"An old and young woman holding a large basket between them full of crockery."--British Museum online catalogue
Alternative Title:
Toute sorte de potterie a un sol et demi par assiette ...
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Fifth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "5" in lower right corner.
All sorts of figures and ornaments in plaister of Paris, made & sold by David Crashlay, figure maker, at Sr. Jsaac [sic] Newton's Head in Longacre, London
Description:
Title from item., Imperfect; sheet multilated along bottom edge with loss of lower portion of design and partial loss of printmaker's signature., and On leaf 126 of an album with spine title: Trade tokens and bookplates.
"The White Horse of Hanover (the King) kicks violently; he has thrown off members of the Ministry who lie under his heels, while Howick and Grenville are about to fall from the saddle; the reins have broken. On the horse's shoulder is the star of the Garter. Grenville, on the hind-quarters, his peer's robe floating behind him, holds the (torn) 'Catholic Bil[l]', while he clutches the slipping Howick. In the middle distance (l.) John Bull, a yokel in a smock, watches delightedly, saying, "Dang it! he has kicked um off at last zure enough! Aye, Aye, it was that cursed Catholic Bill tickled his rightump and set him a Kicking." Sidmouth lies in front of the animal, holding up his arm; he clutches a clyster-pipe (cf. BMSat 9849). The others (l. to r.) are Petty and Erskine in their gowns; the former clutches Howick's r. ankle, dragging him down; the latter sits on a cushion inscribed '4.000 Pr Anm' [see BMSat 10714.] He says: "I've had a cursed short ride! and if it had not been for this little cushion I should have a confounded thump on my Rump." Ellenborough tries to protect his head from the horse's heels. Sheridan, as Harlequin (see BMSat 9916), sprawls on the ground, bleeding at the nose. Moira runs off, as does Temple, also with a bleeding nose; he says: "Curse that Stone I've broke my Nose against it." Before him is a large piece of 'Portland Stone' [see BMSat 10718, &c]; behind him is his spectacled father, Buckingham. On the extreme right. are Windham and Lauderdale, wearing a plaid."--British Museum online catalogue
Alternative Title:
High mettled Hanoverian grown restive
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Catholic Bill., and Mounted to 32 x 47 cm.; figures identified by m.s. annotations on mount.
Publisher:
Pubd. April, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Lansdowne, William Petty, Marquis of, 1737-1805, Erskine, Thomas Erskine, Baron, 1750-1823, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, and Windham, William, 1750-1810
Title from caption below image., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., Artist's signature appears within design., and Sheet trimmed within plate mark.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Title from item., Date derived from dates of posters offered., Poster advertises free nutrition education material availabe from the National Nutrition Division, part of the Office of Defense Health and Welfare Services., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
National Nutrition Division
Subject (Name):
McNutt, Paul V. 1891-1955. (Paul Vories),
Subject (Topic):
World War, 1939-1945, Nutrition, and Advertising campaigns
Title devised by cataloger., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Place and date of imprint conjectured from that of book., Numbered in upper right of plate: 165., and Temporary local subject terms: Allan MacDougall of Glenlochan -- Alexander Watson of Glenturkie -- Colquhuon Grant.
Title devised by curator., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1837)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Allan MacDougall of Glenlochan -- Alexander Watson of Glenturkie -- Colquhuon Grant.
White, George, approximately 1684-1732, printmaker
Published / Created:
[between 1722 and 1740]
Call Number:
Portraits R178 no. 1
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Printmaker and date and place of publication from the British Museum online catalogue, registration no.: 1950,0520.24., and Description based on imperfect impression; sheet trimmed within plate mark with loss of printmaker's name.