"A phrenologist, ugly and dandified, standing behind a table, lectures to an informally grouped and stupid-looking audience; he holds his naturalistic brown wig, revealing a bald head covered with reddened protuberances. His Concluding Address is engraved in the lower margin: Ladies and Gentlemen Having thus concluded the hundred and thirty ninth article, under the Head or Section of Propensities: I shall take my leave until the next lecture, by clearly elucidating in my own person an instance of Due Proportion of Faculties: Talkativeness with Gulling, standing First: and further beg to testify, beyond all doubt, . . . that on the Craniums of this highly gifted and scientific Audience, the Organ of Implicit faith Under Evident Contradictions, Stands beautifully develop'd to a Surprising and Prominent degree Dear Ladies Worthy Gentlemen; adieu. Nearest the lecturer is a family party: anxious wife, amused husband, and small boy with a head abnormally protuberant at the back. Two bald men anxiously feel their bumps; an agitated woman presses her forehead. A man inspects a skull. On the lecturer's table, with one of Gall's plaster heads mapped out in numbered compartments, are writing materials and books, two with titles: Treatise on Elementary and Logic. Portrait busts, all bald, stand on the floor; busts illustrating different propensities decorate the room. Two are placed conspicuously on the floor in front of the table, Dr. [sic] Ville [see British Museum Satires No. 15157] and Gall. Others are of Spurzhim [sic], Scott, Shakespeare, W. Clive, and Tremaine. Two of a group of skulls are inscribed Thirtell [Thurtell, the murderer, executed 1824] and Pollard. The busts featuring character (with appropriate expressions) are Gazing Faculty, Slyness, Pride, Sleepiness, Consequence. The book-case behind the lecturer contains, besides books, a skull and a large jar of coloured liquid inscribed Gall, it stands on a large book, Opinions on Men and things; beside this are Lock on Understanding and Aristotle (propped by a skull). The other books with titles are Moore, Lavater [two volumes], Lectures on Nothing [? Outinian Lectures, see British Museum Satires No. 14773]; a rolled document, Doctrino Particularum, lies on two large books: Self Knowledge and Commentana Critica. Treatise on Magic, Harriette Wilson [see British Museum Satires No. 14828, &c], Duty of Man, Mackenzie ['Man of Feeling'], Treatise on Doubt, Philosophers Stone, Combe [two volumes], Treatise on Gold Making, Bells Brain [two volumes, 'New Idea of the Anatomy of the Brain', 1811]. On the wall are three pictures: Bumps, two little boys boxing with huge spherical gloves; Life's a Bumper, a fat 'cit' toping in an arm-chair; Tony Lumpkin, who cracks a whip, and shouts as in Goldsmith's play. Below these are pinned up a pictorial advertisement and three prints. The first is headed by a human eye and the inscription, Sold by Royal Patent Phrenological Hats Adapted to Every Protuberance of Faculty or Organ Yet Discovered, above a cluster of misshapen hats and a little man wearing such a hat; below: To be Had [in] Caster . . . Two prints illustrate bust portraits: Abstraction and Suspicion. The third, Prying, is a print of Paul Pry, see British Museum Satires No. 15138."--British Museum online catalogue
Alternative Title:
Phrenological lecture
Description:
Title from text above image., Atrributed to Henry Thomas Alken in the British Museum online catalogue, registration no.: 1895,0617.455., Text below image begins: Concluding address: Ladies and gentlemen, having thus concluded the hundred and thirty ninth article ..., Sheet trimmed within plate mark on top edge., Temporary local Medical Library subject terms: Lectures., and Mr. De Ville of the Strand identified by ms. note in a contemporary hand in lower left of sheet.
Publisher:
Published Sepr. 1826 for the artist at St. Peters alley Corn Hill
"A young man, in military dress, of elegant and effeminate appearance, sprawls on a sofa, looking towards a young woman (right) who leans towards him. She is of meretricious appearance, and wears the quasi-military riding-dress fashionable at this time in connexion with the militia camps of Coxheath and Warley. The room is luxuriously furnished. A round table with a wine bottle and glass is partly visible on the extreme right."--British Museum online catalogue
Alternative Title:
Captain Jessamy learning the proper discipline of the couch
Description:
Title from item., Date of publication from British Museum catalogue., Plate numbered '471' in lower left corner., Temporary local subject terms: Militia camps -- Militia uniforms -- Nosegays -- Lighting -- Furniture: pedestal table -- Military female costume -- Female costume: military & feathered hats., Watermark., Imperfect; publication date at end of imprint has been erased from sheet., Subjects identified below plate line in a later hand as Captain Bisset and Lady Worsley., and Matted to 62 x 47 cm.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Military uniforms, Flowers, Wallpapers, Chandeliers, Shutters, Windows, Tables, and Hats
An engraving showing a very tall military officer (full-length) walking towards the right, a cane under his right arm. By his sife is a very short, fat lady. Both are dressed in the fashion of the day
Alternative Title:
Captain Conquest and his baggage wagon
Description:
Title engraved below image., Imprint from state described in the British Museum catalogue., Plate numbered '5' in upper right corner., Cf. No. 4604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark.
Publisher:
Robt. Sayer & J. Smith?
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dandies, British, Military uniforms, Obesity, and Staffs (Sticks)
Title from caption below images., Later printing. Date of printing based on watermark., Publisher's advertisement following imprint: Folios of caricatures lent., Two designs on one plate, each depicting two figures holding an individually-titled print: A shooting party; A fishing party., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fishing -- Hunting., and Watermark: C. Ansell 1807.
Half an hour before dinner! and Half an hour after supper!
Description:
Title from caption below images., Publisher's announcement following imprint: NB. Folios of caricatures lent for the eveng., Two designs on one plate, each depicting two figures holding an individually-titled print: Half an hour before dinner! ; Half an hour after supper!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dining -- Parlors -- Parties -- Dining table., and Watermark: E & P 1794.
Title from caption below images., Publisher's advertisement following imprint: Folios of caricatures lent., Two designs on one plate, each depicting two figures holding an individually-titled print: Playing at hazard; A private concert., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: Hazard -- Double bass -- Timpani -- Tambourine -- Cats imitating singing., and Watermark: A. Stace 1798.
Title from caption below images., Publisher's announcement following imprint: NB. Folios of caricatures lent., Two designs on one plate, each depicting two figures holding an individually-titled print: A tea party; A card party., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Tea services -- Cards: Card parties., and Watermark: E & P 1794.
On the left, Charles Fox, dressed as an Oriental prince, lies on the ground having fallen off an elephant who has the face of Lord North; Fox's dice and dice box are scattered on the pavement. In the speech bubble above his head: "Perdition, take thee for the chanse is thing." To his right, William Pitt sits astride the elephant who stands at the entrance to the East India House, his face turned toward the viewer. Pitt offers in his left hand a "New India Bill" and holds three others under his arm and in his pocket: "Stamp [...] act", "Sup ... lies", and "Military Act ...". The building on the left has been extended to as far as Pitt's back
Alternative Title:
Billy's triumph and Carlo Khan dethroned
Description:
Title etched below image; the letter "e" inserted with a caret in the word "Dethron'd", Early state, with the elephant's (i.e. Lord North's) face turned toward the viewer. For a later state with Lord North's face shown in profile, the beginning of the word "Dethron'd" in title re-etched to bring the letter "e" down from above the line, and other changes to the design, see no. 6462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs March 24th, 1784, by S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Subject (Topic):
East India Company, Politics and government, Costumes, Indian, and Elephants
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., Mounted on page 39 of: George Humphrey shop album., 1 print : etching ; sheet 17.6 x 26 cm., On laid paper, hand-colored., and Imperfect; sheet has been cut in half, with bottom portion (17.3 x 20.7 cm) containing the verses mounted separately beside upper portion containing the engraved plate.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., 1 print : etching, hand-colored ; plate mark 35.8 x 26.1 cm, on sheet 39.5 x 28.2 cm, and Printed on laid paper (with a watermark)
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820