Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: British Lion -- The White Horse of Hanover -- British territorial concessions: Cape Breton to France.
Publisher:
Publisher not identified
Subject (Name):
Edward III, King of England, 1312-1377, Henry V, King of England, 1387-1422, Cromwell, Oliver, 1599-1658, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Treaty of Aix-la-Chapelle, Devil, Hostages, Military uniforms, British, National emblems, and Hanoverian
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequel to No. 11384. A fantastic scene in Oxford representing Grenville's installation as Chancellor, which took place at Commemoration, 3 July 1810. Grenville rises in a balloon above a vast applauding crowd; his inflated and spherical posterior fits into the shallow bowl which forms the car. He wears a papal tiara and his Chancellor's gown; a large cross is on his posterior. He extends his arms horizontally, scattering symbolical objects. These are (left): a Cardinal's hat, a rosary, a mitre set in a ducal coronet, and a book, 'Liber Regis . . . Oxford . . .'; (right): three books: 'Letter to the Earl of Fingal'; 'Irish Mass Book'; 'Liber Valorum'. The spherical gas-bag of the balloon represents an inflated Lord Temple, the crown of the head at the summit, with upturned profile in the arc just below (left); shoes emerge from the opposite pole; from the posterior issues a tail or cloud, streaming upward, inscribed 'Promisses'. The car, decorated with Popish emblems, the Host between winged heads, hangs from cords suspended from a net covering the balloon. Three bishops, seated on asses which crouch in neighing obeisance towards Grenville, reach up eagerly towards the Cardinal's hat, &c. They are in back view, and in the foreground on the extreme left. Behind them is part of the Radcliffe Camera, the greater part being cut off by the left margin. By the door is a placard: 'Order'd That No Doctor of Laws shall be admitted without Bag Wig'. Two men are leaving the building: Lord George Grenville, followed by (?) Thomas Grenville. [Not Windham (as Wright and Evans say) who died in June. Lord Holland says Lord Grenville, but he does not resemble him, and his double appearance is unlikely.] The Marquis of Buckingham looks from the principal window under the dome; Lord Stafford leans from a smaller window below. All four wear bag-wigs and gowns. On a projection above the door stands a chicken with the head of M. A. Taylor (the 'Chick of Law', see No. 6777) puffing a blast up at the balloon. Spectacled and bewigged owls perch on the balustrade surrounding the dome. In the foreground on the right is a large group, many of whom wear doctor's gowns with black masks over their features, tied over bag-wigs that perch awkwardly on their heads. Three of them wave their mortar-board caps towards the balloon: Erskine, Tierney (without a mask and especially deferential), and Lord Holland, his face completely blackened by a mask and wearing a mob-cap. Behind (right) are Lord Grey, Sidmouth holding a clyster-pipe behind his back (cf. No. 9849), Lord Cholmondeley, whose wig is back to front and tilted tipsily over one eye, and Whitbread, who clutches his mortarboard in both hands. In front little Lord Lansdowne capers, holding up the brush and shovel of a chimney-sweep (as Lord Henry Petty he was satirized as an inveterate dancer, cf. No. 10589). Next him, but walking off to the right, is Sheridan, who, unlike the others, does not wear a gown and bag-wig, but is naked except for tattered Harlequin trousers (cf. No. 9916), shoes, and ruffles fastened round his wrists to indicate genteel poverty; he clutches his head with a despairing gesture. In the foreground on the extreme right. Dr. Crowe, the Public Orator, sits on the ground, leaning against a milestone with closed eyes and a contented smile; beside him are an overturned tankard inscribed 'Whitbread Entire' [cf. No. 10421], and papers, 'Oratio Croweiana', which a dog is befouling. The stone is inscribed [blank] 'Miles from Oxford to Rome'. The middle distance is filled with a dense crowd of spectators, receding into a sea of heads. Those in front are doctors in red gowns bowing low as Grenville ascends. In front of the crowd Sir W. W. Wynn and his two brothers (Grenville's nephews), sit together in a little chaise drawn by three galloping Welsh goats (as in No. 9760); they wear bag-wigs and gowns and raise their caps to Grenville. One of the goats gallops over a prostrate man in doctor's wig and gown. A bishop (the Archbishop of York) drives through the crowd (left to right) in an open barouche; he doffs his mitre; the coachman and three fat footmen standing behind wave their cocked hats. The crowd surrounds a wooden booth (left) and a high wagon which serves as platform for a rustic family group to view the display. The booth is placarded: 'Wonder of the World the biggest Flying Elephant in the Whole Fair'. Inside it, tiny figures peer at the posterior of a vast elephant with little wings and the head of Grenville. The background is a fantastic view of Oxford towers, which resembles, and is perhaps based on, a drawing by Rowlandson (reproduced, C. Hobhouse, 'Oxford', 1939, p. 60). The crowd fills a space between the Radcliffe Camera and the wall of All Souls abutting (right) on the west end of the Chapel. Behind (left) is the cupola over the gate of All Souls with (right) Hawkesmoor's twin towers flanking a 'Popish' cross. Tom Tower, Christ Church, much heightened and enlarged (right), behind the chapel, flies a Popish flag decorated with tiara and keys, and is traversed from top to bottom by a great fissure. Bats and carrion birds fly round it. Below the design: '-He steers his flight Aloft, incumbent on the dusky air That felt unusual weight,-Par, Lost, Lib: I. l, 225-'"--British Museum online catalgoue
Alternative Title:
He steers his flight aloft, incumbent on the dusky air that felt unusual weight. Par. Lost and Tentanda via est qua me quoque possim tollere humo. Virgil, Geor. ...
