Leaf of Cicero (106-43 B.C.), De Finibus Bonorum et Malorum (On the Ends of Good and Evil) II.27-28.
Description:
Script: Copied by a single hand in a rather uneven Humanistica Textualis marked by frequent fusions. and Decoration: None. The modern folio number(?), 36, is written in pencil on the recto.
In Latin., Watermarks: (1) Scissors, Briquet?; Piccard, Werkzeug und Waffen IX, 1103-1199, 1328-1332?; (2) Anvil, Briquet?; Piccard?; (3) Hunting Horn, Briquet?; Piccard?., Script: Written by a single scribe in a small rapid Humanistica Cursiva under strong Gothic influence; the latter is especially visible in the forms of d and final s. Headings in Humanistica Textualis. The margins contain contemporary annotations in Humanistica Cursiva., The decoration is wanting. Space for 3-line initials was provided at the opening of Books II-XLIV and for larger initials at the beginning of the Prologue and of Book I. Guide letters for the initials are visible in the left margin. On f. 100v a coarse human head in profile has been drawn in pen and ink (15th century)., and Binding: Original half leather (red goatskin), heavy wooden boards, one clasp attached to the front cover. Spine (damaged) with three raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Iustinus. and Trogus, Pompeius.
Subject (Topic):
Classical literature, History, Ancient, and Manuscripts, Medieval
Manuscript on paper (sturdy) of classical Orations, Lives, and Exempla, followed by Excerpts from Valerius Maximus, Excerpts from Xenophon (translated into Latin by Francesco Filelfo), Seneca's Tragedies, Comedies by Terence and Plautus, and other miscellaneous works
Description:
In Latin., Unidentified watermarks buried in gutter include hat, ladder, crossed arrows, cross bow., Script: Written by two scribes: Scribe 1 (ff. 1r-152v) wrote in a careful humanistic script for text and modified capitals for headings; Scribe 2 (ff. 153r-167v) retained the overall format but used a less elegant style of writing., and Binding: Eighteenth century. Plain sheepskin case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Biography, Classical literature, Latin drama (Comedy), Exempla, Manuscripts, Medieval, Speeches, addresses, etc, and Latin drama (Tragedy)
Thomas, of Ireland, approximately 1265-approximately 1329
Published / Created:
[between 1400 and 1495]
Call Number:
Beinecke MS 380
Image Count:
583
Resource Type:
unspecified
Abstract:
Manuscript on paper of 1) Excerpts (De prudentia, De fortitudine, De continentia, De iustitia) from Martin of Braga, Formula honestae vitae, a work often attributed incorrectly to Seneca. 2) Salomonis dicta; excerpts concerning wisdom, including quotes from Seneca, Book of Wisdom, etc. 3) Thomas of Ireland, Manipulus florum. 4) Excerpts from Petrarch, De remediis utriusque fortunae. 5) Isidore, Chronicon
Description:
In Latin., Watermarks: similar to Briquet Huchet 7693., Script: Written by a single scribe in various styles of italic script; heavy annotations by the scribe and later hands., Several crude initials: f. 1r, 4-line gold initial on blue ground, infilled red, and 3-line red initial on gold ground; on f. 2r, 5-line red initial on blue ground; f. 72v, 4-line red initial on green ground with some flourishes and gold dots, infilled blue. Initials (2- and 1-line), names of authors (added in margins), paragraph marks and headings in pale red., and Binding: Nineteenth century. Quarter bound in brown, diced calf with a gold-tooled title on spine: "Miscellanea di Seneca, Petrarcha e d'altri". Orange, leather-grained paper sides. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Classical literature, Christian literature, Latin (Medieval and modern), Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on paper of Ovid, Metamorphoses, translated into Italian and with allegorical interpretations by Giovanni Bonsignori (Citta di Castello, d. after 1377), finished 29/30 Nov. 1377. With various Italian poems by different poets. The scribe Giovanni Tolosini did the copying from an Apulian exemplar and at the request of Chirico di Pietro Tolosini
Description:
