Three playing cards, or transformation cards, drawn in pen and ink by an unidentified artist, showing caricatured figures using the shape of the pip, only hearts or diamonds (red watercolor) in this incomplete set. One of the cards (two hearts) features two gentlemen meeting. The other two cards (three of diamonds) feature a lady with a fan and two gentleman in one card; the other incomplete, has a lady with a fan and only one gentleman
Description:
In English., Title from dealer's description., and Cards appear to have been removed from an album; remains of paper and glue are present on verso of each card.
Subject (Geographic):
Great Britain
Subject (Topic):
Playing cards, Card games, and Social life and customs
A series of eight, small watercolor drawings depicting castles and country houses in England and Wales. The views show: Brancepeth Castle near Durham; Enville Hall in Staffordshire; New Weir on the river Wye, Herefordshire; Hagley Hall, Worcestershire; Hereford Cathedral from across the river Wye; St Paul’s Walden Bury, Hertfordshire; Lumley Castle near Durham; and Chirk Castle near Wrexham, north Wales
Alternative Title:
Drawings by De Wint
Description:
Title devised by cataloger., Attributed to Peter DeWint., Date based on DeWint's visits to Wales between 1829 and 1835. See Oxford dictionary of national biography., Drawings are mounted an album of thirty-four unnumbered blank leaves; each drawing is captioned by the artist below in ink, some are numbered in pencil. Bound in nineteenth-century half black roan over marbled boards with the spine lettered in gilt ‘Drawings by De Wint’; marbled endpapers and edges; old bookseller’s description pasted at foot of first page., and For further information, consult library staff.
Subject (Geographic):
England and Wales
Subject (Topic):
Cathedrals, Dwellings, Estates, and Castles & palaces
A series of moralistic plates referencing the turmoil in Europe caused by the French Revolutionary Wars. The series describes and illustrates the violent disruption of the quiet country life of an elderly shepherd and his young grandson. In the first plate they are seen outside their alpine cabin with the description below, "Early in the morning the herds go to feed: the aged highlander and his lively grandson stand before the Cottage: the blessings that are spread around on hills and dales, tune his soul to feelings of thankfulness and he prays.” In the second plate, the revolution, “has penetrated into the peaceful vales of Unterwalden ...," the man and his grandson see a "Tree of Liberty" being planted in their town and flee in fear of the revolutionary atmosphere. In the third plate the cabin is in flames as "scenes of calamity overwhelm the poor Country." The young boy protects his grandfather from a member of the revolutionary mob who is holding a flaming torch. In the fourth plate, titled "Give us this day our Daily Bread!", the pair walk in the countryside, destitute. In the fifth plate, the pair are shown praying in "the ruins of the Chapel at Stantz-stad [Stansstad]." In the penultimate plate, "And Lead us Not into Temptation!," the grandfather and child encounter the man who set fire to their cabin, who is also now destitute and has lost one of his legs; the young boy is keen to take revenge but his grandfather stops him. The final plate, " Deliver us from Evil!, the Highlander "beholds the most honest and respectable men torn from their families, Affected by these atrocities, he cries to Heaven."
Description:
Title from publisher's catalogue entry. and This set of prints were advertised in the December 1817 newspaper as "A series of Engravings in Seven Parts, representing the sufferings of a Swiss Shepherd during the revolution of that country, and intended as illustrations of the Lord’s Prayer. Printed on Royal Quarto, price 10s. 6d". In Ackermann’s own The Repository of Arts, Literature, Fashions (Vol. IV, December 1st, 1817), they are listed in the catalogue under "Intelligence, Literary, Scientific" prints and are described as "Engravings of an historical fact of a Swiss Shepherd during the revolution of that country..." (page 367).
Publisher:
Published Jany. 1, 1818, at R. Ackermann's, 101, Strand, London
Subject (Geographic):
Switzerland
Subject (Topic):
History, Shepherds, Military occupations, and Moral aspects of war
"Stipple of George IV as Prince Regent. Whole length with short hair, plain tie, sash, belt, mantle, and Garter collar with George. Standing with right hand on hip and left leaning against a plinth. With a crown to the right and columns and landscape in the background. Without inscription, with Prince of Wales feathers and publisher's address below ..."--Royal Collection Trust online catalogue
Alternative Title:
George the Fourth as Prince Regent
Description:
Title supplied from the Royal Collection Trust online catalogue, RCIN 605241., "Proof"--Lower right corner of plate., and Bound in opposite page 648 (leaf numbered '96' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pub. & sold Jany. 10, 1812, by Edwd. Orme, printseller to His Majesty, Bond Street, London
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830,, George IV, King of Great Britain, 1762-1830., Order of the Garter, and Order of the Garter.
