V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two adjacent designs. [1] The Regent tipsily bestrides a fat and ugly cook, who is on her hands and knees; he flourishes a bottle of 'Royal Max' [gin] and a glass and shouts: "Ha! ha! D--me! this is glorious! this is Princely!!--better fun than the Hertford Hobby [see British Museum Satires No. 13213]--Kitchen stuff & Dishclouts for ever I say D--me!!--If the rascals caricature me, I'll buy em All up d--me." The cook, still holding the broken dish from which a huge cod's head has fallen, exclaims: "Oh! Master do let me alone & see! you've thrown the Cods head & Shoulders all in the dirt!" In the background, Lady Hertford, wearing a coronet, looks angrily from a doorway. On the floor in the foreground are a 'Royal Greas Pot', rolling-pin, and a ladle, with a playbill: 'Brighton--under the Pub [Patr]onage of [the Princ]e Regent--High Life below Stairs Principle Character--G P R'. See British Museum Satires No. 13208, &c. [2] The Duke of York, very erect, rides a velocipede (see British Museum Satires No. 13399) in profile to the right, with Mrs. Carey behind him in a little seat over the back wheel, her hands on his shoulders. He wears Windsor uniform of military cut, with breeches, spurred top-boots, and a top-hat, which he raises. Across the pole hangs a fat purse inscribed '10,000 pr annm Custos [Personae Regis]' which serves as saddle. He says: "I say Carey: this Windsor job, is a devilish snug concern & this saddle bag makes it very pleasant riding!--I wish our army had been mounted on these Hobby's in Flanders;--I don't mean Waterloo--" She answers: "I know what you mean;--but it is a good joke, to think while the Establishment of the Father is redud at Windsor: the sons Establist is increas'd at Fulham--tis properly coming York over John Bull." In the background John Bull, a sturdy fellow, stands with folded arms outside a miserable thatched hut where women and children are crouching. He says fiercely: "£10,000 a year for a son to do his duty to his Father!!!!!! whilst my Children are starving!!!--"Fie out! O Fie 'tis an unweeded garden that grows to seed things rank & gross in nature posess it merely." ['Hamlet', I. ii.]."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "De gustibus non est disputandum; that is, there is no disputing against hobby-horses." Tristram Shandy., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 52 in volume 5.
Publisher:
Pubd. Apl. 9th, 1819, by T. Tegg, No. 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"George IV (left), covered with orders, flees in terror from a figure (right) composed of rectangular slabs of different size, all inscribed 'Address', except for the head, which is inscribed 'Queen', and the feet: 'Feeling' and 'Sense'. This figure extends an arm towards the King, from its feet rays of light slant towards him. P. 19: S, for the shaking he felt in his nerves, That told what a cowardly action deserves; ..."--British Museum online catalogue
Alternative Title:
S, for the shaking he felt in his nerves, that told what a cowardly action deserves ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Rosco.
Title from item., Two columns of verse below image: Hitherto .... I have perform'd. Not without wonder ... Samson Agonistes., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767), p. 201., Temporary local subject terms: Buildings: Westminster Hall -- Britannia (Symbolic character) -- Personifications: Liberty -- Emblems: cap of liberty -- Emblems: anchor -- Reference to Magna Charta -- Reference to the Glorious Revolution -- Reference to the accession of the House of Brunswick -- Musical instruments: lyre -- Emblems: thunderbolts -- Bible: Samson destroying a temple -- Literature: quotation from Samson Agonistes by John Milton, 1608-1674, lines 1640-1659., and Mounted to 37 x 24 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Camden, Charles Pratt, Earl, 1714-1794, Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Granby, John Manners, Marquis of, 1721-1770, Hawke, Edward Hawke, Baron, 1705-1781, Pitt, William, Earl of Chatham, 1708-1778, and Secker, Thomas, 1693-1768
Three brave lads against one poor Roscius and Scrub and Bonniface
Description:
Title etched below image., Publication year from British Museum catalogue., Sheet trimmed within plate mark on right., and Matted to 47 x 63 cm.
