Hugo, Argentinensis, approximately 1210-approximately 1270
Published / Created:
[ca. 1350]
Call Number:
Marston MS 118
Image Count:
250
Resource Type:
unspecified
Abstract:
Manuscript on parchment (poor quality) of Hugo Ripelin, Compendium theologicae veritatis. This text has been sometimes erroneously attributed to Albertus Magnus, Bonaventure or Thomas Aquinas
Description:
In Latin., Script: Written in small gothic bookhand, below top line. Marginal notes in anglicana scripts., Flourished initials, 14- to 5-line, primarily blue with red and/or parchment designs (including circles), mark beginning of each book. Many blue initials with modest red penwork designs, 5- to 2-line. Headings in red. Paragraph marks alternate red and blue. Guide letters for decorator., and Binding: Between 1800 and 1810, England. Brown, diced calf, gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugo, Argentinensis, approximately 1210-approximately 1270.
Manuscript on parchment (crude) of Copy of an account book for the hunting expenses of King Charles VI of France. The account is rendered by Philippe de Courguilleroy (?) "chevalier maistre veneur du Roy et maistre de ses canes et forestz" and encompasses November 1395 to 2 February 1396
Description:
In French., Script: Written in a chancery script by a single scribe., and Binding: 18th-19th centuries. Brown mottled and spattered calf with a red label, gold-tooled.
Manuscript on parchment of 1) Le Debat du Faucon et du Levrier. G. Holmer believes that Beinecke MS 465 is the only manuscript to preserve the complete Latin text which was later translated into French by Robert du Herlin, Secretary of King Louis XI. 2) Pseudo-Bernard of Clairvaux, Epistola de gubernatione rei familiaris
Description:
In Latin., Script: Written in fine upright batarde script., 3- to 2-line spaces for decorative initials unfilled., Lower margin chewed by rodent; parchment stained throughout; no loss of text., and Binding: Ninteenth century (after 1881). Dark brown goatskin, gold-tooled with medallion of falcon on upper cover. Bound by Riviere and Son (London, 1881-1939).
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Politics and government
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1490 and 1500]
Call Number:
Beinecke MS 4
Image Count:
127
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus, Confessionale
Description:
In Latin., Watermarks: unidentified bull's head., Script: Text written by one person in humanistic script; numerous marginal and interlinear notes in a slightly later hand., Many ornamental capitals of various sizes, 9- to 3-line, in red and blue with purple penwork, mark each section of text; some with pale shades of yellow, peach, and purple as background. Rubrics (except toward end); red, blue, and yellow paragraph marks., and Binding: between 1490 and 1500. Original sewing on three tawed, slit straps, kermes pink, laced through tunnels in the thickness of wooden boards into rectangular channels on their outer face. Twisted, tawed cores of plain, wound endbands laid in grooves. All supports pegged and gypsum (?) used to fill in around them. Spine lined with brown calf, wanting except under endband tie-downs. Covered in brown calf, blind-tooled with a rope interlace panel border. Corner turn-in tongues. Two catches on lower board, stubs of straps on upper. Boards worm-eaten and detached and most of the cover wanting. Minor repairs to endleaves and headband made ca. 1976.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Confession, Catholic Church, Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of Conversio Sanctae Justinae
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: only six lines of the homily initials "I" are preserved; the shaft of the letter is half red and half yellow on a geometric ground of blue and pale purple, with vine-stem decoration in red; 1-line initials are in brown uncials with occasional rustic capital forms (D, Q, M) and enlarged minuscule forms (n); punctuated with the punctus and the punctus interrogativus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Saints, and Lives and legends
Manuscript fragment on parchment of a copy of a judician decision concerning Jacobus the bishop of Senigallia and the monasteries of S. Iohannes peneclaria and S. Iacobus in burgo, both in Ancona
Description:
In Latin., Script: written in notarial script by the notary Johannes, son of Julianus., and Decoration: The document begins with a flourished initial "I"; 1-line initials are in brown; the notary's sign is in the center of the lower margin; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a nearly contemporary copy of an extract from a Coram Rege Roll, involving Iohannes de Burgh, his wife Sibilla, and Nicholas de Burgh; concerns property dispute in West Bagborough (Somerset).
Description:
In Latin., Script: Written in English secretary script., and Badly mutilated with loss of text; stains along left margin suggest it formerly served as a flyleaf.
Subject (Geographic):
Great Britain., Connecticut, New Haven., and Somerset (England)
Subject (Topic):
Common law, Legal documents, and Manuscripts, Medieval
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper of 1) Das Leiden Ihesu Christi. 2) Prayers for a woman
Description:
In German., Script: Written in uptight informal batarde by a single scribe., Ordinary blue initials, 2-line, on ff. 1r and 76r, with crude penwork designs in red. Plain 1-line initials, paragraph marks, headings, and letter strokes, as well as some corrections, in red., and Binding: 16th-17th centuries. Wooden boards, slightly cut in at the fore-edge for two catches on the upper cover and covered in brown calf, blind-tooled in a curvilinear design, are probably early. The rest of the stab-sewn, rebacked binding obviously is not. Upper board detached, fastenings wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jesus Christ
Subject (Topic):
Passion, Christian literature, German, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval