A portrait of James Caulfield, head and shoulders looking to the left, glancing towards the viewer with a smile, wearing a plain coat, cravat and dark queue wig; after Hogarth
Alternative Title:
Right Honourable James Caulfield Earl of Charlemount of the Kingdom of Ireland
Description:
Title etched below image., Ms. note in Steevens's hadn in pencil above print: See ibid., Sheet: 24 x 17.6 cm., and On page 215 in volume 3.
A portrait of James Caulfield, head and shoulders looking to the left, glancing towards the viewer with a smile, wearing a plain coat, cravat and dark queue wig; after Hogarth
Alternative Title:
Right Honourable James Caulfield Earl of Charlemount of the Kingdom of Ireland
"Portrait after Reynolds (Mannings 467); whole-length standing turned slightly to right, facing and eyes to left, wearing in robes, his left hand on his hip and his right holding a roll of paper; table with papers and inkstand to right, staff to left; landscape through window behind"--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed to plate mark leaving thread margins., and Mounted to 667 x 482 mm.; annotated in upper right corner "57."
Publisher:
Published Jan. 1st 1769 by Jno. Boydell, engraver in Cheapside, London
"Portrait of Thomas Alexander Erskine, 6th Earl of Kellie, three-quarter length, seated to right in an armchair, glancing towards the viewer, his right arm on chair arm and the left on his lap; wearing short wig, open coat, waistcoat fastened with five buttons, neckerchief and frill."--British Museum online catalogue
Description:
Title engraved below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1914,0317.5., Mounted to 51 x 36 cm., Mounted opposite page 468 (leaf numbered '74' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Contemporary ink annotation "367" in lower right corner.
Publisher:
Publish'd as the act directs, Feby. 12th, 1782, by R. Blyth, No. 27 Great Castle Street, Cavendish Square
Subject (Name):
Kelly, Thomas Alexander Erskine, Earl of, 1732-1781,
A young woman (shown whole-length) wearing a simple dress and bonnet, stands in a room by a fireplace singing with a wistful look on her face as she plays the hurdy-gurdy. On the right, a fireplace decorated with tiles and inside with andirons and tools; above hangs a cocked hat and a broken mirror. A sword leans against the edge of the fireplace and behind the girl
Description:
Title engraved below image. and Contemporary ms. note along lower edge: "The first [illegible] to the plate. This [illegible] proper [illegible] in this state."
A young woman (shown whole-length) wearing a simple dress and bonnet, stands in a room by a fireplace singing with a wistful look on her face as she plays the hurdy-gurdy. On the right, a fireplace decorated with tiles and inside with andirons and tools; above hangs a cocked hat and a broken mirror. A sword leans against the edge of the fireplace and behind the girl
Description:
Title engraved below image., A later state of: Savoyard. Published by G. Sherlock May 12th 1798., The print refers to the affair between the Duke of Cumberland and a hurdy-gurdy player. For a full account see E. Einberg, 'Music for Mars, or the Case of the Duke's Lost Sword', The Huntington Library Quarterly, LVI, 1993, pp. 181-9., On page 227 in volume 3., and Ms. note in pencil in Steevens's hand: Not in Nichols's book.
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 62 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
"Satire on Mary Toft, the "rabbit breeder" and those who were duped by her fraud. The interior of a large room, presumably intended as Lacy's bagnio in Leicester Fields, in the centre of which Toft reclines on a chair attended by a doctor, John Howard, while a gentleman identified by Stephens as Nathaniel St André, wearing a hat, has laid down a walking stick and kneels to lift a rabbit that is emerging from below her skirts. On the left, three men enter through an open door, the foremost, evidently John Maubray, holding up a specimen bottle and grasping by the shoulder another doctor, who points towards Toft; another holding a staff aplpears to be a constable. Other men (one perhaps intended as her husband) gather behind Toft's chair; Samuel Molyneux, wearing a hat and holding a walking stick turns away in disgust as a midwife holds up a "new-born" rabbit. On a table in the background lie a hat, ink stand and specimens of Toft's rabbits; the walls are hung with five paintings and a large map of Surrey."--British Museum online catalogue
Description:
Title etched below image, between two columns of verse., Artist and printmaker from later state: Geo. Vertue del. Jas. Vertue sculp., Date based on advertisement in the Daily journal, 23 December 1726., "Pr. 6d."--Price following imprint., Two columns of verse on either side of title: The Surrey Rabbet-Breeder here behold, Imposture greater than appear'd of old, ... Tis hop'd will bring forth pillory and ears., Sheet trimmed to plate mark., On page 42 in volume 1., and Ms. note in Steevens's hand above: The plate is said to have given offence to Frederick Prince of Wales who is here represented. His note below the print: Vertue was employed as the engraver.
Publisher:
Sold by Jon. Clark, engraver & printsellr. in Grays-Inn