In Italian., Watermarks: Briquet 8348 and 11868-11869 (?)., Script: Copied by Giovanni Tolosini in very small Gothica Semihybrida Libraria/Currens (Mercantesca)., Headings in black up to f. 27v, afterwards in red. Heightening of majuscules in yellow up to f. 27v. 3- (sometimes 4- or 5-) line flourished initials alternately in red with blue penwork and blue with red penwork, with penwork extensions in the left margin or in the intercolumnar space. Large decorated flourished initials with developed and diversified penwork (c. 7 lines) in the same colours., The upper edges damaged by moist, especially in the fold., and Binding: Fifteenth century. Half leather (red-brown goatskin, which replaces an original wider piece of leather) with unbevelled wooden boards and remnants of two clasps attached to the front cover. Bound on three white leather thongs. On the spine a paper label with the handwritten 18th-century inscription "Metam. d'Ovidi[o]". On the front board the number "45" is written in ink; on the inner side of the rear board a 5-line account in Italian, 16th century, by the same hand (?) as copied the latter part of art. 8.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Classical literature, Italian poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (trimmed) of Aristoteles, Oeconomica, translated into Latin by Leonardo Bruni
Description:
In Latin., Watermark: bird (Briquet 12127?)., The main scribe (artt. 1-2) writes Gothica Hybrida (often close to Gothica Semitextualis) Libraria under strong Humanistic influence, visible in the use of Roman Capitals and straight s in final position., Space and partly guide-letters for a few initials were provided but the decoration is missing. In the space for the first initial (f. 1r) a coat of arms (silver, with a bend gules) was afterwards drawn., and Binding: Twentieth century. Half brown leather over pasteboard, the covers covered with brown paper. On the spine the gold-tooled title "ARISTOTLE . OECONOMICA . MS. 15TH CENT.".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Bruni, Leonardo, 1369-1444.
Subject (Topic):
Classical literature, Literature, Medieval, and Manuscripts, Medieval
In Latin., Script: Written in italic script by Piero Cennini (b. 1444)., Fine border and initials by Mariano del Buono. 3/4 white-vine border, f. 2r, infilled green, pink, and blue, against a blue ground, with white dots; putti and birds; at the periphery, flowers, gold dots, and hair-spray, especially profuse in lower margin; supported by a trellis, gold, which expands at regular intervals to form roundels. In upper margin, a blossom with fruits, in lower margin, in separate roundels, a hound chasing a stag, against deep landscape backgrounds. Between roundels with animals, the arms of Joannes Vitez, bishop of Gran, in a complex braided roundel, infilled green and blue with white and yellow filigree, and supported by four putti, two of which play musical instruments. One historiated initial, f. 1r, gold, Cicero reading a book, against a blue ground with stylized clouds, all against a green ground with yellow filigree. Thirty-two 7-, 6-, 5-, and 3-line initials, gold, with white-vine infilled green, pink, and blue, with white dots, against blue ground, with vines extending into margin, gold dots and hair-spray. Twelve 4- and 3-line initials, following f. 178, gold, against pink and blue or pink and green grounds, with white and/or yellow filigree. Following initials, one line of square capitals in brown or alternating red and brown. 1-line square capitals in text., The entire codex, including the binding, is in an excellent state of preservation., and Binding: Fifteenth century. Resewn on seven tawed, slit straps laid in channels and nailed into wooden boards. The spine is square, the edges gilt. Covered in ruby-red goatskin, blind-tooled with concentric panels. The rectangular central panel is reduced to a square with rope interlace and the central ornament is a four-pointed star protruding from a quatrefoil within a circle. Five foliate brass catches on the lower board. Stubs of green fabric clasp straps on the upper board. Rebacked; headbands and a gold-tooled spine added. Two catches and all clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on paper in two parts. Part I: Aristoteles, Topica. First folio of De sophisticis elenchis inserted after f. 137. Many folios replaced on 16th-century paper. Part II: 1) Heraclius (attributed author), Brontologion (Rules for interpreting thunder). 2) Ezra the Prophet (attributed author), Prognosis (Weather prophecies). 3) Stories from the Old Testament. The 2 parts of the book were probably bound together in Venice about 1500
Description:
In Greek., Headings in red., and Binding: Eighteenth century. Italian blind-tooled calf with unidentified arms in gilt on both covers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Manuscripts, Medieval, Philosophy, and Science, Medieval