Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 59. Etchings by Henry William Bunbury, Esq. and after his designs. Page 133. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Figures grouped around the body of the Count on a bed, his face obscured by the canopy, his lover kneeling over him and holding his hand, a man seen from the back kneeling in prayer before the bed and a small boy carrying a bowl and towel at the end, in the foreground at left a guard stands sentry; after Bunbury."--British Museum online catalogue
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2993., Sheet trimmed within plate mark., Mounted on page 133 of: Bunbury album., and 1 print : etching on laid paper, hand-colored; sheet 45.1 x 55.8 cm
Publisher:
James Bretherton
Subject (Topic):
Deathbeds, Canopy beds, Wounds & injuries, Prayer, and Guards
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., Artist and printmaker from text on later state: H. Bunbury Esqr. delint. ; engraved by T. Watson., Early state, before any lettering. For the final lettered state, published 28 May 1781 by Watson & Dickinson, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed within plate mark., and Mounted on page 23 of: Bunbury album.
A collection of hand-drawn transformation playing cards using the suit symbols incorporated in the sketches of people in a variety of scenes, some clearly English, others continental. Two examples are a fireside scene illustrating a mother and child (and two others) seated in front of a fireplace with a hanging cauldron, and an illustration of an amorous couple enjoying a dance as a violinist plays stage left. The cards depict both black and white characters, all of whom are wealthy or of high status, including soldiers, bishops, and men and women in fashionable dress. At the top of one card above the head of a man who reads from a sheet as he addresses a woman who looks down demurely, are the words "Mio ben.". On the verso of two cards are inscriptions in English. The first shows a figure in Shakespearean-era costume on the front and on the back, a quote from Twelfth night (Act II, Scene 5): "Some are born great, some achieve greatness, and some have greatness thrust upon them.” A second shows a couple sitting across from each other with an empty table between and on the back three stanzas from William Cowper’s The Diverting History of John Gilpin, first published in 1782
Description:
Title devised by cataloger. and In a later envelope inscribed 'Mlle. de Bernardy' and 'N. Anderson'.
Subject (Geographic):
Great Britain
Subject (Topic):
Playing cards, Card games, and Social life and customs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 51 of: Bunbury album., and 1 print : soft-ground etching on laid paper ; plate mark 29.5 x 23.5 cm, on sheet 37.3 x 31.1 cm.
View inside Vauxhall Gardens, with the Grand Walk on the right leading towards the obelisk. The orchestra is seen to the left, flanked by pavillions on either side. Elegantly dressed figures socialize in the gardens and walk in pairs down the tree-lined path
Alternative Title:
View at the entrance into Vauxhall
Description:
Title, artist, and date from the 1761 engraving after this drawing., Unsigned., and Engraved in reverse by Edward Rooker and issued as a plate to: London and its environs described. London : R. and J. Dodsley, 1761.
Subject (Geographic):
Vauxhall Gardens (London, England),, England, and London.
A small audience sitting on benches on a tribune next to the equestrian statue of Cosimo I de' Medici in Piazza della Signoria, watching a military parade of the guards of the Grand Duke Pietro Leopoldo of Lorena (1765-1790), son of the Empress Maria Theresa of Habsburg and brother of Joseph II. The soldiers, forming an L-shaped cordon and led by four battalion officers, are recognizable by their tricorns and the bayonets. At the center of the square, under the grand building of Palazzo Vecchio, stands a troop of drummers. Figures in the the foreground include a group of cavalrymen bearing a banner and followed by a cart on the right; a lady and gentleman waiting for a landau carriage at center; and a figure, maybe a soldier on look-out, watching the scene in Palazzo Uguccioni's shadow on the left
Description:
Title and artist attribution from dealer's description. and Date based on artist's death date.
Subject (Geographic):
Florence (Italy)
Subject (Name):
Piazza della Signoria (Florence, Italy), and Palazzo vecchio (Florence, Italy),
Subject (Topic):
Plazas, Equestrian statues, Military parades & ceremonies, Spectators, and Carriages & coaches
"Portrait of William Wilberforce, MP, half-length seated at a table on which stand the 'Parliamentary Register' and 'Debates', holding folded in his hand the 'Slave Trade Abolition Bill'."--British Museum online catalogue
Description:
Title from lettered state., Artist and printmaker from statements of responsibility on lettered state: Painted by the late John Russell Esqr. R.A., crayon painter to the King, the Prince of Wales, and the Duke of York ; engraved by James Heath A.R.A., Proof before all letters. For a lettered state with the imprint "Published Novr. 26, 1807, by William Faden, Geographer to the King &c., Charing Cross, John Hatchard, Bookseller to the Queen, 190 Piccadilly, and William Russell, 17 Newman Street," see British Museum online catalogue, registration no.: 1899,0805.4., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., Mounted opposite page 512 (leaf numbered '107' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Later ink annotation below print, on mounting sheet: William Wilberforce (Slave Abolitionist).
Title devised by cataloger., Unsigned; artist unidentified., Place and date of production from Annie Burr Lewis's note that was pasted to the back of former frame: This is a French 18th century "pin prick" picture., and Temporary local subject terms: Pin prick (pouncing) -- Women in literature and art.