"Three allied generals (left) hold the long handle of a shovel (peel) on which is a dish containing a tiny Napoleon. This they try to push into a baker's oven, but are hindered by the Austrian emperor, who holds the door of the oven, feigning to be trying to open it, but actually holding it at an angle which prevents the entry of the dish. The leading baker is Blücher, wearing an apron over his uniform, and without a hat; he looks sternly at Francis, saying, "Pull away Frank! you Keep us waiting!" General Mikhail Woronzoff, young and handsome, immediately behind Blücher, pushes hard, saying, "In with it Blücher." On the extreme left is Bernadotte, one hand on Woronzoff's shoulder, saying, "I tell you what, Woronzow, the Hinges want a little Russia Oil." Francis I, who like the others wears uniform with jack-boots, but has (baker's) over-sleeves to the elbow, says with an expression of startled alarm: "This door Sticks! I dont think I shall get it open?!" A weathercock surmounts his cocked hat. Wellington comes up (right), poking him in the back with his baker's tray on which are two pies. He says: "Shove alltogather [sic] Gentlemen! D-me shove door & all in!" His two pies are 'Soult Pie', with two spurred jack-booted legs projecting through the crust, and a pie with spires and other buildings, with a flag inscribed 'Bourdeaux'. He wears an apron and the order of the Golden Fleece as well as the star of the Garter. A fat, grotesque Dutchman sits on a flat cushion gazing up at the oven; he holds, but does not use, a pair of bellows. In his conical hat is a tobacco-pipe. The fire under the oven is filled with broken eagles and fragments of weapons. Among the debris in the recess for ashes is a crown. Above the oven is the inscription 'Allied Oven' surmounted by a crown and cross-bones. In the shadow formed by the half-open door, a skull (Death) waits to receive Napoleon, who lies on his back, kicking violently, and shouting "Murder! Murder!!"; he wears a large plumed bicorne. The stone wall in which the oven is built forms the background."--British Museum online catalogue
Alternative Title:
Corsican toad in the hole
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and Watermark: J. Whatman 1808.
Publisher:
Pubd. April 1st, 1814, by H. Humphrey, St. James St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, Charles XIV John, King of Sweden and Norway, 1763-1844, Blücher, Gebhard Leberecht von, 1742-1819, Francis I, Emperor of Austria, 1768-1835, Soult, Nicolas-Jean de Dieu, 1769-1851, and Voront︠s︡ov, Mikhail Semenovich, kni︠a︡zʹ, 1782-1856
Subject (Topic):
Napoleonic Wars, 1800-1815, Emperors, Ethnic stereotypes, Generals, Kings, Military uniforms, Ovens, and War allies
Title from caption below image., Publication date from unverified data in local card catalog record., Two columns of dialogue below title: Dialogue. Mrs. Bull: "Why bless me, John, be that you yourself? Why, I didn't know you agen! What on airth ha' ye letten your beard grow for, man? ..., and Temporary local subject terms: Paintings -- Homes.
Leaf 31. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A kitchen scene. An ugly parson holding a small slice of meat speared on a fork, angrily berates his gardener (right), pointing behind him to a vast round of beef on the table (left). He bawls: 'Tis my Beef you rascal I'll swear to the Complexion of it--& my Bread too! & I'll have you hanged for stealing it. The gardener, a young man holding a spade, draws back in astonishment, saying, Lord love your Reverence my Aunt gave me that slice of Bread & Beef for my dinner to day!! The comely cook holds up her hands and turns up her eyes, exclaiming: O L--d O L--d what a x x x !!!!! it is no more like his Beef than I am--. A mouse scampers off, saying, Besides, if it was Cookee, what a d--d mean wretch to take notice of it-- 'tis time for me to be off! On the table are also a huge loaf, a slice of bread, and a knife. A leg of mutton is on a shelf; a large dresser with dishes, drawers, pots, &c, and a roller towel form a background."--British Museum online catalogue
Alternative Title:
Vialls of wrath!!
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 14407 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Plate originally published in 1822; see British Museum catalogue., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 714., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1059., and On leaf 31 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. by J. Fairburn, Broadway, Ludgate Hill and Field & Tuer
Subject (Name):
Vialls, Thomas, 1768?-1831 and Sharp, Joseph, active 1822
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Oriental pipes -- Costume: male, Chinese -- Flags: Union Jack -- Swords -- Costume: female, 1816 -- Mandarins -- Bloomfield, Benjamin Bloomfield, 1st Baron, 1768-1846 -- Queen Charlotte's snuffboxes., Watermark: W[?]SS, and Manuscript "189" in upper center of plate.
Publisher:
Pubd. by J. Sidebotham No. 96 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Amherst of Arracan, William Pitt Amherst, Earl, 1773-1857, Hertford, Isabella Anne (Ingream Shepheard), Marchioness of, fl. 1813, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,, Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Eldon, John Scott, Earl of, 1751-1838, Ellenborough, Edward Law, Baron, 1750-1818, Sligo, Howe Peter Browne, Marquess of, 1788-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Charlotte, consort of George III, King of Great Britain, 1744-1818, and McMahon, John
Caricature of a young surgeon undergoing questioning by his peers. A satire on the Royal College of Surgeons, London and "Plate from the 'Scourge', ii. 263 (second state). Members of the Court of Examiners of the Royal College of Surgeons sit on the outer side of a horse-shoe table, four on each side of the Master, who sits in a raised chair, wearing a gown, bands, and hat. On the table before him are a skull and bone. The examinee, trembling and insignificant, stands on the extreme left, facing a man who has risen from his chair to say angrily, "Describe, the Organs of Hearing"; the latter's neighbour listens intently through an ear-trumpet. The next Examiner sleeps with folded arms; next, and on the Master's right, is a man turning his back on the Master and holding his nose while he studies a book: 'Question upon Wind I Suppose a man was to . . . What w . . . you . . .' The aged and toothless Master (Sir Charles Blicke, 1745-1815) listens with senile intensity through an ear-trumpet. On his left two Scots, ungainly fellows wearing tartan, are absorbed in conversation; one says: "you paid too dear for it brother Sergeant," the other takes snuff from a mull. Next is a fat man with swathed gouty legs; crutches lie on the ground beside him; he has a paper 'THH [sic] COW POX CRONICLE', suggesting that he is Jenner (not a surgeon). He has a pen in his mouth, spectacles on forehead, and looks sideways at his neighbour, a lean old man who is intently counting piles of coin. In the foreground is a trough containing books; a man stands near it holding a large volume and looking towards examiner and examinee. A man leaves the room (right) looking over his shoulder with shocked distress, and exclaiming "Oh!" In his pocket is a paper: 'A Peter on the Gravel'. The Master's chair is decorated with skulls; from its back projects a striped pole supporting a skull which serves as a wig-block, emblem of the old connexion between surgeons and barbers, see No. 9092, &c. Under the chair are money-bags, one inscribed '£50', the other 'For Shirt'. Behind the chair are two niches or alcoves in each of which a skeleton is suspended by the neck from a rope; one (left) is 'Govenor [sic] Wall' [see No. 9845], the other 'Lady Brownrigg'. These are symmetrically flanked by four pictures: [1] a prizefight between a black pugilist and a skeleton at which the Master of the College presides, standing before his chair. [2] Saartjie Baartman, 'the Hottentot Venus', see No. 11577, &c., stands in profile to the right while 'Nobody', a man whose legs are jointed to his shoulders as in No. 12438, &c., points with amusement at her huge posterior. [3] A young woman without arms or legs, placed on a bergere, is inspected by an ugly man, who points at her. [4] A brazen cow (or golden calf) is supported on a garlanded pillar on whose base is a crown; round this men, apparently surgeons, dance gleefully, holding hands in a ring. On the extreme left of the wall is an ornate clock, showing that the time is eleven. It is topped by a grinning figure of Time holding an hourglass. On the ground is a paper: 'At the sign of the Cow's Head Lincolns Inn Feilds'."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 2 (October 1811), page 263., and Temporary local Medical Library subject terms: Examination for license -- Vaccination controversy.