Veritcal landscape with a large maple tree in fall foliage at the end of a field somewhere in Farmington
Description:
Title from appraisal report. and Signed with initials, dated illegibly, and inscribed "Farmington" in lower right; in a gilt molded frame, Moyer Gallery label on verso.
A salted paper photographic print that documents placer gold mining operations on river bars on the American River, Middle Fork, between Placer County and Eldorado County, California in February 1858. From an elevated position, the view shows mining operations on a wide riverbed running through hills of chaparral. The photograph depicts a viaduct, wooden structures, and water diversion structures, such as sluices, sluice gates, and waterwheels. The image includes mining camps and operations on the Kennebec, Wildcat, Willow, and Hoosier bars
Description:
Charles L. Weed (1824-1903), also known as Charles Leander Weed, was an American photographer and engraver. and Title devised by cataloger.
Subject (Geographic):
California, American River Region, American River, Middle Fork, American River Valley, American River, Middle Fork (Calif.), El Dorado County (Calif.), and Placer County (Calif.)
Subject (Name):
Weed, Charles L.
Subject (Topic):
Chaparral, Diversion structures (Hydraulic engineering), Gold mines and mining, Mines and mineral resources, Mining districts, Placer mining, and Water-wheels
Set of 290 black-and-white prints of Rockwell Kent's illustrations and decorations for the 1930 Lakeside edition of Moby Dick. The prints are housed in 148 mats, with each mat holding one to four prints, and divided into three volumes that correspond to the published Lakeside edition. The mats for each volume are housed in a custom case with paper spine and cover labels featuring Kent's illustrations. Volume 1 contains mats 1-49 (95 prints) and the inventory of illustrations; volume 2 contains mats 50-94 (89 prints); and volume 3 contains mats 95-148 (106 prints).
Alternative Title:
Moby Dick
Description:
BEIN 2023 Folio 19: From the library of William S. Reese. Twenty-six sheets bear the Strathmore drawing board trademark stamp. Accompanied by manuscript inventory of illustrations in an unidentified hand (11 pages). Each mat is numbered in pencil with a number corresponding to this inventory. The final 9 illustrations (mats 145-148) likely do not appear in the published Lakeside edition. and Title devised by cataloger.
First leaf following title page. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
"Landscape; view of Strawberry Hill, a neo-gothic house in parkland, seen from a pool in the foreground, with a water-wheel on the left, a horseman on the far bank, sailing-boat on the right and cattle grazing in the field before the house."--British Museum online catalogue
Alternative Title:
East front of Strawberry Hill, from the river
Description:
Title from note in brown ink below image, in Horace Walpole's hand., Alternative title from Gascoigne., Printmaker's monogrammatic initials etched below image in lower left; date etched below image in lower right., Sheet trimmed to plate mark., Mounted on first leaf following title page in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3., 1 print : etching with drypoint on laid paper ; sheet 11.3 x 15.7 cm, inlaid to 27 x 21 cm., Sheet trimmed within plate mark., and With manuscript title "View of Strawberry Hill" added in brown ink below image. Also added are the letters "ollaston f." to the etched monogrammatic initials "CW" in lower left, completing the statement of responsibility "CWollaston f."
Publisher:
publisher not identified
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
A collection of hand-drawn transformation playing cards using the suit symbols incorporated in the sketches of people in a variety of scenes, some clearly English, others continental. Two examples are a fireside scene illustrating a mother and child (and two others) seated in front of a fireplace with a hanging cauldron, and an illustration of an amorous couple enjoying a dance as a violinist plays stage left. The cards depict both black and white characters, all of whom are wealthy or of high status, including soldiers, bishops, and men and women in fashionable dress. At the top of one card above the head of a man who reads from a sheet as he addresses a woman who looks down demurely, are the words "Mio ben.". On the verso of two cards are inscriptions in English. The first shows a figure in Shakespearean-era costume on the front and on the back, a quote from Twelfth night (Act II, Scene 5): "Some are born great, some achieve greatness, and some have greatness thrust upon them.” A second shows a couple sitting across from each other with an empty table between and on the back three stanzas from William Cowper’s The Diverting History of John Gilpin, first published in 1782
Description:
Title devised by cataloger. and In a later envelope inscribed 'Mlle. de Bernardy' and 'N. Anderson'.
Subject (Geographic):
Great Britain
Subject (Topic):
Playing cards, Card games, and Social life and customs