"One of a pair, with the same signatures and imprint, see No. 12929. Two couples dance with vigour, holding hands in a line, the ladies facing right, the men left. Other couples stand. Fashionable dress is burlesqued, the ladies with very décolletée and short-waisted dress, with short skirts, very wide, flounced, and projecting. One has a grotesque coiffure, hair strained into a pyramid, bound with ribbon, and topped by an absurd flower. The dandified men wear knee-breeches or tight pantaloons with high collars; hair cropped on the neck and projecting like an inverted basin. The room is bare except for festooned curtains."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman.
Publisher:
Pubd. June 4th, 1817 by H. Humphrey 27 St. James's Street
Subject (Topic):
Couples, Dance parties, Dancers, Dandies, and British
British tars giving the carmignols a dressing on memorable 1st of June 1794
Description:
Title from item., Sheet trimmed within plate mark at bottom., Publisher's advertisement following imprint: who has just fitted up his exhibition on an entire novel stile [sic] admittance one shilling., Temporary local subject terms: Reference to sansculottes -- Dogs: bulldog -- Emblems: tricolor cockades., and Watermark.
Publisher:
Pub. June 25, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799
Subject (Topic):
First of June, Battle of the, 1794, Sansculottes, Fighting, Sailors, and British
"A squalid domestic interior: the Prince of Wales (right) and Mrs. Fitzherbert (left) sit facing each other on each side of an open fireplace. A calf's head suspended from a string roasts before the fire. She mends a pair of breeches which he has taken off; on the breeches and on his left leg the word 'Honi' is conspicuous. He is out at elbows though fashionably dressed. Next to Mrs. Fitzherbert and on the extreme left is an infant in a wicker cradle, on rockers; the Prince negligently holds a string attached to the cradle. On the wall is a ballad: 'A Begging We will go &c.' The Prince of Wales' feathers also decorate the wall. On the extreme right is a small table, scantily laid for one. Weltje kneels beside it, unpacking a basket of potatoes. He looks round at George Hanger who stands behind the table in profile to the left holding a mug."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Domestic scene -- Furniture: chair -- Literary quotation: Colley Cibber's Love's last shift, or The fool in fashion -- Military uniform: Colonel in light infantry -- Roasting a calf's head -- Infant in wicker cradle -- Prince's debts -- Basket of potatoes.
Publisher:
Pub'd Feby. 26, 1787, by S.W. Fores at the Caricature Warehouse, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne,, Hanger, George,, and Weltje, Louis,
Leaf 44. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two scenes on one plate: on the left a macaroni smiling standing at a table, in the other a skeleton leaning against a funerary monument."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "22" in upper right corner., Temporary local subject terms: Dice-box and dice -- Furniture: Hanging bookshelf -- Pictures amplifying subject: Horse racing -- Books: Allusion to Weber and Hoyle -- Allusion to Harris's List of Covent Garden Ladies -- Allusion to Charlotte Hayes, procuress -- Building: Country church -- Tools: Spade., First of two plates on leaf 44., and 1 print : etching on laid paper ; plate mark 17.7 x 24.8, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. accord. to act Decr. 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Gambling, Playing cards, Tables, Skeletons, Shovels, and Tombs & sepulchral monuments
Leaf 44. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two scenes on one plate: on the left a macaroni smiling standing at a table, in the other a skeleton leaning against a funerary monument."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "22" in upper right corner., Temporary local subject terms: Dice-box and dice -- Furniture: Hanging bookshelf -- Pictures amplifying subject: Horse racing -- Books: Allusion to Weber and Hoyle -- Allusion to Harris's List of Covent Garden Ladies -- Allusion to Charlotte Hayes, procuress -- Building: Country church -- Tools: Spade., and Watermark.
Publisher:
Pub. accord. to act Decr. 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Gambling, Playing cards, Tables, Skeletons, Shovels, and Tombs & sepulchral monuments
Two dandies meet on a open field and have a brief conversation
Description:
Title from caption below image., Text below title begins: How are ye? ..., Companion print to: Parting., Sheet trimmed within plate mark on three edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey MIll 1824.
Political satire on the British military action in Spain during the Peninsular War: Lieutenant-General Arthur Wellesley expresses surprise to an overweight soldier, sweating after fleeing from the French, that is was able to re-join the rest of the army
Description:
Title etched below image., Probably etched by William Heath. See British Museum satire 11361 for similarity of style., Lettered with imprint and series statement in additon to speech balloons., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark: [illegible].
Publisher:
Pubd. Septr., 1810 by Thos. Tegg 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Peninsular War, 1807-1814, Obesity, Soldiers, and British
Title from text above images., Eight designs on one plate, each individually titled below., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1822.
"Four persons gazing at the prints displayed in a print-shop closely resembling though not identical with that in British Museum Satire no. 3758 (1774) which is evidently by the same artist. A man and woman (left) in macaroni dress stand together, he holds her left hand smiling, and pointing at one of the prints with his right hand. She turns aside smiling behind her fan. Two men (right) stand in conversation; one (right) points out to the other, who is in back view, both hands held up in astonishment, one of the prints in the top row, apparently that of Wesley. Other prints print of John Bunyan and George Whitefield. A dog befouls the foot of the man facing the shop-window."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed to plate mark., and Four lines of verse below title, in two colums: While macaroni and his mistress here, At other characters in picture, sneer, To the vain couple is but little known, How much deserving ridicule their own.
Publisher:
Printed for John Bowles, at No. 13 in Cornhill
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, Clothing & dress, Dandies, British, Dogs, Prints, Stores & shops, and Window displays
"Three stages of a dandy: [1] He sits in an arm-chair, in a flowered dressing-gown, reading the 'Literary Gazette' [Jerdan's weekly review], and negligently dangling a coffee-cup. His whiskers, like his hair, are in curl-papers. [2] He stands full-face, smoking a small cigar and holding a riding-switch. A small top-hat is poised on flowing curls which mingle with his whiskers; his contour is feminine, with long tight-waisted double-breasted coat over very wide trousers. [3] In tail-coat and tight pantaloons he sits, playing a guitar and singing loudly. His hair is more tightly curled than in [2]. In all three his sleeves are tight but puffed on the shoulder. His flat pumps have large ribbon bows."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., and Watermark: J. Whatman Turkey Mill 1827.