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 11570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "34" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 93 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Moss, Charles, 1763-1811
Title from text below image., Illustration from an unidentified edition of: Heads of the people, or, Portraits of the English. Editions of this work were illustrated by Kenny Meadows and published ca. 1840., and Text below title: God shield us! A lion among ladies is a most dreadful thing! Midsummer night's dream.
Image divided into six scenes captioned individually: Dizzy; Foolish; Evidently inebriated; Considerably intoxicated; Uncommon drunk; Indisputedly dead drunk!
Alternative Title:
Six gradations of a drunkard
Description:
Title from heading etched above image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms.
Title etched above image; subtitle etched below images., Plate numbered '87' in upper left corner., and Plate from: A Political and Satyrical History of the Years 1758 and 1759.
Title etched above image; subtitle from below image., Sheet trimmed within plate mark., Plate numbered '87' in upper left corner., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., A copy in reverse of: No. 36 98 in v. 3 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Dutchmen -- Reference to Amsterdam -- Reference to English privateers.
pubd. for the benifit [sic] of decayed musicians, [1790?]
Call Number:
790.00.00.68
Image Count:
1
Resource Type:
still image
Abstract:
A man in a tricorne hat sits playing an organ with a score open in front of him. On the ground leaning against the organ are two volumes one with a label 'Davis' and a walking stick
Alternative Title:
Bagnigge organgist
Description:
Title etched below image., Text following title: What passion cannot music raise & quell when C..... struck his corded shell the listning drunkards stood around and wondring on their facaes fell. Vide Dry. Ode to S. Cecillia night., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bagnigge Wells -- Ode to St. Cecillia's Night., and Unidentified pencil note identifying organist as Charles Griffiths.
Publisher:
publisher not identified
Subject (Topic):
Musicial instruments, Musicians, and Staffs (Sticks)
Title etched at bottom of image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ministers deserting East India reform, December 9, 1766 -- Maps: map of East India -- Coalitions: Bute and Chatham -- Personifications: Popularity -- Reform of the East India Company as a windmill -- Mythology: Atlas -- Hercules -- Personifications: Folly as an East Indian -- Gout: gouty shoes -- East Indians -- Crutches -- Emblems: Dutch East India Company as a windmill., and Identification below title in contemporary hand: Ld. Chatham.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and East India Company.
Title engraved above image., Publication date from British Museum catalogue., Plate numbered 'Plate 3' in upper right corner., and Temporary local subject terms: Personifications: Personifications: Liberty -- Animals -- Reference to France: Calais -- Monuments -- Reference to William Allen -- Reference to the Young Pretender -- Michael Curry, 1732-1788, printer -- Justice Gillam.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Egremont, Charles Wyndham, Earl of, 1710-1763, Halifax, George Montagu-Dunk, Earl of, 1716-1771, Harley, Thomas, 1730-1804, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, Pitt, William, Earl of Chatham, 1708-1778, and Wilkes, John, 1725-1797
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Text following title: Vide message to Lord Mayor., Four lines of verse, with heading "Billy the Butcher's advice to John Bull," etched below title: Since bread is so dear (and you say you must eat), for to save the expence you must live upon meat ..., A reduced copy of a print by Gillray with the same title. Cf. No. 8665 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 74 in volume 1.