Publisher:
Pubd. Augt. 9 by Steine Briton
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Barrymore, Richard Barry, Earl of, 1769-1793, Barrymore, Henry Barry, Earl of, 1770-1823, and Barry, Augustus, 1773-1818
Leaf 22. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6587 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally published 18 May 1784; see Grego., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 140-1., and On leaf 22 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Printmaker and date of publication from Grego., Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Cartoon shows ministers, among them Vansittart and Castlereagh, vomiting taxes into a large bag labeled "budget." The Prince Regent stands nearby, supported on crutches labeled "more money" and "increase in income", holding rolled documents under his arms labeled with descriptions of some of his extravagant expenses and "On the right is a group of Ministers vomiting taxes. On the left the Regent stands directed to the right, supported on crutches, one inscribed 'More Money', the other 'Increase of Income'. The swathing of his gouty leg is tied above the knee by his 'Garter, inscribed 'Honi . . . Pense'. Under each arm are large rolled documents inscribed 'Expences of Pavillion', 'd° of Thatch'd Cottage', 'D° of Furniture', 'D° of Pall Mall', 'Pulling down Rebuilding &c Pulling down again for New Street!', 'Drinking Expence'. Beside him and on the extreme left is the end of a cloth-covered table on which are balls; one larger than the others is 'Economy', and is labelled: 'This bolus to be taken immediately'. Beside it are four others, all inscribed 'Petition against Property Tax'. The Regent, ill and melancholy, says: "Aye, this comes of your cursed Pill economy which you forced me to take a Month back, no one knows what I have suffered from this Econmical [sic] Spasm; I am afraid we shall all be laid up togather." Six Ministers stand over a low, wide-mouthed sack inscribed 'Budget', the edge of which is held by Vansittart (right), wearing his Chancellor of the Exchequer's gown and a large wig. Facing him, and with his back to the Regent is Castlereagh, his hands on his stomach. These and two others vomit streams inscribed 'Property Tax', 'Economy', 'Standing Armies', 'increase of Salaries', 'Cock Bugs provi[sion]'. The contents of the full sack are similarly inscribed. Another Minister (? Liverpool) stands behind Vansittart, with open mouth and distressed expression."--British Museum online catalogue
Alternative Title:
Sick of the property tax, or, Ministerial influenza, Ministerial influnza, and Ministerial influenza
Description:
Title etched below image. and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by S.W. Fores, March 8, 1816, at No. 50 Piccadilly, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Léopold I, King of the Belgians, 1790-1865., Cockburn, George, Sir, 1772-1853., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
Gout, Crutches, Government officials, Vomiting, Taxes, and Economic policy
"A confused design: in the centre the kings of England (left) and Prussia (right) sit together under a canopy; they turn their heads in profile, gazing intently at each other. Behind George III's chair a British sailor lounges, behind Frederick's a Prussian grenadier with a musket stands erect. Frederick holds the ends of two chains attached to the necks of the Habsburg eagle beneath the feet of the two kings; the two beaks of the bird hold a scroll inscribed 'Universal Monarchy'; with its claws it strikes fiercely at the prostrate bodies of a man and woman, evidently intended for inhabitants of the United Provinces. Beneath the bird is the word 'Austria'. On the sides of the canopy under which the kings sit are shields, one (left) inscribed 'Hanover Brunswick Hesse', the other (right), 'Saxony Deux Pont Mayence &c', representing German States under the control or influence of England and of Prussia. On the left and right of the two kings, as if supporters to an escutcheon, are whole length figures on a large scale of military officers; each holds the hilt of his sword, saying, "Whilst you agree I am ready". One (left) is the 'Reigg Duke of Brunswick', the other 'Prince Ferdinand of Brunswick'. In the lower right corner of the design a Frenchman wearing a bag-wig milks a cow inscribed 'Holland'; a dog barks