Publisher:
Pubd. October 1st, 1811, by M. Jones, 5 Newgate Strt
Subject (Name):
Blicke, Charles, Sir, 1745-1815, Blizard, William, Sir, 1743-1835., Earle, James, Sir, 1755-1817., Home, Everard, Sir, 1756-1832, Dundas, David, Sir, 1735?-1820., Biffin, Sarah, 1784-1850., Baartman, Sarah, Jenner, Edward, 1749-1823, Wall, Joseph, 1737-1802., Brownrigg, Elizabeth, 1720?-1767., and Royal College of Surgeons in London.
Subject (Topic):
Medicine and art, Physicians, Questioning, Surgery, Surgeons, Table, Deafness, Gout, Medical students, and Hearing aids
Title from captions below images., Date of publication based date of the Great Exhibition: 1 May to 15 October, 1851., Two designs, one above the other; each signed and individually captioned., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Great Exhibition, Crowds, Exhibition buildings, and Exhibitions
"A sequel to British Museum Satires No. 13895. The Queen has reached the top of the column; she is blindfolded and wears a fool's cap; but the column is shattered by the radicals, and she falls backwards, dropping sceptre and firebrand. The pedestal tilts, the column is broken in three, and the summit is being hauled down by a rope tugged at by a cheering mob of radicals with pikes. Flames and towering clouds of smoke ascend from a large fire at its base, on which a Bible inscribed 'I H S' and books of 'Laws' and 'Religion' are burning. The Black Dwarf (Wooler, see British Museum Satires No. 12988), kneeling, blows it with bellows. Crown, Bible, and cushion fall from the column. Hunt cheers the catastrophe, waving his cap, as do others. There is a tricolour banner topped by a skull and inscribed 'Blood & Plunder'. Cobbett (?) is now on the top of the Queen's ladder, with (?) Wood who cheers from a lower rung."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published 28 October 1820 as a plate to The Loyalist's magazine, see no. 13902 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The radical ladder., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Wooler, T. J. 1786?-1853 (Thomas Jonathan),, and Cobbett, William, 1763-1835
Subject (Topic):
Ladders, Columns, Torches, Crowns, Bibles, Liberty cap, Blindfolds, Fires, Bellows, and Crowds
"Napoleon, a little figure with a big head, stands with legs astride, head turned to the left, hair on end; his arms are extended, fingers spread, mouth open as if shrieking. He has a grotesque profile with corvine nose and wears high jack-boots with large spurs. At his feet lies a broken baton inscribed 'Magic Wand'. Five allies threaten him at point-blank range, and from a circle of cloud an arm emerges holding a conical 'Allied Extinguisher' above his head. On the extreme left Wellington aims a blunderbuss, saying, "Take a good aim at the Head Gentlemen, & we shall soon settle the Business." On Wellington's left stands Francis I, aiming a small pistol; by his head are the words: 'A way Mr Boney the Hand of Justice [see No. 12247] will put your Night Cap on at last.' On the extreme right a fat Dutchman, wearing a conical cap as in No. 12105, stands behind a small cannon holding a lighted match and a cannon-ball inscribed 'Orange Boven'; he says: "I'll deal out my Oranges to him Wholesale." Beside him are piled cannon-balls inscribed 'Orange'. In his hat are orange ribbons inscribed 'Orange Boven' and a tobacco-pipe. Next him the Tsar leans forward, aiming a large pistol; he says: "I'll rattle a few Snow Balls at his Cranium." On Alexander's right stands Bernadotte, aiming a small pistol; he says: "By gar we shall mak de head look like de plomb Pudding." All but the Dutchman wear uniform with cocked hats. A background of smoke or cloud is indicated."--British Museum online catalogue
Description:
Title from caption below image. and Offset from another impression on verso. Inscription from ...
Publisher:
Pud. Decr. 1813 by S. Knight, Sweetings Alley Royl
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Charles XIV John, King of Sweden and Norway, 1763-1844, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
Description:
Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Geographic):
Russia. and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys