In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys.The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., A reduced copy of the fourth plate in the "Industry and idleness" series. For the original plate engraved by Hogarth and published in 1747, see no. 2926 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 171., Caption centered below image, a quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Plate numbered "4" in upper right corner., and Bound in after page 264 in volume 3 of an extra-illustrated copy of: Pennant, T. Some account of London.
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 49. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", 1 print : etching with engraving on laid paper ; plate mark 26.5 x 34.8 cm, on sheet 28.7 x 43.6 cm., Mounted on leaf 59 x 46 cm., and Plate 49 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 747
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Servants, Signs (Notices), Street musicians, and Rake's progress
"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., Mounted on page 83 of: Bunbury album., 1 print : etching on laid paper ; sheet 17.9 x 20.9 cm., and Sheet trimmed to plate mark.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
An aspirational dustman in ragged clothes, a monocle hanging from his hat, and smoking a cigar, sits in a chair before the hearth reading a book, "An introduction to the pleasures of ... schince by Barnart Botherum [...] dedicated to the majesty of the people". On the table are bowl, a goblet and a bottle of Port. On the wall hangs a landscape and on the mantel a bust of Shakespeare. The dog at his feet stares at the fire, the bones of fish dinner on a plate beside him. A large bell sits on the floor beside the dustman
Description:
Title etched below image., Sheet trimmed within plate mark., "Plate 1"--Upper right corner., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published April 1828 by S. Maunder, 10 Newgate Street
Subject (Topic):
Dustmen, Chimney sweeps, Dogs, Interiors, Fireplaces, Smoking, and Reading
Volume 2, page 79. Etchings by Henry William Bunbury, Esq. and after his designs. Page 19. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl kneeling before a fence with a dog beside her, a goose in the basket which she holds in her right hand; after Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Mounted on page 19 of: Bunbury album., and 1 print : stipple engraving, etching, and engraving on laid paper ; sheet 43.3 x 32.7 cm.
Publisher:
Publish'd June 1st, 1791, by W. Dickinson, No. 24 Old Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[10 December 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 69. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A group of men standing outside a dilapidated building, part of which is visible on the right. One, wearing a broad-brimmed hat, holds in his left hand a torn paper on which parts of words are visible: "[Pet]itio[n] ... [Fr]eehold[rs] . . . Minist[ry] . . ." His right forefinger is extended as if laying down the law to his companions. On his right stands a man holding his chin with an expression of deep thought. In his right hand is (?) a turncock. Next him (left) is an artisan, listening intently, his breeches unfastened at the knee, his stockings ungartered; he holds a short hammer and is probably a shoemaker. Behind (right) a man wearing a waistcoat over a ruffled shirt, but no coat, lounges against the stump of a tree and listens open-mouthed. On the top of the stump is an open dish of food which a dog is eating, his head twisted backwards in a peculiar manner."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Bunbury in the British Museum catalogue., Four lines of text below image, two on either side of title: The rabble gather round the man of news and listen with their mouths. Some tell, some hear, some judge of news, some make it, and he that lyes most loud is most beleiv'd [sic]., Sheet trimmed to plate mark leaving thread margins., Mounted on page 69 of: Bunbury album., 1 print : etching with drypoint on laid paper ; sheet 23.7 x 25.8 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs 10th December 1772 by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 63. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Medical: Physicians -- Coach-horse -- Male costume: Riding hats., and Mounted on page 63 of: Bunbury album.
Publisher:
Publish'd as the act directs, 3d February 1773, by J. Bretherton, No. 134 New Bond Street
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 79. Queen Charlotte's collection of Hogarth works. Leaf 55. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "James Field" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title engraved above image., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., "Price 1s. 6d"--Left corner, below design., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 31.7 cm, on sheet 59 x 46 cm., and Plate 79 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces