Title from item., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Reissued at later date. Cf. no. 11148, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description lacking date in imprint statement., and Watermark: J Whatman.
Publisher:
Pubd. Octobr. 1st, 1807 by Thomas Tegg, 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly lawyer (left) reads a will to the legatees, who are grouped round a table: a young couple looking slyly at each other, a fat and startled butcher, a drunken dishevelled butler, an elderly doctor smelling his cane, a would-be fashionable in a wrinkled Jean-de-Bry coat (cf. British Museum Satires No. 9425) and tasselled Hessians. The lawyer reads: "The Genuine Will of Timothy Whimsey Esqr of Whimsey Hall--I give and bequeath to my young Wife the bulk of my Fortune for the trouble she has had with me, and to my secretary Tom Cunningham I bequeath the said Wife . . . as by amourous glances, I have at different times noticed, I think there will be no objection on either side--To my old Friend Briskett the Butcher, I leave him a small portion of common honesty and advise him to cut his steaks thicker in future--To Timothy my Butler, I leave sixty pounds per Annum for his extreme Sobriety!!!--to Doctor Bolus I leave all the pill boxes--phials--potions--lotions &c &c &c accumulated at different periods, and deposited in my corner cupboard--and lastly I leave my Nephew Tim Dash--a small portion of advice viz--not to act and dress so like a puppy in future!!!" The butler says: "Very sensible in respect to the Butler", the nephew: "What a Quiz I'll report him at Brooks's"."--British Museum online catalogue
Description:
Title etched below image., Later state; plate number has been added and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: London, Pubd. Octobr. 1st, 1807, by Thomas Tegg, 111 Cheapside. Cf. Lewis Walpole Library call no.: 07.10.01.03.1+., Plate numbered "280" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shillg. colored."--Within lower left portion of design., Watermark: 1817., and Leaf 57 in volume 4.
Title from caption below image., Series no. '4' etched backwards., Publication date from British Museum catalogue. Cf. No. 14591 in the Catalogue of prints and drawings in the British Museum., Sheet trimmed leaving thread margins., and Plate numbered "Pl. 4" in upper right corner.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Printmaker questionably identified as Charles Williams in local card catalog record., Later state; former plate number "32" has been removed from upper left corner and a new plate number has been added in upper right, and first half of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: London, Pubd. Decmr. 1st, 1807, by Thos. Tegg, 111 Cheapside. Cf. Lewis Walpole Library call no.: 807.12.01.01.1+., Plate numbered "142" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 3 in volume 3.
Title from item., Sheet trimmed within plate mark., Plate numbered '32' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Burkes' Justice -- Begging.
Publisher:
Pubd. Decmr. 1st, 1807, by Thos. Tegg, 111 Cheapside
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
"A roughly made jaunting-car on the sands of Dublin Bay proceeds towards the Pigeon House (right) at the end of the jetty (the South Bull). A young and an old woman sit back to back with an elderly man and a young one. The young people turn their heads to kiss, unobserved by their elders : the woman absorbed in snuff-taking, the man looking through a telescope. The head and shoulders of the driver, in back view, form the apex of the design; his hair projects through his battered hat."--British Museum online catalogue
Alternative Title:
Irish vis-a-vis vide Dublin Harbour
Description:
Title from caption below image., Publication date from unverified data from local card catalog record., Sheet trimmed to plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1825.
Title from item., Printmaker from British Museum online catalogue., Three lines of a quotation following title: "You were also Jupiter a swan for the love of Leda omnipotent love! how near the god drew to the complexion of a goose, when gods have hot backs: what shall poor men do? [Merry Wives of Windsor, v. v.], Temporary local subject terms: Lighting: Candlestick -- Mirror -- Female Costume: Night dress -- Furniture: Canopied bed -- Male Costume: Night shirt., Watermark: J. Whatman., and Print numbered '128' with ms. note in modern hand.
Publisher:
Pubd. Decr., 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
Taylor, Michael Angelo, 1757-1834 and George IV, King of Great Britain, 1762-1830