"John Bull, a plebeian, stout and dishevelled, lies on his back on a tangle of large roses with vicious thorns. These are on a heap of stones and under the stump of a decayed oak tree (left). He exclaims: "Oh Lord! Oh Lord! if this be the Bed of Roses they make such a noise about I'd sooner lye with the Old Sow and her Farrow in the Dog Days! - My Dame will roar woundidly when she comes to bed! Ecod it's as bad as lying on a Harrow upside down." The stones (left to right) are 'Expedition to Holland' [1799, see British Museum Satires No. 9412, &c], 'Expedition to Ferrol', 'Jobs and Contracts', 'Pension List', 'Indemnity for the past & Security for the Future', 'No Peace possible with the child and Champion of Jacobinism', 'Places', 'Subsidies'. The roses are: 'Candle Tax', 'Hair Powder Tax', 'Hat Tax', 'Paper Tax', 'Snuff Tax', 'Game Tax', 'Wine Tax', 'Property Tax', 'Salt Tax', 'Land Tax', 'Stamp Tax', 'Assessed Taxes', 'Income Tax', 'Table Beer Tax', 'House Tax', 'Window Tax', 'Excise Duty', 'Horse Tax', 'Tobacco Tax', 'Soap Tax', 'Servant Tax', 'Malt Tax', 'Hop Tax', 'Sugar Tax', 'Legacy Tax', 'Tea Tax', 'Cyder Tax'. On the two extremities of the 'bed' are clusters of thorny buds; these are inscribed '1807', '1808', and [once] '1809', those on the left being labelled 'National Debt'. In the distance St. Paul's is indicated. Bushes on the right are wind-swept."--British Museum online catalogue
Alternative Title:
John Bull on a bed of roses
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark: 181[0?].
Publisher:
Pubd. July 1806 by Wm. Holland, Cockspur Street
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, John Bull (Symbolic character), Roses, Thorns, and Taxes
John Bull's first visit to his old friend the new secretary
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caricatures lent out for the evening., Temporary local subject terms: Dogs -- Politics., Mounted to 29 x 40 cm., and Watermark: Strasburg Lily.
"Pitt (r.), as a bare-footed monk with a large tonsure, sits in a high Gothic chair. Melville, in Highland dress and holding his feathered bonnet, kneels before him in profile to the right., saying, "Ye mun knaw - I have got into a little wee scrape, - and as ye knaw you and I ganarally rowd in the same boat - I want to ask your advice." Pitt looks agitated, and puts out his hands with a deprecating gesture; he says: "Dont implicate me I request - I that am compleatly Imacculate. Except laying a few trifling Taxes on Income, Births, Marriages, Burials, Houses, Windows, Tea, Coffee, Wine, Horses, Dogs, Carriages, Wills, Agreements, Servants, Hats, Receipts, News-Papers, Letters - Bricks, Tiles, Pepper, Salt, Cyder, Perry, Malt, Hops, - and such like iconsiderable things - , I dont think I ever did a paw - paw - action in all my Life. - however I'll endeavour to procure you absolution, for old acquaintance sake.""--British Museum online catalogue
Alternative Title:
Johnny MacCree at confession
Description:
Title from item., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Mounted to 49 x 30 cm., and Watermark: Strasburg Lily.
Publisher:
Pubd. March 29th, 1805 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
"A grotesquely fat woman, much decolletee, sits at a piano (left) singing and playing, her left foot on the pedal. With upturned eyes and gaping mouth she sings: "Just like love ..." [three times]. Her music book is open at: 'Just like Love a Favorite Song Sung by Mr Braham'. A fat man in old-fashioned dress, standing just behind her, his hands raised in surprise, turns to address two younger men who are fashionably dressed. He asks: "Don't my Lady play and Sing delightfully? she was finished under the famous Sigr Squawlletti." The man on the extreme right, holding his friend's arm, says: "By G- if the Signior had been under my Lady she would have finish'd him! would'nt She Sir Thomas." The other laughs: "Ha! Ha! Ha! come that's a good one!"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on one side., and Watermark: Cansell 1822.
"One of a set (coloured) by Williams, all with the same imprint (British Museum Satires Nos. 12933-6). An adaptation of British Museum Satires No. 12925. The stout man dancing between two ladies is in military uniform with a large sabre. The room is altered by the addition of a side wall (left) to which the fireplace is transferred. In its place is the square piano under a large mirror. All the figures are altered; a lady in an arm-chair with a man leaning over her has been added. Elaborate gas or oil lighting replaces candles: a hanging chandelier with a circle of globes with chimneys, with similar lamps in brackets on a glass over the chimney-piece, which is surmounted by a standing lamp. There are three whole length portraits of dancers striking attitudes, two being 'Mde H[i]llisburgh' and 'Monr Vestris'."--British Museum online catalogue
Alternative Title:
Quadrille dancing pour la pratique
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on top edge., "No. 3"--Upper left corner., and Watermark: John Hall.
