring to make violent love under the table, and pressing the wrong foot
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below image: Endeavouring to make violent love under the table, and pressing the wrong foot., and Title etched above image; page number etched above upper right corner of image.
Publisher:
R. Ackermann, Repository of the Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A long narrow Assembly Room. Three couples, stiff and grotesque, face each other in the foreground; behind, three other couples dance holding both hands. The musicians (right) are a black man playing tambourine and fife, and an old fiddler. A fat man stands by the door (right) holding his wig and scratching his head. Next him, a very fat woman sits drinking from a punch-bowl which a man helps her to support. Above their heads is a placard headed: 'Ball - Suppe[r] ...'. Hats and scarves hang from a row of pegs."--British Museum online catalogue.
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below image: Being overpersuaded to stand up in a country dance when you know, or what is equally bad, conceive that a bear would eclipse you in grace & agility., and Title etched above image; page number etched above upper right corner of image.
Publisher:
R. Ackermann, Repository of the Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A duellist and his second stand together, both trembling, in a sandy space among trees. In the middle distance (right) his antagonist marches up aggressively, arm-in-arm with an obese, truculent second. On the left a fat surgeon waits, holding a basket of instruments. In the background is a waiting coach (right)."--British Museum online catalogue.
Alternative Title:
Sending a challenge, requesting a timid friend to attend you to the field ...
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below image: Sending a challenge, requesting a timid friend to attend you to the field, who you think will not fail to acquaint the magistrate of it, going with honor to the appointed spot ..., and Title etched above image; page number etched above upper right corner of image.
Publisher:
R. Ackermann, Repository of the Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A parson in front of a house-door, rides facing the tail, which he holds. His wig is back to front and his hat flies off. A barking dog leaps at the horse. Four men are grouped by and on the steps: a fat man holds out a lantern and a pipe, another waves a punch-bowl. All are amused. A fifth man, apparently a parson, turns his back. The house is old-fashioned with mullioned window and arched doorway."--British Museum online catalogue.
Alternative Title:
In the country, going to a party to dinner, getting very tipsy ...
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below image: In the country, going to a party to dinner, getting very tipsy, quitting the house in a dark night, and getting upon your horse with your face towards the tail ..., and Title etched above image; page number etched above upper right corner of image.
Publisher:
R. Ackermann, Repository of the Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"An ox pins a fat 'cit' to a door-step (right), its horns enclosing the man's neck. Men with bludgeons chase the ox, filling the broad street. Two dogs leap savagely at it, one against the body of an old woman who falls violently to the ground. Other passers-by flee across the street. They include a fat woman with a (falling) basket on her head, a Jew with a sack on his back, and a man on crutches. The ox is beside the curved shop-window of a 'Chemist'; across the road is a 'China Warehouse', A coach with outside passengers turns down a side street (left). In the middle of the street is an obelisk supporting three lamps."--British Museum online catalogue.
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below image: Being pinned up to a door, round the neck, by the horns of an enraged over-driven ox., and Title etched above image; page number etched above upper right corner of image.
Publisher:
R. Ackermann, Repository of the Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Inscription in the upper right. corner: 'A Serio Comic Scene that befel the Grocers Wife at Norwich Or Mrs Figgs bottom exposed owing to the bottom of Mr Figgs Whiskey breaking through.' The two-wheeled gig has stopped at the door of an old-fashioned grocer's shop. A plump woman stands on the ground behind the shafts, naked between waist and stockings, the hole in the floor of the gig having scraped up her petticoats. A scene of violent action: one man holds the head of the restive horse. Men (l.) rush to look at the unfortunate woman who screams with upraised arms, as does her husband who stands with his back to his shop. A woman furiously clutches the hair of a too-eager spectator (r.); a barking dog leaps towards Mrs. Figg. Over the shop-door hangs a conical sign: 'Old Sugar loaf.' A board over the door is inscribed 'Grocery Sweetmeats Hams Tongues Starch Plumbs Figs Vermicelli Tripe Barley Pickles Mustard Soap Hogs Puddings &c Sold here by Peter Figg.' In a bow window are many jars, &c, two inscribed 'Mustard' and 'Virgin Honey'. Above it are two large pot-plants. An agitated woman screams from a casement window over the door. On the house is a placard: 'Cattle Life Insurance Cow Lane Smithfield.'."--British Museum online catalogue.
Alternative Title:
Bottom of Mr. Figg's old whiskey broke through
Description:
Printmaker and date from Grego. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Accidents. , Carriages & coaches., City & town life., Dogs., Grocers., Spectators., Spouses. , Stores & shops., and Window displays.
"Below the title: 'The Woman who shews General Guise collection of Pictures at Oxford'. She stands directed to the left., holding a pointer with which she slyly points to a picture of Suzanna and the Elders. She is old and grotesquely ugly, wearing a hat over a frilled cap, an apron, and bunched-up skirt. Her left hand is on her hip, a large key dangling from the fourth finger. A corner of the room is shown, the pictures fitted closely together; three rows are depicted, hung above a dado; a fourth is indicated. The pictures are very freely drawn, and one at least is burlesqued."--British Museum online catalogue, description of alternate state.
Description:
Attributed to Rowlandson by Grego., Initials burnished from plate: JN (John Nixon)., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Nixon, John, -1818, artist.
"The dignified houses of Pall Mall, receding in perspective from right to left, form a background to a crowd of carriages and pedestrians all fashionably dressed except for a woman carrying a basket."--British Museum online catalogue.
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Title etched below image., and Two lines of quoted verse on either side of title: "O bear me to the paths of fair Pall Mall, safe are thy pavemts., grateful is thy smell ...
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Two pilgrims meet, one (left) debonair and jaunty, the other in a crouching position, and with an anguished expression. Both wear hats turned up with cockle shells, and necklaces hung with shells, long belted gowns with rosaries. Each holds a staff surmounted by a cross. The verses, by 'Peter Pindar' (Wolcot) (abridged), relate the pilgrimage of 'a brace of Sinners' to the shrine at 'Loretta', fifty miles, with peas in their shoes, by order of their priest. The returning pilgrim explains his rapid progress:'"To walk a little more at ease,"I took the liberty to boil my peas'."--British Museum online catalogue.
Description:
Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "P. 2" in upper left corner and "1" in upper right corner., Thirty-one lines of verse below title: A brace of sinners for no good, were order'd to the Virgin Mary's shrine, who at Loretta dwelt in wax, stone, wood, and in a curld white wig, lookd wond'rous fine ..., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Design incorporates image elements of nos. 5916, 5917, and 7238 and is titled the same as no. 5914 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate also published in: Caricatures. [London] : [publisher not identified], [1836?], page 76., Printmaker and questionable date of publication from Grego., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England