Manuscript on parchment of Guarino of Verona, 1) Regulae grammaticales. 2) De orthographia. 3) Carmina differentialia.
Description:
Binding: Nineteenth century (?). Rigid vellum case. Remains of a brick red label., Bookplate of Thomas E. Marston; the date and source of acquisition unknown., One illuminated initial of poor quality, f. 1r, 11-line, purple with white filigree on gold and blue ground; filled with a stylized flower red and green with white filigree, upper terminal extending into pen-and-ink inkspray with gold balls and a mauve flower in upper border; pen-and-ink flourish with gold balls, ending in a bird's head, mauve, green and blue. Plain initials and paragraph marks alternate in blue and red; headings in red. Arms of the Valaresso family of Venice in lower border (azure, 3 bars gemelles or); partially effaced arms of Cardinal Bessarion in outer margin (azure, a cross botonny gules, a chief or; crest, cardinal's hat and crozier)., and Script: Written in humanistic bookhand, below top line; marginal annotations in humanistic cursive.
Subject (Name):
Guarino,--Veronese,--1374-1460
Subject (Topic):
Illumination of books and manuscripts, Medieval, Language and languages--Orthography and spelling, Latin language, Medieval and modern--Grammar, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Guido de Baysio, Rosarium decretorum, secunda pars. Missing leaves throughout.
Description:
Binding: Date? Brown leather over wooden boards, possibly early. Blind-tooled with concentric frames of fillets and a rectangular rope tool. Hearts in a central panel. Four fastenings, the catches on the upper board. Heavily restored., One fine miniature, f. 1r, 23-line, without frame, bishop enthroned under baldachin instructing the clergy; two trees at sides; two birds above. In lower margin, a roundel with a portrait of a student, in a blue, pink and white frame, surrounded by spiral foliage and large gold dots. At the end of the volume, f. 212v, a roundel with a portrait of an older man, with a thick red and blue frame with blue, green, and gold dots. Thirty initials, 16- to 12-line (ff. 1r, 15v, 36r, 45r, 47v, 52r, 59r, 64r, 68v, 81r, 92v, 96v, 100r, 103v, 123v, 127r, 129r, 131r, 137v, 156v, 163r, 163v, 166r, 166v, 172r, 174r, 190r, 190v, 193r, 194r), most with a single, some with as many as three figures, bishops, priests, monks, students, and women, either reading, instructing or debating; in one case, f. 194r, a priest celebrating mass (De consecratione). The figures set against navy blue grounds with white filigree; the initials shaded pink, orange, red, blue and green against square gold grounds with white filigree, framed in black, blue or green; curling foliate serifs attached to bar stems in inner or central margin, interrupted by initials in margin, blue, light blue, grey, pink, orange, red, and black, extending full length of margin; with large spiral foliate terminals with gold dots and flourishes in brown ink, often incorporating roundels, some with additional figures or birds. Numerous small, 4-line, flourished initials, red with blue flourishes and vice versa, as well as red and blue alternating paragraph marks throughout. Running titles added along upper edge., Script: Written in elegant round gothic bookhand secundum pecias., and Written probably in Bologna from a stationer's exemplar secundum pecias.
Subject (Name):
Guido,--de Baysio,--d. 1313
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Pecia
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails., Purchased from Giuseppe (Joseph) Martini of Lugano by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., and Script: Written by a single scribe in humanistic cursive script, below top line.
Subject (Name):
John Chrysostom, Saint, -407 and Traversari, Ambrogio, 1386-1439
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800
Manuscript on parchment (trimmed) of 1) Bible in the usual order with some prologues and later additions. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) List of readings for year, beginning with the first Sunday in Advent through Monday after Easter. 4) Another list of readings from the first Sunday in Advent (f. 427r) through the 25th Sunday after Trinity, for the dedication of a church, for the sanctorale from Andrew through Cecilia, for the common of saints and for Trinity, Holy Spirit, Holy Cross, Virgin Mary, and the dead. and Manuscript on parchment (trimmed).
Description:
Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled., Collection of Cornelius Vanderbilt (MS 190); bequeathed to Yale in his memory by his daughter Gladys Moore Vanderbilt, Countess Laszlo Szechenyi in 1966., Rectangular pieces cut out of lower margin, ff. 266-69; no loss of text., Script: Written in small gothic textura; a few corrections added in a tiny neat cursive hand. Marginal notes in several cursive hands of 14th-15th centuries., and The historiated initials, 11- to 6-line (not including ascenders or descenders), are pink and blue, with dragons, against pink and blue grounds with gold dots and triplets of white dots. Initials for prologues 6- to 4-line (without ascenders or descenders), as above, filled with intertwining vines, blossoms, dragons, occasionally birds or fish; 4- to 1-line initials, red or blue with blue and red penwork. Headings, chapter numbers, red and blue alternating letters with blue and red penwork. Capitals stroked in red. Some rubrics missing.
Subject (Topic):
Bible.--Latin--Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Manuscripts, Medieval--France--13th century, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Valerius Maximus, Factorum et dictorum memorabilium ad Tiberium cesarem.
Description:
Binding: 15th-16th centuries. Resewn on four tawed, slit straps laced through the edge of wooden boards and nailed in channels which are filled in with plaster. There is a piece of leather at the exit from one tunnel and what may be the tips of nails just inside the channel so earlier supports may have been of leather, nailed twice. The endbands, sewn on twisted leather cores laid in grooves, were tied down through a leather spine lining, the embroidery with three beads. The edges are gilt with a design scratched on them, the spine square. Covered in dark brown goatskin with corner tongues, blind-tooled with a star in a circle with wide rope interlace panels above and below, inside concentric outer borders. Small diamonds and dots on the spine. Four brass catches on the lower board and stubs of velvet straps nailed to the upper. One joint cracked and repaired and one endband added., On f. 3r, a good historiated initial, 7-line: the author in armor, holding his book; thick, curling foliage forms, pink, orange, blue, and green, on an irregular gold ground, edged in black. Nine illuminated initials (ff. 16r, 29v, 43r, 57r, 72r, 85v, 98r, 111v, and 126r) to open Books 2-10, composed of foliage, as above, and striated color strips, in vibrant blue, orange, crimson, mauve, green, and occasionally yellow, highlighted in white and variations of the same basic hues. 4-, 2-line initials, blue with red penwork or vice versa. Book numbers at top of page, red and blue; rubrics throughout. Remains of guides for rubricator., and Script: Written by a single scribe in fere-humanistic script. Marginal and interlinear notes in several contemporary and later hands.
Subject (Geographic):
Rome--History--Tiberius, 14-37
Subject (Name):
Valerius Maximus
Subject (Topic):
Didactic literature, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library