Manuscript on paper of an alchemy in verse with an extended prose commentary
Description:
In German and Latin., Script: Calligraphically written by a single hand in an elegant German Fraktur, the Latin passages in cursive, both sloping to the right., Watermarks: Fine Dutch paper watermarked with a cartouche with the inscription "C. & [?] HONIG" below, comparable to Heawood 3347 (1724-1726), but judged to be somewhat later., and Binding: Original German binding of mottled dark brown calf, sides plain, back in compartments with gold tooling imitative of French work, citron morocco title label with gold lettering in gothic characters, "Das geheime Buch der Weisheit," and blind impression in the compartment below of a second label now missing, lettered "1. 2. 3. 4." Red edges: pastedown and facing side of flyleaves at front and back marbled in red.
Manuscript on paper of 1) Leonicenus Omnibonus, De arte metrica. 2) Donatus, De Barbarismo et soloecismo (Ars maior, Part 3). 3) Lorenzo Guglielmo Traversagni de Savone, O. F. M. (1425-1503), Opusculum de re rhetorica. 4) Pseudo-Priscian, De accentibus
Description:
In Latin., Watermarks: similar to Briquet Balance 2489., Script: Written by a single scribe in italic for the text and marginal notes, and in modified capitals for headings., Decorative initial and border outlined in red, but uncolored, appear on f. 1r. Frequent use of red ink in headings, marginalia and for long sections of the text., Water and ink stains throughout; some loss of text., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bonisoli, Ognibene, ca. 1412-1474.
Subject (Topic):
Latin language, Grammar, Manuscripts, Medieval, and Rhetoric
Manuscript on parchment of Boethius, De consolatione philosophiae. With Excerpts from the commentary of Nicolas Trevet (in margins) on Boethius, Book I.1.1 - II.5.34.
Description:
In Latin., Script: Written by two scribes in an ornate and elegant gothic bookhand. 1) ff. 1v-154v; 2) ff. 155r-210v. The marginal commentary is in a neat informal batarde (ink paler than that used for text)., Plain initial, 3-line, in blue at beginning of text; other initials, 2-line, in red throughout text to mark the beginning of poetry and prose sections. Title page (f. 1v): alternating lines of blue and gold., Grease stain in margins at end of codex; bottom of f. 81 trimmed., and Binding: Nineteenth century. Brown sheepskin, blind-tooled. Repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Consolation, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript, on vellum, in a single hand, of Boethius, De consolatione philosophiae
Description:
In Latin., Probably copied in Tuscany., Signed, after the explicit: "Ego iulianus francisci de leuanto notarius scripsi.", Layout: single columns of 30 lines., Script: rounded gothic bookhand., Decoration: 5 illuminated initials on gold grounds; many smaller initials in red or blue penwork., and Binding: contemporary (?) beech boards with brown goatskin spine decorated with blind ropework; metal clasp and latch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Manuscripts, Medieval, Consolation, and Dialogues, Latin
Manuscript on parchment (trimmed in a very irregular manner) of Boethius, De consolatione philosophiae. With Short notes (in Latin and English) on medical recipes, including "Medicyn for the Colyk".
Description:
In Latin., Script: Written by three scribes in informal gothic scripts. 1) ff. 1r-33v, with running titles, in red, on f. 4v and 28r; this is the only section of the text with rubrication. 2) ff. 34r-60v, 112v-169r, in a style of writing verging on Anglicana. 3) ff. 60v-112v, many erasures and corrections by 2. Marginal and interlinear glosses in several contemporary hands, one of which added the notes on ff. 170v-171r., First initial in red penwork, 4-line, with crude portrait of Boethius. Simple red initials to mark sections of text., and Binding: Fifteenth century. Possibly German or Dutch. "Girdle-book." Although early, it is not the original binding. Resewn on three narrow, tawed, double thongs. The endbands do not seem to have laced cores, but a primary sewing may have been sewn to the head and tail of the chemise, underneath the braided secondary endbands. The thongs are laced into grooves in beech boards, the pattern reversed; one horizontal above one V lacing on the upper board and a V above a horizontal on the lower. The thongs are pegged. The outer wrapper of tawed skin, now grey, is sewn to a tawed, pink, inner chemise around the outer edges of the boards. The wrapper extends about 130 mm. to a Turk's head knot at the tail, about 25 mm. at the head, and has an overlap of about 50 mm. on the upper board. The edges of the wrapper are turned in and hemmed. The book hung upside down when attached to the girdle by having the knot slipped under it, but was right side up when picked up (still attached to the girdle) to be read. A strap-and-pin fastening, the pin on the upper board, consists of a thick, brown leather strap nailed to the lower board and tacketed to the cover with a leather thong ending in an anthropomorphic brass clasp, the head of which catches on the pin. A glued repair was made before, a sewn one after 1973.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Consolation, Dialogues, Latin, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on parchment of Boethius, De consolatione philosophiae, translated into French by Renaut de Louhans. As the translator states in the prologue, his work incorporates material from a commentary on Boethius made by another member of the Dominican order (Nicholas Trevet) as well as his own digressions
Description:
In French., Script: Written in batarde by a single scribe., Two intricate penwork initials, 5-line, on ff. 1r and 2r in red and blue; less detailed penwork initials, 3-line, in same colors throughout text; first letter of each verse stroked in red., and Binding: 17th-18th centuries. Brown spattered calf, with peculiarly striped turn-ins. Title, in gold, on spine: BOECE EN VER FRANC.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Trivet, Nicholas, 1258?-1328., and Dominicans
Subject (Topic):
Manuscripts, Consolation, French poetry, Literature, Medieval, and Manuscripts, Medieval
John Walton's translation of Boethius' De consolatione philosophiae. Written on vellum in Anglicana formata script in England in the first quarter of the fifteenth century. The manuscript lacks the first quire, including the Preface and Prologue as well as stanzas 1-67.