at him angrily. Next the cow a man seated on the ground, probably intended for the Stadtholder, holds up his hands imploringly to the two kings, saying, "Pray protect me". Isolated figures round the two sides and upper edge of the design represent the other Powers of Europe: a crowned bear (left) inscribed 'Russia', couchant, looks greedily towards a much smaller bear inscribed 'Poland'. Russia says, "Tortur'd by Ambition - back'd by Brother Joseph"; Poland answers, "I am not muzzled". The bust of an oriental wearing a turban (Turkey) looks over its shoulder (across Poland) towards Russia, saying, "By the great Prophet thou art but a Woman". A crowned monkey with a sceptre and shield, representing Louis XVI, is seated on a globe inscribed 'Holland', saying, "Mundus vult decipi". Down the right side of the print are three crowned busts looking towards the two kings: Sardinia says, "You shall not Settle without me"; Spain says, "Oh. give me the Rock" (cf. BMSat 6025, &c), Portugal says, "Oh! buy my Wine" (an allusion to the preference to Portuguese wines, given by the Methuen treaty and threatened by the pending commercial treaty with France). On the left side Sweden says, "I am in the pay of France"; Denmark says, "I lay by at present"."--British museum online catalogue
Description:
Title etched below image., Printmaker from Grego and British Museum Catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Feby. 10th 1786 by S. Hedges No. 91 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick II, King of Prussia, 1712-1786, Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, Victor Amadeus II, King of Sardinia, 1726-1796, Maria I, Queen of Portugal, 1734-1816, Gustav III, King of Sweden, 1746-1792, Christian VII, King of Denmark and Norway, 1749-1808, Catherine II, Empress of Russia, 1729-1796, and Abdülhamid I, Sultan of the Turks, 1725-1789
Leaf 27. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A confused design: in the centre the kings of England (left) and Prussia (right) sit together under a canopy; they turn their heads in profile, gazing intently at each other. Behind George III's chair a British sailor lounges, behind Frederick's a Prussian grenadier with a musket stands erect. Frederick holds the ends of two chains attached to the necks of the Habsburg eagle beneath the feet of the two kings; the two beaks of the bird hold a scroll inscribed 'Universal Monarchy'; with its claws it strikes fiercely at the prostrate bodies of a man and woman, evidently intended for inhabitants of the United Provinces. Beneath the bird is the word 'Austria'. On the sides of the canopy under which the kings sit are shields, one (left) inscribed 'Hanover Brunswick Hesse', the other (right), 'Saxony Deux Pont Mayence &c', representing German States under the control or influence of England and of Prussia. On the left and right of the two kings, as if supporters to an escutcheon, are whole length figures on a large scale of military officers; each holds the hilt of his sword, saying, "Whilst you agree I am ready". One (left) is the 'Reigg Duke of Brunswick', the other 'Prince Ferdinand of Brunswick'. In the lower right corner of the design a Frenchman wearing a bag-wig milks a cow inscribed 'Holland'; a dog barks at him angrily. Next the cow a man seated on the ground, probably intended for the Stadtholder, holds up his hands imploringly to the two kings, saying, "Pray protect me". Isolated figures round the two sides and upper edge of the design represent the other Powers of Europe: a crowned bear (left) inscribed 'Russia', couchant, looks greedily towards a much smaller bear inscribed 'Poland'. Russia says, "Tortur'd by Ambition - back'd by Brother Joseph"; Poland answers, "I am not muzzled". The bust of an oriental wearing a turban (Turkey) looks over its shoulder (across Poland) towards Russia, saying, "By the great Prophet thou art but a Woman". A crowned monkey with a sceptre and shield, representing Louis XVI, is seated on a globe inscribed 'Holland', saying, "Mundus vult decipi". Down the right side of the print are three crowned busts looking towards the two kings: Sardinia says, "You shall not Settle without me"; Spain says, "Oh. give me the Rock" (cf. British Museum Satires No. 6025, &c), Portugal says, "Oh! buy my Wine" (an allusion to the preference to Portuguese wines, given by the Methuen treaty and threatened by the pending commercial treaty with France). On the left side Sweden says, "I am in the pay of France"; Denmark says, "I lay by at present"."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 182-3., and On leaf 27 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 10th, 1786, by S. Hedges No. 91 Cornhill and Field & Tuer
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick II, King of Prussia, 1712-1786, Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, Victor Amadeus II, King of Sardinia, 1726-1796, Maria I, Queen of Portugal, 1734-1816, Gustav III, King of Sweden, 1746-1792, Christian VII, King of Denmark and Norway, 1749-1808, Catherine II, Empress of Russia, 1729-1796, and Abdülhamid I, Sultan of the Turks, 1725-1789
"A design in four compartments. [1] THE SULTAN RETIRING The Prince of Wales in flowered dressing-gown and night-cap stands arrogantly with folded arms, saying "Va-ten" [sic], as in BMSat 8807, to the dwarfish Lord Jersey (right), who stands deferentially before him, holding a candle, and raising his hand to his forehead with a senile grin. The Prince stands at the foot of Lady Jersey's bed (left), where she lies expectantly. It is decorated with two earl's coronets, but under it is a chamber-pot ornamented with the Prince's feathers. On the wall (right) is a picture of a turbaned and arrogant Turk, standing among the ladies of his harem, who are seated around him. Probably imitated from BMSat 8807. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[2] FASHIONABLE PASTIME Lady Jersey sits on a settee, holding her arms above her head, two fingers in each hand extended to simulate horns. Before her is Lord Jersey, bending under the weight of the Prince, who sits on his shoulders; he supports himself by resting his hands on his wife's lap. The Prince, very fat and complacent in his Light Horse uniform (see BMSat 8800), wearing a helmet, with slippers and ungartered stockings, holds Jersey by the head, his fingers extended like Lady Jersey's (as in BMSats 8811, 8816), and putting a hand over Jersey's eyes and mouth. Lady Jersey wears a loose high-waisted dress, with uncovered breast, and flowing hair. Both say: "Buck-Buck how many Horns do I hold up". Jersey answers "one you say & two there is Buck Buck". A cat (left) slinks off to the left. On the wall behind the Prince (right) is a picture of 'Sir Rd Worsley', a free copy of BMSat 6109, the right portion being cut off by the margin of the design. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[3] THE DISCOVERY The Princess (right) draws aside the fringed curtains of a bed in which lie the Prince (awake and dismayed) and Lady Jersey (asleep). She looks aside, weeping. Above her head are the words 'Give me [sic] all you can & let me Dream the Res [sic]'.[From Pope's 'Heloise to Abelard', often reprinted in the eighteenth century (cf. BMSat 9283).] Behind her head is a half length portrait of the Duke of Brunswick, his head turned towards his daughter but hidden by the Prince's helmet, which hangs from the frame. [4] CONFIDENCE BETRAYED The Prince is seated full-face, with a distraught expression, his left hand on his forehead, his right hovers above a pistol which lies on a table beside him. Lady Jersey stands on his left, holding an open letter addressed 'The D------ of B------c'. She puts her forefinger to her nose, saying, "Here would have been a rare Kettle of Fish to have served up to a German Prince". Through an open window (or perhaps in a picture) behind the Prince a landscape is indicated with forked lightning."--British Museum online catalogue
Alternative Title:
The sultan retiring, Fashionable pastime, The discovery, and Confidence betrayed
Description:
Title from item., Sheet trimmed within plate mark., Plate divided into four compartments, each with caption title., One line of text below title: The very Stones look up to see, Such very Gorgeous Harlotry, Shameing an Honest Nation., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Cuckold's horns -- Coronets -- Guns: pistols., Names of the printmaker and subjects of satire printed on mat below image., and 1 print on wove paper : etching, hand-colored ; sheet 45 x 31 cm., window mounted to 53 x 39 cm., matted to 62 x 47 cm.
Publisher:
Pub. May 28, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Adultery, Bedrooms, Candlesticks, Chamber pots, and Interiors