Publisher:
Pubd. May 1817 by S.W. Fores
Subject (Topic):
Dance, Chandeliers, Gaslight fixtures, and Military uniforms
Title from caption below image., Publication year from British Museum catalogue., Number '4' in Fores's address etched backwards., Temporary local subject terms: Grimaces -- Faces -- Classes., and Watermark: J. Whatman 1824.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Chancellor (Eldon), preceded by his mace-bearer holding a sword, is about to alight on the pavement outside Westminster Hall (left), having flown diagonally down from the right; next him is (?) the Vice-Chancellor Plumer, close behind are eight other judges followed by a closely packed swarm of barristers who recede in perspective. All are in wig and gown. Behind the barristers are their clerks, wearing top-hats and carrying (green) brief-bags over their shoulders. Three men stand outside the door of Westminster Hall waiting obsequiously to receive the Chancellor and his swarm; one is a constable holding his staff, the others wear black gowns, the foremost having cloven hoofs. In the street below (right) a few terrified pedestrians look up at the monstrous flight."--British Museum online catalogue
Alternative Title:
No. 1. Blessings of Britain, or, A flight of lawyers, Blessings of Brittain, or, A flight of lawyers, Blessings of Britain, or, A flight of lawyers, Flight of lawyers, and First day of term
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and beginning of imprint statement has been removed from plate., Date of publication based on complete imprint on earlier state: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., One line of quoted text following title: "A darksome cloud of locusts swarming down." Milton., Plate numbered "200" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark leaving thread margins., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 54 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Chancellor (Eldon), preceded by his mace-bearer holding a sword, is about to alight on the pavement outside Westminster Hall (left), having flown diagonally down from the right; next him is (?) the Vice-Chancellor Plumer, close behind are eight other judges followed by a closely packed swarm of barristers who recede in perspective. All are in wig and gown. Behind the barristers are their clerks, wearing top-hats and carrying (green) brief-bags over their shoulders. Three men stand outside the door of Westminster Hall waiting obsequiously to receive the Chancellor and his swarm; one is a constable holding his staff, the others wear black gowns, the foremost having cloven hoofs. In the street below (right) a few terrified pedestrians look up at the monstrous flight."--British Museum online catalogue
Alternative Title:
No. 1. Blessings of Britain, or, A flight of lawyers, Blessings of Brittain, or, A flight of lawyers, Blessings of Britain, or, A flight of lawyers, Flight of lawyers, and First day of term
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and beginning of imprint statement has been removed from plate., Date of publication based on complete imprint on earlier state: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., One line of quoted text following title: "A darksome cloud of locusts swarming down." Milton., Plate numbered "200" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark leaving thread margins., and Watermark.
"A farmer (John Bull) and his family gape in amazement at the arrangements for the Regency fête on 19 June. The narrow table extends across the design receding from left to right, the cloth hanging over the seats of chairs in the foreground. The famous canal decorates the centre of the table with its gold and silver fish, and the table is laid with gold plate, and ornate cut-glass goblets and decanters labelled 'Dry Champain', 'Claret', and 'Burgundy'. There are three-branched gold candelabra. The Prince's chair is on the extreme right; beside it stand a man in livery and an attendant in plain clothes. Behind the chair large ornate gold salvers are arranged on shelves covered with white drapery, as in No. 11729. This was 'a kind of circular buffet . . . lined by festoons and antique draperies of pink and silver' ('Ann. Reg.', 1811, p. 69). The sightseers are on the farther side of the table (left) with their backs to the windows, John in the centre; he says, pointing: "Why Odd Zookers this is marvellous fine indeed. Oh Nan how we should relish a rasher on one of they monstracious beautifull Plates, why now I think I shan't grumble to pay three or four Bank Tokens towards this grand treat - methinks I should Just like a nippikin too." His wife puts out her hands protestingly: "Oh John one of our milk white Chickens roasted by myself by our wood fire would be Luscioscious indeed." His daughter says: "La Feather do zee how they gilded Fishes be stareing at yow." There are three loutish sons; one says: "I say Sue I thinks I should not like that dry Shampain, but a Dobbin of our home brewed in that there gilded gold thing would be dreadfully noice indeed"; another (looking up at the (invisible) ceiling : "Dang it if the top 0 the pleace beant all Eel pottles I'll be hang'd."--British Museum online catalogue
Alternative Title:
John Bull in the conservatory
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark with partial loss of imprint., Watermark: NV, and Manuscript "63" in ink upper center of plate.