Description:
In Middle English., The manuscript was copied by a scribe whose hand is also seen in several other vernacular manuscripts: Cambridge, Pembroke College, MS 207 (John Gower, Confessio amantis), London, British Library, MS Arundel 119 (Lydgate, Siege of Thebes), and Tokyo, Private Collection, MS 54 (South English Legendary, second hand)., Fifteenth-century inscription on front flyleaf recto (erased): "Ego domina Elizabeth domina de [?riche] Mont[e?] lego istum librum Roberto Godebowe armigero.", Fifteenth-century inscription on front flyleaf recto (erased): "Memorandum quod Iohannis Tr[...] istum librum de executum Roberti Godebowe [...]", Fifteenth-century inscription on front flyleaf verso (erased): "Iste liebr constat Iohanni.", Fifteenth-century inscription on front flyleaf verso: "Thome hyngham Monachi diui Edmundi de Bury." The script of the inscription matches that of an inscription in the Macro Plays manuscript (Folger Library, Washington, DC, MS V.a.354), which refers to a "monachus Hyngham.", Decoration includes two- to four-line pen-flourished initials., Binding: contemporary tawed leather on cushion wooden boards, re-backed and re-covered, preserving original sides., Colophon: "Explicit liber Boecii de Consolacione Philosophie de Latino in Anglicum translatus Anno Domini Millessimo CCCCmo decimo per Capellanum Johannem et cetera" (f. 104v)., and Schøyen MS 615.
Subject (Name):
Walton, John, d. 1410.
Subject (Topic):
Poetry, Middle English poetry, and Philosophy and religion
Manuscript on parchment (thick, furry) of an anonymous catena of Eucharistic proof texts
Description:
In Latin., Script: Written by several scribes, perhaps at different times, in early gothic bookhand., Plain initials in red or green (spaces left for others), followed by rustic capitals. Heading, in red, on f. 1r. Simple schematic drawings to explicate the text of art. 20 (ff. 21r, 22r)., Some loss of text due to trimming on f. 23v., and Binding: Nineteenth century. Brown goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Eusebius Gallicanus.
Subject (Topic):
Catenae, Fathers of the church, Lord's Supper, Manuscripts, Medieval, Sermons, and Theology, Doctrinal
Manuscript on paper of Aristotle, De interpretatione, translated into Latin by Ioannes Argyropylos, with his prefatory letter to Piero de' Medici. With Aristotle, Priora analytica, through Book 1.7.29b28
Description:
In Latin., Watermarks: unidentified flower in gutter., Script: Written in italic by a single scribe., Plain initials, 2- to 1-line, and headings, in red. Numerous tables and crescent diagrams within the text and margins, in black and red., and Binding: Nineteenth century. Red, spattered paper case.
Manuscript on paper (unidentified watermark) of Libellus de quinque floribus huius mundi contemnendis, a short moralistic treatise dealing with the five flowers of the world which need to be despised: (1) bona dispositio corporis, scilicet sanitas, fortitudo et pulcritudo; (2) nobilitas generis; (3) habundantia rerum temporalium; (4) sapiencia cum discreta eloquentia; (5) potestas sive dignitas temporalis. The treatise is illustrated with quotations from the Bible, Church Fathers and other authors, and exempla
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Currens. A later hand has transcribed in the margins in Humanistica Cursiva the words or passages which were found difficult to read., Headings, paragraph marks, underlining, heightening of majuscules and plain initials (3 lines) in red., Worm holes throughout the manuscript; the edges of the last folio are torn., and Binding: Nineteenth century (?). Half brown leather over pasteboard, the boards covered with greyish marbled paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Conduct of life, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval