"Hudibras and Ralpho are in the stocks, the knight's boots, sword and pistols taking the place of the fiddle; a sympathetic widow, accompanied by her maid, addresses Hudibras while villagers gather round to mock, and a small boy urinates on Ralpho's foot"--British Museum online catalogue
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "6" in upper left corner., Lettered below image in three columns: "She vow'd she would go see the sight And visit the distressed knight; ... Do's not so well become a Soldiers.", See Paulson, R. Hogarth's graphic works (3rd ed.), no. 87., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Children, Peasants, Servants, Stocks (Punishment), Urination, and Widows
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the right) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on (left).
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '4' in upper left corner., Caption below image in three columns, begins: "Ralpho dsipatch'd with speedy hast, And having ty'd Crowdero fast ... To dungeon they the wrtch commit, And the survivor of his feet.", Copy of no. 507 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 85., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
A copy (cropped) of Hogarth's fifth plate: Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher who are wielding clubs; to the left, Ralpho is flanked by a man with a rope (mostly cropped from this image) and another who holds a sword
Alternative Title:
Hudibras vanquished and protected by Trulla and Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "5" in upper left corner., Fifteen lines of verse in three columns, below image: Mean while the other campions Yerst In hurry of the fight disperst ... This stopt their fury, and the Basting Which towards Hudibras was hasting., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 1, nnumber 508, Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 86., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
A Spanish version of Gillray’s 1803 satire ‘Maniac Raving’s-or-Little Boney in a Strong Fit’, the texts in the plate adapted to the Spanish relationship with France during the Peninsular War - after the invading French armies were defeated by the Spanish in Andalusia at the Battle of Bailen ‘Napoleon is frantic with rage at the news from Spain... He blames Godoy (whom he had made ‘Prince of the Algarves’) for deceiving him, apostrophizes Talleyrand, reproaches Dupont, and his second-in-command Vedel, for the capitulation of Baylen... his deceptions are discovered by the ‘perfidious Englishman’, probably Sir Hew Dalrymple, the Governor of Gibraltar’ (British Museum catalogue).
Description:
Title from text above image., Text below image begins: Noticioso Napoleon de qe sus exercitos de España ..., and Copy of a print by James Gillray; for the original, see no. 9998 in the Catalogue of prints and drawings in the British Museum, v. 8. For a more simplified Spanish copy, see no. 11058.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Gillray, James, 1756-1815
Subject (Topic):
History, Foreign public opinion, Spanish, Political satire, Spanish, Anger, Globes, Chairs, Documents, Fire, and Smoke
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
Hudibras and Ralpho riding on tired, emaciated horses travel on a country road. In the foreground to the left, a dog snarls at their approach while to the right, a man, holding a rake in one hand and his hat in his other hand, laughs at the sight of the rotund rider as he backs into and knocks over a table laden with baskets of produce and a tankard as he bends toward the riders. Behind him on the right, his wife grabs for the falling baskets and reaches for him to prevent further damage, a look of alarm on her face. In this end state a house has been added behind the wife
Alternative Title:
Sir Hudibras his passing worth, the manner how he sally'd forth and Hudibras sallying forth
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '2' in upper left corner., Verse in three columns below image: "When civil dudgeon first grew high, and men fell out they knew not why: when Gospel-trumpeter surrrounded with long-ear'd rout, to battel sounded, and pulpit drum ecclesiastick was beat with fist, instead of a stick, then did Sir Knight abandon dwelling and out he rose a colonelling. A squire he had, whose name was Ralph, that in th' adventure went his half. An equal stock of wit and valour he had laid in, by birth a taylor. Their armes and equipage did fit as well as vertues, parts and wit their valours too were of a rate, and out they sally'd at the gate.", Copy of no. 505 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 83., and From a set of twelve prints, all with two sewing holes along left edge.
A broadside on Christopher Bullock, a tiny but fat watch and clock-maker in Suffolk; with a woodcut showing a portrait of Bullock, holding a wig in his left hand, mopping his brow with the other; with letterpress title and text, including information on other people of Suffolk including another dwarf Miss B-t-h-c-r, and a table listing market days and distances from London of towns on the road to Yarmouth, and with one vertical segment of type ornaments. See British Museum online catalogue
Alternative Title:
Pleasant, facetious, and merry dwarf of Bottesdale
Description:
Caption title., Woodcut of the dwarf dated 1755. See Sheila O'Connell's 'Popular Print in England' (British Museum 1999, cat.4.41) where she shows that the portrait was lifted from an etching of Jacob Powell made a year or two earlier (see British Museum cat.4.40)., Woodcut signed lower left with a italic 'g'?, and Preserved in a modern mount. For further information, consult library staff.
"Orléans (Égalité), looking to the right, stands on the scaffold dressed as a grenadier of the National Guard. He holds out by the hair the decollated head of Louis XVI, while he waves his cap in his right hand. Behind (left) is the guillotine, with the King's body; streams of blood pour from head and trunk. Below the scaffold (right) are heads and bayonets of the National Guard, and, behind, two large buildings, the windows and roofs filled with spectators; those on the roof wave their hats."--British Museum online catalogue
Description:
Title etched below image. and Text below title: Behold the progress of our system.
Publisher:
Pub. Feb. 12, 1793, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France and France.
Subject (Name):
Orléans, Louis Philippe Joseph, duc d', 1747-1793, Louis XVI, King of France, 1754-1793, Louis XVI, King of France, 1754-1793., and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
Subject (Topic):
History, Guillotines (Punishment), and Decapitations
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., 1 print : etching on laid paper, hand-colored ; sheet 26.9 x 37.4 cm., Sheet trimmed within plate mark; window mounted to 36 x 51 cm., and Mounted opposite page 470 (leaf numbered '76' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
A series of moralistic plates referencing the turmoil in Europe caused by the French Revolutionary Wars. The series describes and illustrates the violent disruption of the quiet country life of an elderly shepherd and his young grandson. In the first plate they are seen outside their alpine cabin with the description below, "Early in the morning the herds go to feed: the aged highlander and his lively grandson stand before the Cottage: the blessings that are spread around on hills and dales, tune his soul to feelings of thankfulness and he prays.” In the second plate, the revolution, “has penetrated into the peaceful vales of Unterwalden ...," the man and his grandson see a "Tree of Liberty" being planted in their town and flee in fear of the revolutionary atmosphere. In the third plate the cabin is in flames as "scenes of calamity overwhelm the poor Country." The young boy protects his grandfather from a member of the revolutionary mob who is holding a flaming torch. In the fourth plate, titled "Give us this day our Daily Bread!", the pair walk in the countryside, destitute. In the fifth plate, the pair are shown praying in "the ruins of the Chapel at Stantz-stad [Stansstad]." In the penultimate plate, "And Lead us Not into Temptation!," the grandfather and child encounter the man who set fire to their cabin, who is also now destitute and has lost one of his legs; the young boy is keen to take revenge but his grandfather stops him. The final plate, " Deliver us from Evil!, the Highlander "beholds the most honest and respectable men torn from their families, Affected by these atrocities, he cries to Heaven."
Description:
Title from publisher's catalogue entry. and This set of prints were advertised in the December 1817 newspaper as "A series of Engravings in Seven Parts, representing the sufferings of a Swiss Shepherd during the revolution of that country, and intended as illustrations of the Lord’s Prayer. Printed on Royal Quarto, price 10s. 6d". In Ackermann’s own The Repository of Arts, Literature, Fashions (Vol. IV, December 1st, 1817), they are listed in the catalogue under "Intelligence, Literary, Scientific" prints and are described as "Engravings of an historical fact of a Swiss Shepherd during the revolution of that country..." (page 367).
Publisher:
Published Jany. 1, 1818, at R. Ackermann's, 101, Strand, London
Subject (Geographic):
Switzerland
Subject (Topic):
History, Shepherds, Military occupations, and Moral aspects of war